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« on: August 27, 2007, 01:17:15 PM »

http://www.sciam.com/article.cfm?chanID=sa006&colID=1&articleID=0009F0CA-C523-1213-852383414B7F0147

February 21, 2005
      
Misconceptions about the Big Bang
      
Baffled by the expansion of the universe? You're not alone. Even astronomers frequently get it wrong
      
By Charles H. Lineweaver and Tamara M. Davis
      
The expansion of the universe may be the most important fact we have ever discovered about our origins. You would not be reading this article if the universe had not expanded. Human beings would not exist. Cold molecular things such as life-forms and terrestrial planets could not have come into existence unless the universe, starting from a hot big bang, had expanded and cooled. The formation of all the structures in the universe, from galaxies and stars to planets and Scientific American articles, has depended on the expansion.

Forty years ago this July, scientists announced the discovery of definitive evidence for the expansion of the universe from a hotter, denser, primordial state. They had found the cool afterglow of the big bang: the cosmic microwave background radiation. Since this discovery, the expansion and cooling of the universe has been the unifying theme of cosmology, much as Darwinian evolution is the unifying theme of biology. Like Darwinian evolution, cosmic expansion provides the context within which simple structures form and develop over time into complex structures. Without evolution and expansion, modern biology and cosmology make little sense.

The expansion of the universe is like Darwinian evolution in another curious way: most scientists think they understand it, but few agree on what it really means. A century and a half after On the Origin of Species, biologists still debate the mechanisms and implications (though not the reality) of Darwinism, while much of the public still flounders in pre-Darwinian cluelessness. Similarly, 75 years after its initial discovery, the expansion of the universe is still widely misunderstood. A prominent cosmologist involved in the interpretation of the cosmic microwave background, James Peebles of Princeton University, wrote in 1993: "The full extent and richness of this picture [the hot big bang model] is not as well understood as I think it ought to be ... even among those making some of the most stimulating contributions to the flow of ideas."

Renowned physicists, authors of astronomy textbooks and prominent popularizers of science have made incorrect, misleading or easily misinterpreted statements about the expansion of the universe. Because expansion is the basis of the big bang model, these misunderstandings are fundamental. Expansion is a beguilingly simple idea, but what exactly does it mean to say the universe is expanding? What does it expand into? Is Earth expanding, too? To add to the befuddlement, the expansion of the universe now seems to be accelerating, a process with truly mind-stretching consequences.

What Is Expansion, Anyway?
When some familiar object expands, such as a sprained ankle or the Roman Empire or a bomb, it gets bigger by expanding into the space around it. Ankles, empires and bombs have centers and edges. Outside the edges, there is room to expand into. The universe does not seem to have an edge or a center or an outside, so how can it expand?

A good analogy is to imagine that you are an ant living on the surface of an inflating balloon. Your world is two-dimensional; the only directions you know are left, right, forward and backward. You have no idea what "up" and "down" mean. One day you realize that your walk to milk your aphids is taking longer than it used to: five minutes one day, six minutes the next day, seven minutes the next. The time it takes to walk to other familiar places is also increasing. You are sure that you are not walking more slowly and that the aphids are milling around randomly in groups, not systematically crawling away from you.

This is the important point: the distances to the aphids are increasing even though the aphids are not walking away. They are just standing there, at rest with respect to the rubber of the balloon, yet the distances to them and between them are increasing. Noticing these facts, you conclude that the ground beneath your feet is expanding. That is very strange because you have walked around your world and found no edge or "outside" for it to expand into.�
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The expansion of our universe is much like the inflation of a balloon. The distances to remote galaxies are increasing. Astronomers casually say that distant galaxies are "receding" or "moving away" from us, but the galaxies are not traveling through space away from us. They are not fragments of a big bang bomb. Instead the space between the galaxies and us is expanding. Individual galaxies move around at random within clusters, but the clusters of galaxies are essentially at rest. The term "at rest" can be defined rigorously. The microwave background radiation fills the universe and defines a universal reference frame, analogous to the rubber of the balloon, with respect to which motion can be measured.

This balloon analogy should not be stretched too far. From our point of view outside the balloon, the expansion of the curved two-dimensional rubber is possible only because it is embedded in three-dimensional space. Within the third dimension, the balloon has a center, and its surface expands into the surrounding air as it inflates. One might conclude that the expansion of our three-dimensional space requires the presence of a fourth dimension. But in Einstein's general theory of relativity, the foundation of modern cosmology, space is dynamic. It can expand, shrink and curve without being embedded in a higher-dimensional space.

In this sense, the universe is self-contained. It needs neither a center to expand away from nor empty space on the outside (wherever that is) to expand into. When it expands, it does not claim previously unoccupied space from its surroundings. Some newer theories such as string theory do postulate extra dimensions, but as our three-dimensional universe expands, it does not need these extra dimensions to spread into.

Ubiquitous Cosmic Traffic Jam
In our universe, as on the surface of the balloon, everything recedes from everything else. Thus, the big bang was not an explosion in space; it was more like an explosion of space. It did not go off at a particular location and spread out from there into some imagined preexisting void. It occurred everywhere at once.

If one imagines running the clock backward in time, any given region of the universe shrinks and all galaxies in it get closer and closer until they smash together in a cosmic traffic jam--the big bang. This traffic-jam analogy might imply local congestion that you could avoid if you listened to the traffic report on the radio. But the big bang was an unavoidable traffic jam. It was like having the surface of Earth and all its highways shrink while cars remained the same size. Eventually the cars will be bumper to bumper on every road. No radio broadcast is going to help you around that kind of traffic jam. The congestion is everywhere.

Similarly, the big bang happened everywhere--in the room in which you are reading this article, in a spot just to the left of Alpha Centauri, everywhere. It was not a bomb going off at a particular spot that we can identify as the center of the explosion. Likewise, in the balloon analogy, there is no special place on the surface of the balloon that is the center of the expansion.

This ubiquity of the big bang holds no matter how big the universe is or even whether it is finite or infinite in size. Cosmologists sometimes state that the universe used to be the size of a grapefruit, but what they mean is that the part of the universe we can now see--our observable universe--used to be the size of a grapefruit.

Observers living in the Andromeda galaxy and beyond have their own observable universes that are different from but overlap with ours. Andromedans can see galaxies we cannot, simply by virtue of being slightly closer to them, and vice versa. Their observable universe also used to be the size of a grapefruit. Thus, we can conceive of the early universe as a pile of overlapping grapefruits that stretches infinitely in all directions. Correspondingly, the idea that the big bang was "small" is misleading. The totality of space could be infinite. Shrink an infinite space by an arbitrary amount, and it is still infinite.�

Receding Faster Than Light
Another set of misconceptions involves the quantitative description of expansion. The rate at which the distance between galaxies increases follows a distinctive pattern discovered by American astronomer Edwin Hubble in 1929: the recession velocity of a galaxy away from us (v) is directly proportional to its distance from us (d), or v = Hd. The proportionality constant, H, is known as the Hubble constant and quantifies how fast space is stretching--not just around us but around any observer in the universe.

Some people get confused by the fact that some galaxies do not obey Hubble's law. Andromeda, our nearest large galactic neighbor, is actually moving toward us, not away. Such exceptions arise because Hubble's law describes only the average behavior of galaxies. Galaxies can also have modest local motions as they mill around and gravitationally pull on one another--as the Milky Way and Andromeda are doing. Distant galaxies also have small local velocities, but from our perspective (at large values of d) these random velocities are swamped by large recession velocities (v). Thus, for those galaxies, Hubble's law holds with good precision.

Notice that, according to Hubble's law, the universe does not expand at a single speed. Some galaxies recede from us at 1,000 kilometers per second, others (those twice as distant) at 2,000 km/s, and so on. In fact, Hubble's law predicts that galaxies beyond a certain distance, known as the Hubble distance, recede faster than the speed of light. For the measured value of the Hubble constant, this distance is about 14 billion light-years.

Does this prediction of faster-than-light galaxies mean that Hubble's law is wrong? Doesn't Einstein's special theory of relativity say that nothing can have a velocity exceeding that of light? This question has confused generations of students. The solution is that special relativity applies only to "normal" velocities--motion through space. The velocity in Hubble's law is a recession velocity caused by the expansion of space, not a motion through space. It is a general relativistic effect and is not bound by the special relativistic limit. Having a recession velocity greater than the speed of light does not violate special relativity. It is still true that nothing ever overtakes a light beam.

Stretching and Cooling
The primary observation that the universe is expanding emerged between 1910 and 1930. Atoms emit and absorb light of specific wavelengths, as measured in laboratory experiments. The same patterns show up in the light from distant galaxies, except that the patterns have been shifted to longer wavelengths. Astronomers say that the galactic light has been redshifted. The explanation is straightforward: As space expands, light waves get stretched. If the universe doubles in size during the waves' journey, their wavelengths double and their energy is halved.

This process can be described in terms of temperature. The photons emitted by a body collectively have a temperature--a certain distribution of energy that reflects how hot the body is. As the photons travel through expanding space, they lose energy and their temperature decreases. In this way, the universe cools as it expands, much as compressed air in a scuba tank cools when it is released and allowed to expand. For example, the microwave background radiation currently has a temperature of about three kelvins, whereas the process that released the radiation occurred at a temperature of about 3,000 kelvins. Since the time of the emission of this radiation, the universe has increased in size by a factor of 1,000, so the temperature of the photons has decreased by the same factor. By observing the gas in distant galaxies, astronomers have directly measured the temperature of the radiation in the distant past. These measurements confirm that the universe has been cooling with time.�

Misunderstandings about the relation between redshift and velocity abound. The redshift caused by the expansion is often confused with the more familiar redshift generated by the Doppler effect. The normal Doppler effect causes sound waves to get longer if the source of the sound is moving away--for example, a receding ambulance siren. The same principle also applies to light waves, which get longer if the source of the light is moving through space away from us.

This is similar, but not identical, to what happens to the light from distant galaxies. The cosmological redshift is not a normal Doppler shift. Astronomers frequently refer to it as such, and in doing so they have done their students a serious disservice. The Doppler redshift and the cosmological redshift are governed by two distinct formulas. The first comes from special relativity, which does not take into account the expansion of space, and the second comes from general relativity, which does. The two formulas are nearly the same for nearby galaxies but diverge for distant galaxies.

According to the usual Doppler formula, objects whose velocity through space approaches light speed have redshifts that approach infinity. Their wavelengths become too long to observe. If that were true for galaxies, the most distant visible objects in the sky would be receding at velocities just shy of the speed of light. But the cosmological redshift formula leads to a different conclusion. In the current standard model of cosmology, galaxies with a redshift of about 1.5--that is, whose light has a wavelength 150 percent longer than the laboratory reference value--are receding at the speed of light. Astronomers have observed about 1,000 galaxies with redshifts larger than 1.5. That is, they have observed about 1,000 objects receding from us faster than the speed of light. Equivalently, we are receding from those galaxies faster than the speed of light. The radiation of the cosmic microwave background has traveled even farther and has a redshift of about 1,000. When the hot plasma of the early universe emitted the radiation we now see, it was receding from our location at about 50 times the speed of light.

Running to Stay Still
The idea of seeing faster-than-light galaxies may sound mystical, but it is made possible by changes in the expansion rate. Imagine a light beam that is farther than the Hubble distance of 14 billion light-years and trying to travel in our direction. It is moving toward us at the speed of light with respect to its local space, but its local space is receding from us faster than the speed of light. Although the light beam is traveling toward us at the maximum speed possible, it cannot keep up with the stretching of space. It is a bit like a child trying to run the wrong way on a moving sidewalk. Photons at the Hubble distance are like the Red Queen and Alice, running as fast as they can just to stay in the same place.

One might conclude that the light beyond the Hubble distance would never reach us and that its source would be forever undetectable. But the Hubble distance is not fixed, because the Hubble constant, on which it depends, changes with time. In particular, the constant is proportional to the rate of increase in the distance between two galaxies, divided by that distance. (Any two galaxies can be used for this calculation.) In models of the universe that fit the observational data, the denominator increases faster than the numerator, so the Hubble constant decreases. In this way, the Hubble distance gets larger. As it does, light that was initially just outside the Hubble distance and receding from us can come within the Hubble distance. The photons then find themselves in a region of space that is receding slower than the speed of light. Thereafter they can approach us.

The galaxy they came from, though, may continue to recede superluminally. Thus, we can observe light from galaxies that have always been and will always be receding faster than the speed of light. Another way to put it is that the Hubble distance is not fixed and does not mark the edge of the observable universe.�

What does mark the edge of observable space? Here again there has been confusion. If space were not expanding, the most distant object we could see would now be about 14 billion light-years away from us, the distance light could have traveled in the 14 billion years since the big bang. But because the universe is expanding, the space traversed by a photon expands behind it during the voyage. Consequently, the current distance to the most distant object we can see is about three times farther, or 46 billion light-years.

The recent discovery that the rate of cosmic expansion is accelerating makes things even more interesting. Previously, cosmologists thought that we lived in a decelerating universe and that ever more galaxies would come into view. In an accelerating universe, however, we are surrounded by a boundary beyond which occur events we will never see--a cosmic event horizon. If light from galaxies receding faster than light is to reach us, the Hubble distance has to increase, but in an accelerating universe, it stops increasing. Distant events may send out light beams aimed in our direction, but this light is trapped beyond the Hubble distance by the acceleration of the expansion.

An accelerating universe, then, resembles a black hole in that it has an event horizon, an edge beyond which we cannot see. The current distance to our cosmic event horizon is 16 billion light-years, well within our observable range. Light emitted from galaxies that are now beyond the event horizon will never be able to reach us; the distance that currently corresponds to 16 billion light-years will expand too quickly. We will still be able to see events that took place in those galaxies before they crossed the horizon, but subsequent events will be forever beyond our view.

Is Brooklyn Expanding?
In Annie Hall, the movie character played by the young Woody Allen explains to his doctor and mother why he can't do his homework. "The universe is expanding.¿ The universe is everything, and if it's expanding, someday it will break apart and that would be the end of everything!" But his mother knows better: "You're here in Brooklyn. Brooklyn is not expanding!"

His mother is right. Brooklyn is not expanding. People often assume that as space expands, everything in it expands as well. But this is not true. Expansion by itself--that is, a coasting expansion neither accelerating nor decelerating--produces no force. Photon wavelengths expand with the universe because, unlike atoms and cities, photons are not coherent objects whose size has been set by a compromise among forces. A changing rate of expansion does add a new force to the mix, but even this new force does not make objects expand or contract.

For example, if gravity got stronger, your spinal cord would compress until the electrons in your vertebrae reached a new equilibrium slightly closer together. You would be a shorter person, but you would not continue to shrink. In the same way, if we lived in a universe dominated by the attractive force of gravity, as most cosmologists thought until a few years ago, the expansion would decelerate, putting a gentle squeeze on bodies in the universe, making them reach a smaller equilibrium size. Having done so, they would not keep shrinking.

In fact, in our universe the expansion is accelerating, and that exerts a gentle outward force on bodies. Consequently, bound objects are slightly larger than they would be in a nonaccelerating universe, because the equilibrium among forces is reached at a slightly larger size. At Earth's surface, the outward acceleration away from the planet's center equals a tiny fraction (10¿30) of the normal inward gravitational acceleration. If this acceleration is constant, it does not make Earth expand; rather the planet simply settles into a static equilibrium size slightly larger than the size it would have attained.

This reasoning changes if acceleration is not constant, as some cosmologists have speculated. If the acceleration itself increased, it could eventually grow strong enough to tear apart all structures, leading to a "big rip." But this rip would occur not because of expansion or acceleration per se but because of an accelerating acceleration.

The big bang model is based on observations of expansion, the cosmic microwave background, the chemical composition of the universe and the clumping of matter. Like all scientific ideas, the model may one day be superseded. But it fits the current data better than any other model we have. As new precise measurements enable cosmologists to understand expansion and acceleration better, they can ask even more fundamental questions about the earliest times and largest scales of the universe. What caused the expansion? Many cosmologists attribute it to a process known as inflation, a type of accelerating expansion. But that can only be a partial answer, because it seems that to start inflating, the universe already had to be expanding. And what about the largest scales, beyond what we can see? Do different parts of the universe expand by different amounts, such that our universe is a single inflationary bubble of a much larger multiverse? Nobody knows. Although many questions remain, increasingly precise observations suggest that the universe will expand forever. We hope, though, the confusion about the expansion will shrink.�
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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