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Author Topic: Why white people cannot be trusted with hip-hop...  (Read 4770 times)
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« Reply #220 on: December 07, 2007, 10:28:25 AM »

A black person can achieve a level of wealth and power that gives them the ability to be racist in the US, however they are racist in that they usually support pre-existing policies that negatively impact people of color.  They do this because they are willing TOKENS in white supremacy  However, they are the EXCEPTIONS, literally in the few dozen of actual living people as compared to the MILLIONS of black and brown people who have their opportunities limited by white supremacy.

And in the US, racism trumps capitalism by far.  Access to capitalism is limited through racism.
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« Reply #221 on: December 07, 2007, 10:57:54 AM »

Why change defenitions when a term doesn't reflect the actual meaning anymore, to me that just makes things more complicated and prone to backfiring as sat said.
Talk about 'actual' or 'real' racism or something, but saying that someone with no 'power' can't be racist (in the most broad definition of the word) seems ridiculous to me.

I think everyone is right here.
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« Reply #222 on: December 07, 2007, 11:12:18 AM »

The revised definition gets to the CORE of the problem, which is that POWER is the issue.  It's unfair to have a discussion of a behavior that manifests itself specifically because of a difference in power without talking about power.  Racism in the world manifests itself in meaningful ways because of power.  All of the disparities between whites and the majority of the world are because of power differences.  What does the racism of the powerless mean?  It means very little because the impact on the systems that define our lives is minimal.

It just happens that white people have power at this particular historical moment.  Their power comes largely from race.  Their color prejudices matter MORE than any other groups because they have power.  In Japan, the power rests with those who are ethnically Japanese.  They are racist against those who are ethnically different because their power comes from their ethnic identities. 

But to bring this back to the topic at hand, since it has veered rather wildly into related, yet off-topic issues: 

There was a marked difference in the development in hiphop when white owned corporations gained the ability to distribute and produce it.  This is not to say that there is something pathological about white people, but they have used their power not to expand the culture, but to limit it to highly stereotypical and historically problematic expressions within a very limited spectrum.  Those that do not yield to the largely WHITE ownership of hiphop are relegated to the underground and obscurity.  I stand by the title of this thread, not because I believe there is something inherently pathological about white people, but rather because white people are those that have power, race based power, which they have abused and corrupted the spirit of the culture with.  They, largely, are the gate keepers of what popular hiphop is, and that, in my opinion, is dangerous because they were not instrumental in the development of the culture, nor are they at the center of its most authentic displays.
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« Reply #223 on: December 07, 2007, 04:15:18 PM »

Well said, but I honestly feel that the definition of consumerism ought to be introduced:

Quote
1 # the theory that an increasing consumption of goods is economically beneficial
2 # a movement advocating greater protection of the interests of consumers Link
As we can see here, the definition does not also involve (1), but also (2) to protect consumer surplus. Mainstream or white market for most part believe (due to conditioning) that the stereotypical definition of black is applicable to all belong to the cultural group. That is why due to the commercialization of Hip Hop has led the emphasis has been on stereotypical tilt.

This isn't new either. Well before Hip Hop, white America has enjoyed the stereotypical representation of blacks in entertainment and that has reinforced the race-based socio-economic disparity. It is only this reason why Hip Hop ought to be protected from white influence, and  not evolve into what Jazz and Rock is today. Public institutions control by Blacks and Brown folks will allow Hip Hop to be sustained rather than being maligned by consumerism.

Note: This has nothing to do with barring mass distribution.
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« Reply #224 on: December 10, 2007, 02:53:28 AM »

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The revised definition gets to the CORE of the problem, which is that POWER is the issue


and as i was saying, what you now claim is that if we destroy this white power structure then in america NO ONE IS RACIST ANYMORE.....hah my arse
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« Reply #225 on: December 10, 2007, 03:57:15 AM »


and as i was saying, what you now claim is that if we destroy this white power structure then in america NO ONE IS RACIST ANYMORE.....hah my arse
No, because then numerical et al superiority would matter. However if white power structure is destroyed, we can then deal with the individual racial disparity which has the subordinate class predominantly on the negative end of the disparity.
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« Reply #226 on: December 10, 2007, 04:39:36 AM »

oh ok. THEN we can call it racism, now its prejudice but once the power strutuce is gone, THEN its racism.
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« Reply #227 on: December 10, 2007, 05:41:37 AM »

oh ok. THEN we can call it racism, now its prejudice but once the power strutuce is gone, THEN its racism.
I don't care. It could be called individual racism. The point is the negative side of the disparity leans toward the coloured folk and not the white counterpart. No one here needs to defend white folks.

The fact is the white mainstream is largely promoting the racist system. That is why I feel that we need a equalization scheme where those of colour control their own institutions. I can see my own suffering when they depend on these white-run institutions who claim inclusiveness with their multi-culturalism bullshit.

That may not be obvious to you. But I do find it ironic that you drag this discussion considering Malaysia for a while wasn't even promoting the interests of ethnic Malay people. Then again that's applicable for their brothers and sisters in Indonesia and Philippines too. I guess they ought to accept their secondary status under a more parasitic form of Capitalism.

But my point is, generally aboriginals or dark-skinned skinned immigrants who arrived 30 years ago, are now seeing their own bleed. It's worse for Aboriginals, African-Americans, etc who were forced to develop under white institutions.  We hear nonsense about freedom, multi-culturalism et al, and yet we see a racist and sexist disparity. No wonder the native populace of the nations we bomb really don't want to be under our unconditionally inclusive institutions.

That is my point. Quit focusing on definition and take a look at the disparity.
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« Reply #228 on: December 10, 2007, 06:22:25 AM »

cant you see tho that the definition is the ONLY topic of dispute here. most would agree with every thung you say about the system, the ownership of power, means of effectively actinbg upon prejudice thus oppresing.

but its wheh you say, "hes not racist, he's raciallly prejudice."  thats wher we have problem. or even

"only white people can be racits in UK and US, the rest are prejudice"
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« Reply #229 on: December 10, 2007, 08:26:33 AM »

cant you see tho that the definition is the ONLY topic of dispute here. most would agree with every thung you say about the system, the ownership of power, means of effectively actinbg upon prejudice thus oppresing.
Ok. I hope that is the case. Those past sarcastic remark by you, and the rest of the pack really got me thinking. To be honest, my expectations of my colour intellectuals were never that high in the first place:

The to measure the oppressed with the same ruler as the oppressor is inane.

Quote
but its wheh you say, "hes not racist, he's raciallly prejudice."  thats wher we have problem. or even
However you must understand why those of colour under the negative end of the disparity may behave in such a manner. They do so, due to lack of power. To be aboriginal in Canada, means highly poverty, death through prostitution for females, and gang violence for males. Obviously folks will be bent when they see whites protected.

Hip Hop brings this shit up all the time. It's something we all ought to understand, because even if one listens to 50 Cent, Jay-Z, et al, and you could feel that these individuals have accepted their lowly position in society. Shit, 2pac and IT is more unadulterated, so it puzzles me when past exchanges constant ignore this glaring disparity?

In standard debate, we focus on the issue, not a definition that is clearly defined. Palestinians, also, could be seen as hate crime specialists since many have bombed Israel civilians. Hell, that does not even happen in US et al. But suggesting that they're racist is poor analysis and is ignoring how these conditions that led to terror arose. They are trying to counter oppression.

But yo, I'm on my 18th repetition, 6x too many.

Quote
"only white people can be racits in UK and US, the rest are prejudice"
Let's be real here. Whites don't invite those of colour into institutions. They don't represent the majority even in the individual racism dimension.

Hell, I don't see many colour folks running over to country and white culture. In contrast, even though the black community (Aboriginal and Hispanic, included) are commonly viewed as threatening by Eurocentrism, these cultural groups continue to provide a culture that is highly inclusive. Look at Jazz, Rock, Techno, House (Yes, both are black, yo), and Hip Hop cultures. I see, whites in all of them and now Rock sounds like muffled up screams coming out of a black girl that was raped.

Your attempt to introduce reverse racism is based on weak premises. It assumes racism against whites men is an issue in public policy, and fails to see the power dynamic at work. One white man being beaten up by ten Hispanics males due to his skin tone, suggests power. There is numerical superiority on the Hispanic side. However, if forming public policy, this exception is so irrelevant. The Hispanic may be more powerful in a ghetto or prison, but the fuck wants to be there?

Last, I don't think the position I maintain is alien. After all, we're dealing with Hip Hop which clusters far closer to the words of Malcolm X than those of MLK. Hell, not even MLK opposed equalization--- Err...I sometimes wonder, do we all listen to the same genre? I feel for the Emo, but he's second to the subordinate class, period.
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« Reply #230 on: December 10, 2007, 08:36:28 AM »

as i said, the only issue here is youir definition of racism resulting in a re-classification of a persons prejudice based upon whether or not that persons race is in control of power.

thats is the only issue here.

i mention nothing about reverse racism, or nothing about power or infact any of the other bulshit you accuyse me of.

the only view we differ on is that a person can be racist regardless of whetehr or not that persons race is in control of power.

spin all you want to make your self look better, but at the end of the day this is the only thing we disagree with.
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« Reply #231 on: December 10, 2007, 09:10:53 AM »

Ok. I hope that is the case. Those past sarcastic remark by you, and the rest of the pack really got me thinking. To be honest, my expectations of my colour intellectuals were never that high in the first place:

The to measure the oppressed with the same ruler as the oppressor is inane.
 However you must understand why those of colour under the negative end of the disparity may behave in such a manner. They do so, due to lack of power. To be aboriginal in Canada, means highly poverty, death through prostitution for females, and gang violence for males. Obviously folks will be bent when they see whites protected.

Hip Hop brings this shit up all the time. It's something we all ought to understand, because even if one listens to 50 Cent, Jay-Z, et al, and you could feel that these individuals have accepted their lowly position in society. Shit, 2pac and IT is more unadulterated, so it puzzles me when past exchanges constant ignore this glaring disparity?

In standard debate, we focus on the issue, not a definition that is clearly defined. Palestinians, also, could be seen as hate crime specialists since many have bombed Israel civilians. Hell, that does not even happen in US et al. But suggesting that they're racist is poor analysis and is ignoring how these conditions that led to terror arose. They are trying to counter oppression.

But yo, I'm on my 18th repetition, 6x too many.
 Let's be real here. Whites don't invite those of colour into institutions. They don't represent the majority even in the individual racism dimension.

Hell, I don't see many colour folks running over to country and white culture. In contrast, even though the black community (Aboriginal and Hispanic, included) are commonly viewed as threatening by Eurocentrism, these cultural groups continue to provide a culture that is highly inclusive. Look at Jazz, Rock, Techno, House (Yes, both are black, yo), and Hip Hop cultures. I see, whites in all of them and now Rock sounds like muffled up screams coming out of a black girl that was raped.

Your attempt to introduce reverse racism is based on weak premises. It assumes racism against whites men is an issue in public policy, and fails to see the power dynamic at work. One white man being beaten up by ten Hispanics males due to his skin tone, suggests power. There is numerical superiority on the Hispanic side. However, if forming public policy, this exception is so irrelevant. The Hispanic may be more powerful in a ghetto or prison, but the fuck wants to be there?

Last, I don't think the position I maintain is alien. After all, we're dealing with Hip Hop which clusters far closer to the words of Malcolm X than those of MLK. Hell, not even MLK opposed equalization--- Err...I sometimes wonder, do we all listen to the same genre? I feel for the Emo, but he's second to the subordinate class, period.

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« Reply #232 on: December 10, 2007, 09:47:21 AM »

as i said, the only issue here is youir definition of racism resulting in a re-classification of a persons prejudice based upon whether or not that persons race is in control of power.
I cannot read you mind, won't, but do remember prior exchanges.

Quote
thats is the only issue here.
As I said earlier, ok, I hope so.

Quote
i mention nothing about reverse racism, or nothing about power or infact any of the other bulshit you accuyse me of.
Your redefinition can result to such implications. It's a dangerous game to further analysis, because it became clear right after the paedophile remarks.

Quote
the only view we differ on is that a person can be racist regardless of whetehr or not that persons race is in control of power.
Racism is about power. The ten black guys beating up one dude, is possible due to numerical superiority hence power. That is suggested in racist theory, from Goldberg to the rest. The issue with the definition is, whether racism is individual or institutional. In sum, the psychological or sociology schools.

Note: Power dynamic applies to both.

Note 2: Remove power, and the powerless Palestinian is racist too. 

PS: That is all. This discussion is definitely finished.
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« Reply #233 on: December 10, 2007, 07:26:49 PM »

One results in hurt feelings and mistrust and occasional violence.

The other results in shorter life-expectancy, mass-incarceration, murder, limited opportunities and death. 

This is the key difference.  They are not nearly equal and to have an honest discussion of how racism really works, then you need to do this balance test.  Otherwise you're blaming the victims.
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« Reply #234 on: December 11, 2007, 04:58:41 AM »

Exactly. Standardization is requisite in academic discourse. Without that, we're entering the word of pseudo or sub-intellectual babble which is so popular in the popular media realm. 

Public policy deals with valid generalizations and to suggest that a disparity that nearly always has the subordinate class on the negative side is quite reinforced.  That is why we need democratization of the institutions, because today, the dominant over represents the democratic sphere.

Hip Hop is the only vehicle where the subordinate can point out this hellish disparity. Jazz and Rock once did, but now that it is hijacked by white-led consumerism, that is no longer the case. We do not want this to happen with Hip Hop.
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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