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« on: October 04, 2007, 08:41:06 PM »

R.E.A.L.I.T.Y --Real Equals Actual Life In The Youth
1.


Yurugu.  What is it?
2.
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« Reply #1 on: October 12, 2007, 07:55:23 AM »

YURUGU
An African-Centered Critique of
European Culture, Thought, and Behavior



http://www.thecode.net/features/books/yurugu_review.htm

A Counter Racist Book Review
by Josh Wickett

Author: Marimba Ani
Publisher: African World Press, 1994. 570 pgs.


A person I know once compared "Black Studies" to "studying your navel while being raped."

I think what he meant was that Black people need to spend less time looking at each other and more time studying White Supremacists. The book Yurugu by Marimba Ani is just such an exercise.  I have seen several interviews with Marimba Ani and the most striking thing about her is her focus on White Supremacy in spite of all her "higher education." Is it me? or is this an unusual phenomenon?

If you understand the importance of language and the role of words as tools, you will find this book very interesting. One of the main weaknesses of counter racism code is that the victims lack the language (words) to accurately describe the problem. Dr. Ani partially solves this problem by giving you words and definitions that fill these vacuums in understanding.  Some of these words are African in origin; don't let this throw you off. Focus on the definition for the words and as you read the book, you will understand why she is using them.

This is a very serious book and you're gonna hafta take your time with it. Lets face it, you see White people all day long but I bet you never really think about what a "White person" is or why they behave the way they do. Depending on your level of victimization, for some of you this may be a deeply troubling book. The very act of studying White people in a system of White Supremacy is treasonous even on a good day. Entire chapters of this book are devoted to study of White people's; image of others, Rhetoric and behavior, behavior towards others, self image... And this is all done while maintaining a focus on White Supremacy. Too many times counter racism science morphs into a giant academic exercise with no real world application. You see this a lot when an author is trying to sell books about racism to White people.

I have great respect for any non white person that attempts to reveal the most familiar mystery in the known universe--White people.  Marimba Ani has done a great job.  This is a very good book, how do I know?

Because it has "legs."  It will walk out of your house. People who flip through it will ask you if they can borrow it, and you will never get it back. Some of you "academic kneegrows" out there, trapped in your tight white bodies, will really be challenged to try and think in a language other than White Supremacy. Just remember that the African terms and definitions she uses are there to "make up" (compensate) for a word we need to describe the problem.

Imagine you are an inmate being held (unjustly) in a prison and you ain't got no word for "tunnel"?  In order to teach the other inmates the concept of two vertical holes connected by a horizontal hole you need a word to describe it.

Most of Yurugu is a description of the "guards" at the prison; the way they think and the words they use. This book does not have the "cure" for racism, neither do I. But the first step in curing a disease is making an accurate diagnosis.  The first step is to come up with words that accurately describe reality. Its not a "cop out" for YOU to make up words. As long as they describe reality, you are on the right path.

Just look at Lou Gerig, he died from "Lou Gerig's disease" his doctors had to call it somethin?

Words produce thinking, thinking produces words.

It is through the process of thinking that all problems are solved.

Josh Wickett
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« Reply #2 on: October 12, 2007, 08:05:57 AM »

An negative review of the book:
http://www.amazon.com/gp/product/customer-reviews/0865432481/ref=cm_cr_dp_synop/104-9999787-7109565?ie=UTF8&n=283155&s=books&customer-reviews.start=1#RYPFKTG6ZLAPN

7 of 53 people found the following review helpful:
 An articulate and voluminous work of racism, October 26, 2003
By A Customer

The moral equivalent of this book would be this: "Sambo: A European Centered Critique of African Cultural Thought and Behavior, in which the African traits of shiftlessness, laziness, violence and underachievement are examined from a European perspective." Would anyone doubt for a second that such a book would be nothing more than a racist diatribe? Probably not, and that's exactly what Yurugu is.
To begin with, it has nothing to do with "African-centered" anything. Aside from using a few borrowed words for things that could just as easily have been stated in good ol' English, there is not a trace of Africa to be found in this book, although it is generally referred to in the most idealistic manner. The Africa that has slavery to this day, that practices female genital mutilation and oppression of women on a wide scale, that is nearly devoid of democracy, that is rife with tribal disputes, wars and genocides is nowhere to be seen. Only an idealized version of it that exists only within the author's imagination does such an Africa exist.

This book is largely unreadable. It is long-winded and verbose. The intent of the book is clearly and unquestionably to make racist accusations against white people, sort of like a more erudite version of The Isis Papers or The Iceman Inheritance, but the author, seems unable to write concisely. Instead, she go on at length to make most points by implication rather than by expressly stating them. Not only is the book verbose, that verbosity is largely made up of coined, misdefined, and borrowed terminology. Is it possible to even take seriously a book wherein seemingly every paragraph has a reference to the "asili," "utamawazo," "utamaroho," etc., et al.? Not really, except for those who will do so simply because it enables them to buy into this attack against white people. One of the terms in her glossary is "Majority Peoples," which she describes as "the members of the indigenous core cultures of the world regarded collectively, exclusing the European minofity." By the same token, particularly since there are more people in Europe than in Africa, and that there are more Caucasian people in the world than Negroid people, one could define "Majority Peoples" to be all non-black people and attempt to separate blacks from the rest of humanity as dishonestly as the author tries to separate out whites.

As with many such books written in the 80s and 90s, it has the obligatory racist introduction by John Henrik Clarke. He could always be counted on to throw his two cents in to aid in the cause as per statements such as "They were the last branch of the human family to emerge into the arena called civilization." That's not remotely true, and in fact black Africans of sub-Saharan Africa were one of the last groups of people to be brought into civilization (and some parts of the interior of Africa remain uncivilized to this day), but saying this seems to make some people feel better.

Ms. Ani borrows some of the racist assertions put forth by Frances Cress Welsing, e.g., that whites are "melanin deficient" and were "driven" out of Africa. She buys into the "calcified pineal gland" nonsense about white people. She buys into the Iceman Inheritance nonsense about whites being interbred with Neanderthals. It makes sense that a racist book should rely on other racist books. She mischaracterized western religion, science, and culture, not for any valid reasons and, as with similar authors, takes the lack of advancement in Africa as being a conscious choice as though they were early environmentalists. She seems to have a particular problem with the word "progress," and because European societies progressed to more advanced stages than most other people, especially sub-Saharan African societies, she targets the concept of progress with particular attention, characterizing it as negatively as possible, equating it to the supposed Dogon character of "Yurugu," the title of the book, who couldn't live in harmony with nature. Do tell.

As for hypocrisy, probably the only thing consistently quoted from this largely unreadable book is the part on "Hypocrisy as a way of life." This is standard fare on white-bashing web sites. "Within the nature of European culture there exists a statement of value or 'moral' that has no meaning for the members of that culture. I call this the 'rhetorical ethic.'" Sheer nonsense, but the more gullible of racists will buy into it wholeheartedly. Do the concepts of truth, justice, honor, integrity, right, wrong, compassion, and so forth have "no meaning" to "Europeans?" Hardly. They've been the driving forces behind the unique Western value system of the inherent worth of the individual, individual rights, human rights, the divinity of man, the formation of democratic governments, and even the abolitionist movement (something that certainly wasn't conceived of by African societies!). There is hypocrisy in the world, including among Europeans, but probably no more so than any other people, and to assert so without proof is, well, racist. Part of racism, however, is to take character flaws that are present in all of humanity and pretend that they apply only to the group targeted for hatred.

A testament to the nature and effect of this book can be found in some of the earlier reviews of it, e.g., this: "I started out wanting to know what could possess and entire race of people to participate in the most atrocious (sp) crime against humanity -- the four hundred year african slave trade--- I found the answer in "Yurugu"." (Never mind that slavery existed in Africa long before Europeans arrived, and that Europeans were the first society to ban slavery). "it's in their souls (even though they think "souls" don't exist)." (Is there even a doubt that Europeans generally think souls exist? No, but racists like to pretend otherwise). "She confirms for many of us what we have known for years." No, she doesn't "confirm" any such misheld beliefs; she simply reinforces preconceived racist fallacies, and therein lies the popularity of this book. It is a racist book, and people who are racist towards whites will embrace it, but it is not an accurate, fair, or even "African-centered" book, just a racist one.





A brief rebuttal to the negative review:

8 of 9 people found the following review helpful:
 Excellent book, December 5, 2003
By  An anthropologist (Norway) - See all my reviews

I am curently doing research on the Pan-African movement, and this book provides an excellent background of the Afrocentric critique of European imperialism and racism.
To the other reviewer who said that the moral equivalent of this book would be "A eurocentric critique of African thought and behavior", I would like to say you are wrong, for two reasons:

1. If Africans had enslaved and denigrated Europeans for five centuries, Europeans could legitimately write a book with the title you suggested, and it would be highly moral.
2. In the current situation, most mainstream social science is eurocentric and criticizes African culture and behavior. This is immoral, because it justifies crimes against humanity.

Remember, morality is on the side of the oppressed, not the oppressors. There must be justice in this world!

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« Reply #3 on: October 12, 2007, 04:46:08 PM »

I can't watch the vids, they're blocked...however, centrism of any kind is problematic.  It doesn't matter whether it is Afro or Euro, the problem is the romanticized views of self and the stereotyped and hyperbolic views of the other.  Self aggrandiziement and the denigration of the outside colors centrisms of all stripes, but if one makes this critique of RMX and the things he puts up on this site, he will call you a "enslaved person" etc.  Crusading to prove the genetic inferiority of any race is problematic, as is the uncritical elevation of one's own history and culture to pedestal status.

Every group of people has its heroes and villains, it's follies and triumphs.  To the centrist, these things are ignored, balance is ignored, in an attempt to marginalize the other or vindicate     past injustice by mimicking the same behavior of the oppressor.  The sad thing is that well-meaning people fall for it and derive self esteem from some absurd belief that other groups are genetically inferior and that skin color (which along with all of our outer appearances and represents a mere 12% of our DNA) is something relevant.  It is relevant in that it underpins a SOCIAL CONSTRUCT, not a genetic reality.  But again, DNA science is "western" and tainted with the inferiority of white people and therefore cannot be trusted...but anecdotal surveys of tens of millions of people are okay.  This shit makes my head spin because it's the same stuff that was used against black and brown people.
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« Reply #4 on: March 08, 2008, 01:23:06 AM »

"A person I know once compared "Black Studies" to "studying your navel while being raped. "
I think what he meant was that Black people need to spend less time looking at each other and more time studying White Supremacists"


How about everybody stops studying the "other race" and focuses on being a better person in the HUMAN race?
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« Reply #5 on: March 08, 2008, 02:06:57 AM »

Are you white by any chance?
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« Reply #6 on: March 08, 2008, 02:08:36 AM »

Maybe this thread should be shifted into the descrimination section now, I get the impression that Nayiri is going to end up like that Irish girl.
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« Reply #7 on: March 08, 2008, 09:13:08 AM »

Are you white by any chance?


Yes I am...why?

Edit: Actualy I'm not "white" I'm closer to a shade of "beige" which happens to be a lighter shade of "brown" which is what most "black" ppl's skin color resembles most...also, I don't know what ppl consider "white" ...am I "white" cuz I'm light skinned or does the fact that I'm not American or European make me "non-white"  Undecided
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« Reply #8 on: March 08, 2008, 09:14:37 AM »

Maybe this thread should be shifted into the descrimination section now, I get the impression that Nayiri is going to end up like that Irish girl.

Care to share what happened to "that Irish girl"?  Smiley
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« Reply #9 on: March 08, 2008, 09:20:35 AM »

Don't scare Nayiri away. Sad

I like her.

I want to stalk her.
Just kidding
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« Reply #10 on: March 08, 2008, 09:24:22 AM »

lol...I'm not easily scared away  Wink

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« Reply #11 on: March 08, 2008, 10:20:36 AM »

Whiteness is not a color, it is a political identity which is used to give people privilege.  We are all human, but some humans are given privilege and power over others by virtue of arbitrary things like culture, gender, race, class, sexual orientation etc.  It is naive to say that we are all equal or that if we started acting like we were all equal that those differences wouldn't matter.  The differences do matter and I don't want to live in a world where they are ignored.

We need to study ourselves and others because we live in a world colored by oppression and resistance based on group identity (chosen or not).  As for what your friend said, he misunderstands black studies.  You HAVE to study white people in a black studies class because they color a large portion of the modern history of black people from a relational standpoint.  You can have it both ways.  You must study yourself, and your history AND the history of those who have historically oppressed you.  Only then can you hope to achieve a level of knowledge that will lead to some kind of liberation, be it psychological or physical.
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« Reply #12 on: March 08, 2008, 10:35:31 AM »

"A person I know once compared "Black Studies" to "studying your navel while being raped. "
I think what he meant was that Black people need to spend less time looking at each other and more time studying White Supremacists"


How about everybody stops studying the "other race" and focuses on being a better person in the HUMAN race?

That's because a socio-economics cannot be studied in terms of only humans. To suggest that would run in direction opposition to any academic discipline. Humans are diverse, our genetic, social make up differs, and so does our needs.

We can study human relationships in a generalization and specialized manner. On this forum both has, and soon you'll see why a large number oppose states and want maximized economic and political decentralization.

Point being, in this thread we're dealing with not only, sexism, but racism. Note I am in line with that video, but to ignore these -isms and suggest that it's all humans borderlines blindness. Classism displays itself through racism and sexism, and this hierarchy which promotes male and white privilege is why we must observe these mechanism as well. Note, generalized classism also includes the promotion of male and white power, and to not note that only foils "human-level" classism.

Furthermore, humans are not perfect. To assign inefficiencies towards humans is just a cope out. We look for the specific, because humans will always progress as limited mortals. That is why we must understand human limitations in highly specific manner, because blanketed, generalized solutions simply because they'd be human engineered.

Quote
, I don't know what ppl consider "white" ...am I "white" cuz I'm light skinned or does the fact that I'm not American or European make me "non-white"  Undecided
Most people you've met are merely assigning white skin to privilege. Biologically speaking white skin is a phene, ala black skin. The highly pigmented are "black skinned" while those with minimal pigmentation (due to mutations in genes: SLC24A5, MATP, and TYR, or ADAM17 and ATRN) are "white"-skinned. Note that these differences are ultimately superficial, and even though white skin is generally a marker of privilege, it is not a universal law.
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« Reply #13 on: March 08, 2008, 02:01:33 PM »

Care to share what happened to "that Irish girl"?  Smiley
She got all denial like about white previliage and stormed off, cause she thinks she's being discriminated against because she is white.
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« Reply #14 on: March 08, 2008, 02:31:22 PM »

She got all denial like about white previliage and stormed off, cause she thinks she's being discriminated against because she is white.
That Irish girl suffered from the same bi-polar tendencies as white female educators. They want to be viewed as part of the oppressed class, but disqualify white privilege as a form of oppression. Fixated with associating with those oppressed, but promote their racist white male partners in the political sphere.

It's rather disgusting. These individuals belonging to the dominant class actually attempt to define oppression that their class promotes. Talk about hypocrisy. That's akin to an Israeli defining what Palestinian oppression entails, and it's rather ironic that they charge Israel as hypocritical for committing the same act. Shocked
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« Reply #15 on: March 09, 2008, 01:44:09 AM »

She got all denial like about white previliage and stormed off, cause she thinks she's being discriminated against because she is white.

Maybe she she DID get discriminated against because she was white. Who's to say, I wasn't there. Although I believe visual minorities do get discriminated against way more often, claiming that pain and suffering are things only "blacks" and latinos go trough is in itself a form of discrimination.

See, if you saw me walking down the street, you would probably get the impression I'm part of the white middle class. However, I'm ready to bet I've had to face a lot more adversities in my life than a lot of "black" ppl living in America.

i.e. I saw in interview with 50 once, where he was like "yeah i grew up real poor, our house was only worth 160 000$ and it was in the ghetto etc" and in my head i was like Dude! We didn't even HAVE a house!!! We lived in an appartment building that looked like swiss cheeze from all the bullet holes in them. The government was so busy with war half the time basic necessities like water and electricity weren't available. We had no phone or TV, were often visited by cocaroaches so big they don't even exist in America, and our windows actualy shattered from a bomb explosion. And this is not even the half of it.

Whether you look at a black person and have preconcieved notions about who they are, or wether you do that with a white person, racism is racism.
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« Reply #16 on: March 09, 2008, 02:03:36 AM »

GoS and Bob, I agrre with the two of you. I guess I expressed myself with the wrong words. What I meant to say is, in everyday life, with the everyday ppl that we encounter, if everybody stopped pointing fingers and took a good look at themsleves, we'll realize nobody is perfect, we each have things to work on. The oppressors as well as the oppressed (and i say this coming from an oppressed background, look into the Armenian Genocide).

Globaly though, I am in accordance with you. It's way harder for the oppressed to improve when the oppressor does not take responability for their actions (or inaction).

However, two wrongs don't make a right. And reading that review (the vids weren't working) it seems to me that the author's judgments are based on hate of the "white race" rather than love of the "black race"

I have no problem with anyone analyzing socio-cultural dynamics. In fact I like to do it myself. But it has to come with intentions of peace and mutual understanding, not hatred.
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Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

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In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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