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« on: May 20, 2010, 06:04:12 AM »

Been arguing this all morning so I want to see some other opinions.

Basically, what I've been saying is that the only viable way for tuition fees to be scrapped is in a way that gets economic return; so it's investment. So that means humanities/arts subjects wont be on my list of tuition fees to scrap, because, all though they might benefit society in some ways, they wont make the returns and will make a lot of waste.

If you scrap tuition fees for scientists, you have more technicians that you can make use in the area of sustainable and green economy which is priority in most science fields at the moment. So the case for that is near unchallengable (any takers?)

if you scrap it for other subjects you have a system where taxes get poured into education; we end up with a very educated society but one that is probably unsustainable and thus wont last long because where does the money come from to keep funding this excessive system?

Another point I was making was the actual use of the degree title. It means different things for scientists and artists in terms of employability. Musicians do not get rejected on their qualification merit. But scientists will. You wouldn't want unqualified technicians working on the LHC would you? But does it bother you that your favourite rapper doesn't have a bachelors in music? There is more demand for qualified scientists than artists.

So I reckon to make the discussion of scrapping tuition fees happen more seriously, it should take out certain subjects.
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« Reply #1 on: May 20, 2010, 08:31:25 AM »

Some points:

First off, one thing that I find problematic is the definition of which subject gets economic return. Most people would have put the subject "economics" into the field of science. But you can argue very well that the teachings of that subject are directly responsible for the collapse of economics systems worldwide and the destruction of a huge amount of economic value.

Second, I find the way you'd have to evaluate economic problematic itself. You write: "all though they might benefit society in some ways". What does that mean? Which benefit is of economic value - and which isn't? Because in the end, it is all very much connected to each other. And each subject that benefits society directly OR indirectly benefits the economy. And vice versa. Plus, if one would use finnacial evaluations of the economy, there is no consideration of justice.

Also, what do you define as "make a lot of waste"? Because without clearer definiton, the value created by most scientist (who work in all kinds of fields, also in businesses of course) can be considered waste in many ways.

Third, scrapping tuition fees for science subjects as you propose creates one dimensional stimulus. If there are tuition fees for some kind of subjects but not for others, we'd have to deal with the problem that these other subjects are not likely to educate a lot of students anymore.

Fourth, how do you come to the conclusion that a system without tuition fees is "probably unsustainable"? Please elaborate.
In countries where there are no tuition fees (examples: Germany, Czech Republic, especially scandinavian countries: Sweden, Norway, Denmark) it doesn't seem to be unsustainable. Education benefits society and the economy. It creates more value and makes it possible to spread that value more justly - hence making free education more sustainable. Of course there are potential problems like everybody choosing to study because it's free - but that's a different topic. And IMO education should be regulated through skills: You can't study arts unless you show skills in the subject you apply to, you can't get a degree in science unless you prove you have the skills/knowledge you need in exams. This is already the case in most educational systems.

And another point I would like to make is that in creative arts subjects at least, as you mention music, the studies are not about the degrees. The degrees don't matter as much but that has little to do with the value of the education for a student. Those creative arts studies are extremely important to sustain a culture where for example critical political thinking is being taught - and the expression of such and representation of oneself or other groups. Whether there is a degree or not does not matter, but the subject is important to society and should be supported by the state.
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« Reply #2 on: May 20, 2010, 09:19:30 AM »

Some points:

First off, one thing that I find problematic is the definition of which subject gets economic return. Most people would have put the subject "economics" into the field of science. But you can argue very well that the teachings of that subject are directly responsible for the collapse of economics systems worldwide and the destruction of a huge amount of economic value.

Yeah, it's inevitable that economics get mentioned. It's complex and I WOULD include it, only because it has potential in that it whether it is responsible for economic collapse or not, it, without action, is merely a subject that is capable of learning and digressing knowledge of economy.


Second, I find the way you'd have to evaluate economic problematic itself. You write: "all though they might benefit society in some ways". What does that mean? Which benefit is of economic value - and which isn't? Because in the end, it is all very much connected to each other. And each subject that benefits society directly OR indirectly benefits the economy. And vice versa. Plus, if one would use finnacial evaluations of the economy, there is no consideration of justice.

There is interconnection. However, we will never see a shortage of artists. A shortage of philosophers. There is no need for incentive to gain more of these. Since the revelation of the effect of climate change and since we've come to understand that our energy sources aren't unlimited, we've been in need of more researchers and technicians who are focused on this. We need medical degrees, chemistry degrees, physics degrees. We don't need arts degrees. Why? Because art flourishes without being a discipline. It doesn't need to be a discipline and thus doesn't need funding which can go elsewhere.

Also, what do you define as "make a lot of waste"? Because without clearer definiton, the value created by most scientist (who work in all kinds of fields, also in businesses of course) can be considered waste in many ways.

By making a lot of waste I mean money that is invested into tuition, only to produce qualified individuals that there is no demand for. That is a waste. You have people with arts degrees working in places totally unrelated to art, next to people with either none, or a less of an education (in terms of time). It's a waste of time and money investing in things that there is no demand for.



Third, scrapping tuition fees for science subjects as you propose creates one dimensional stimulus. If there are tuition fees for some kind of subjects but not for others, we'd have to deal with the problem that these other subjects are not likely to educate a lot of students anymore.

One dimensional stimulus, yes. Does it matter if the amount of arts degrees students decreases? Is it going to stop art? No. Art will continue. Why? It doesn't consist of disciplines. It is rather about freedom of expression than discipline. Many famous artists have not been degree students.

Fourth, how do you come to the conclusion that a system without tuition fees is "probably unsustainable"? Please elaborate.
In countries where there are no tuition fees (examples: Germany, Czech Republic, especially scandinavian countries: Sweden, Norway, Denmark) it doesn't seem to be unsustainable. Education benefits society and the economy. It creates more value and makes it possible to spread that value more justly - hence making free education more sustainable. Of course there are potential problems like everybody choosing to study because it's free - but that's a different topic. And IMO education should be regulated through skills: You can't study arts unless you show skills in the subject you apply to, you can't get a degree in science unless you prove you have the skills/knowledge you need in exams. This is already the case in most educational systems.

Sweeden is going to begin charging tuition fees. Most of Germany charges tuition fees. I know nothing about the rest, but nevertheless; even if it is sustainable, I think it's a waste as the money could be going into other things. If it works for the scandanavians, then fine.

And another point I would like to make is that in creative arts subjects at least, as you mention music, the studies are not about the degrees. The degrees don't matter as much but that has little to do with the value of the education for a student. Those creative arts studies are extremely important to sustain a culture where for example critical political thinking is being taught - and the expression of such and representation of oneself or other groups. Whether there is a degree or not does not matter, but the subject is important to society and should be supported by the state.

You haven't addressed why they should be supported at university level so I trust you agree that there are no need for degree programmes for these subjects - as you've said. These matters of education can be taught in earlier school and do not require specialist programmes. The matters of culture you mentioned are more likely to be preserved via earlier school since at earlier ages influences are more likely to be instilled.
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

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Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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