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« on: December 05, 2007, 11:15:53 PM »

Ten Reasons Why "Save Darfur" is a PR Scam to Justify the Next US Oil and Resource Wars in Africa

http://www.blackagendareport.com/index.php?option=com_content&task=view&id=453&Itemid=37

The star-studded hue and cry to "Save Darfur" and "stop the genocide" has gained enormous traction in U.S. media along with bipartisan support in Congress and the White House.  But the Congo, with ten to twenty times as many African dead over the same period is not called a "genocide" and passes almost unnoticed. Sudan sits atop lakes of oil. It has large supplies of uranium, and other minerals, significant water resources, and a strategic location near still more African oil and resources. The unasked question is whether the nation's Republican and Democratic foreign policy elite are using claims of genocide, and appeals for "humanitarian intervention" to grease the way for the next oil and resource wars on the African continent.

"Out of Iraq - Into Darfur" cartoon by Mike Flugennock.  Find more of his work at www.sinkers.org

Top Ten Reasons to Suspect "Save Darfur" is a PR Scam to Justify US Military Intervention in African

by BAR Managing Editor Bruce Dixon

The regular manufacture and the constant maintenance of false realities in the service of American empire is a core function of the public relations profession and the corporate news media.  Whether it's fake news stories about wonder drugs and how toxic chemicals are good for you, bribed commentators and journalists discoursing on the benefits of No Child Left Behind, Hollywood stars advocating military intervention to save African orphans, or slick propaganda campaigns employing viral marketing techniques to reach out to college students, bloggers, churches and ordinary citizens, it pays to take a close look behind the facade.

Among the latest false realities being pushed upon the American people are the simplistic pictures of Black vs. Arab genocide in Darfur, and the proposed solution: a robust US-backed or US-led military intervention in Western Sudan.  Increasing scrutiny is being focused upon the "Save Darfur" lobby and the Save Darfur Coalition; upon its founders, its finances, its methods and motivations and its truthfulness.  In the spirit of furthering that examination we here present ten reasons to suspect that the "Save Darfur" campaign is a PR scam to justify US intervention in Africa.

1.  It wouldn't be the first Big Lie our government and media elite told us to justify a war. 

Elders among us can recall the Tonkin Gulf Incident, which the US government deliberately provoked to justify initiation of the war in Vietnam.  This rationale was quickly succeeded by the need to help the struggling infant "democracy" in South Vietnam, and the still useful "fight 'em over there so we don't have to fight 'em over here" nonsense.  More recently the bombings, invasions and occupations of Afghanistan and Iraq have been variously explained by people on the public payroll as necessary to "get Bin Laden" as revenge for 9-11, as measures to take "the world's most dangerous weapons" from the hands of "the world's most dangerous regimes", as measures to enable the struggling Iraqi "democracy" stand on its own two feet, and necessary because it's still better to "fight them over there so we don't have to fight them here".

2.  It wouldn't even be the first time the U.S. government and media elite employed "genocide prevention" as a rationale for military intervention in an oil-rich region.

 The 1995 US and NATO military intervention in the former Yugoslavia was supposedly a "peacekeeping" operation to stop a genocide.  The lasting result of that campaign is Camp Bondsteel, one of the largest military bases on the planet.  The U.S. is practically the only country in the world that maintains military bases outside its own borders.  At just under a thousand acres, Camp Bondsteel offers the US military the ability to pre-position large quantities of equipment and supplies within striking distance of Caspian oil fields, pipeline routes and relevant sea lanes.  It is also widely believed to be the site of one of the US's secret prison and torture facilities.

3.  If stopping genocide in Africa really was on the agenda, why the focus on Sudan with 200,000 to 400,000 dead rather than Congo with five million dead?

"The notion that a quarter million Darfuri dead are a genocide and five million dead Congolese are not is vicious and absurd," according to Congolese activist Nita Evele.  "What's happened and what is still happening in Congo is not a tribal conflict and it's not a civil war. It is an invasion. It is a genocide with a death toll of five million, twenty times that of Darfur, conducted for the purpose of plundering Congolese mineral and natural resources."

More than anything else, the selective and cynical application of the term "genocide" to Sudan, rather than to the Congo where ten to twenty times as many Africans have been murdered reveals the depth of hypocrisy around the "Save Darfur" movement.  In the Congo, where local gangsters, mercenaries and warlords along with invading armies from Uganda, Rwanda, Burundi, Angola engage in slaughter, mass rape and regional depopulation on a scale that dwarfs anything happening in Sudan, all the players eagerly compete to guarantee that the extraction of vital coltan for Western computers and cell phones, the export of uranium for Western reactors and nukes, along with diamonds, gold, copper, timber and other Congolese resources continue undisturbed.

Former UN Ambassador Andrew Young and George H.W. Bush both serve on the board of Barrcik Gold, one of the largest and most active mining concerns in war-torn Congo.  Evidently, with profits from the brutal extraction of Congolese wealth flowing to the West, there can be no Congolese "genocide" worth noting, much less interfering with. For their purposes, U.S. strategic planners may regard their Congolese model as the ideal means of capturing African wealth at minimal cost without the bother of official U.S. boots on the ground.

4.  It's all about Sudanese oil.

Sudan, and the Darfur region in particular, sit atop a lake of oil.  But Sudanese oil fields are not being developed and drilled by Exxon or Chevron or British Petroleum.  Chinese banks, oil and construction firms are making the loans, drilling the wells, laying the pipelines to take Sudanese oil where they intend it to go, calling far too many shots for a twenty-first century in which the U.S. aspires to control the planet's energy supplies.  A U.S. and NATO military intervention will solve that problem for U.S. planners.

5.  It's all about Sudanese uranium, gum arabic and other natural resources.

Uranium is vital to the nuclear weapons industry and an essential fuel for nuclear reactors.  Sudan possesses high quality deposits of uranium.  Gum arabic is an essential ingredient in pharmaceuticals, candies and beverages like Coca-Cola and Pepsi, and Sudanese exports of this commodity are 80% of the world's supply.  When comprehensive U.S. sanctions against the Sudanese regime were being considered in 1997, industry lobbyists stepped up and secured an exemption in the sanctions bill to guarantee their supplies of this valuable Sudanese commodity.  But an in-country U.S. and NATO military presence is a more secure guarantee that the extraction of Sudanese resources, like those of the Congo, flow westward to the U.S. and the European Union.

6.  It's all about Sudan's strategic location

Sudan sits opposite Saudi Arabia and the Gulf States, where a large fraction of the world's easily extracted oil will be for a few more years.  Darfur borders on Libya and Chad, with their own vast oil resources, is within striking distance of West and Central Africa, and is a likely pipeline route.  The Nile River flows through Sudan before reaching Egypt, and Southern Sudan has water resources of regional significance too.  With the creation of AFRICOM, the new Pentagon command for the African continent, the U.S. has made open and explicit its intention to plant a strategic footprint on the African continent.  From permanent Sudanese bases, the U.S. military could influence the politics and ecocomies of Africa for a generation to come.

7.  The backers and founders of the "Save Darfur" movement are the well-connected and well-funded U.S. foreign policy elite.
According to a copyrighted Washington Post story this summer

"The "Save Darfur (Coalition) was created in 2005 by two groups concerned about genocide in the African country - the American Jewish World Service and the U.S. Holocaust Memorial Museum...

"The coalition has a staff of 30 with expertise in policy and public relations. Its budget was about $15 million in the most recent fiscal year...

"Save Darfur will not say exactly how much it has spent on its ads, which this week have attempted to shame China, host of the 2008 Olympics, into easing its support for Sudan. But a coalition spokeswoman said the amount is in the millions of dollars."

Though the "Save Darfur" PR campaign employs viral marketing techniques, reaching out to college students, even to black bloggers, it is not a grassroots affair, as were the movement against apartheid and in support of African liberation movements in South Africa, Namibia, Angola and Mozambique a generation ago.  Top heavy with evangelical Christians who preach the coming war for the end of the world, and with elements known for their uncritical support of Israeli rejectionism in the Middle East, the Save Darfur movement is clearly an establishment affair, a propaganda campaign that spends millions of dollars each month to manfacture consent for US military intervention in Africa under the cloak of stopping or preventing genocide.

8.  None of the funds raised by the "Save Darfur Coalition", the flagship of the "Save Darfur Movement" go to help needy Africans on the ground in Darfur, according to stories in both the Washington Post and the New York Times.

"None of the money collected by Save Darfur goes to help the victims and their families. Instead, the coalition pours its proceeds into advocacy efforts that are primarily designed to persuade governments to act."

9.  "Save Darfur" partisans in the U.S. are not interested in political negotiations to end the conflict in Darfur
President Bush has openly and repeatedly attempted to throw monkey wrenches at peace negotiations to end the war in Darfur.  Even pro-intervention scholars and humanitarian organizations active on the ground have criticized the U.S. for endangering humanitarian relief workers, and for effectively urging rebel parties in Darfur to refuse peace talks and hold out for U.S. and NATO intervention on their behalf.

The slick, well financed and nearly seamless PR campaign simplistically depicts the conflict as strictly a racial affair, in which Arabs, generally despised in the US media anyway, are exterminating the black population of Sudan.  In the make-believe world it creates, there is no room for negotiation.  But in fact, many of Sudan's 'Arabs", even the Janjiweed, are also black.  In any case, they were armed and unleashed by a government which has the power to disarm them if it chooses, and can also negotiate in good faith if it chooses.  Negotiations are never a gurantee of anything, but refusal to particpate in negotiations, as the U.S. appears to be urging the rebels in Darfur to do, and as the "Save Darfur" PR campaign justifies, avoids any path to a political settlement among Sudanese, leaving open only the road of U.S and NATO military intervention.

10.  Blackwater and other U.S. mercenary contractors, the unofficial armed wings of the Republican party and the Pentagon are eagerly pitching their services as part of the solution to the Darfur crisis.

"Chris Taylor, head of strategy for Blackwater, says his company has a database of thousands of former police and military officers for security assignments. He says Blackwater personnel could set up perimeters and guard Darfurian villages and refugee camp in support of the U.N. Blackwater officials say it would not take many men to fend off the Janjaweed, a militia that is supported by the Sudanese government and attacks villages on camelback."

Apparently Blackwater doesn't need to come to the Congo, where hunger and malnutrition, depopulation, mass rape and the disappearance of schools, hospitals and civil society into vast law free zones ruled by an ever-changing cast of African proxies (like the son of the late and unlamented Idi Amin), all under a veil of complicit media silence already constitute the perfect business-friendly environment for siphoning off the vast wealth of that country at minimal cost.

Look for the adoption of the Congolese model across the wide areas of Africa that U.S. strategic planners call "ungoverned spaces".  Just don't expect to see details on the evening news, or hear about them from Oprah, George Clooney or Angelina Jolie.

Bruce Dixon can be contacted at bruce.dixon(at)blackagendareport.com 
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« Reply #1 on: December 06, 2007, 12:28:41 AM »

It hurts to read it.   Sad but true.
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« Reply #2 on: December 06, 2007, 02:38:25 AM »

^^ word yo sad but true.

not that i ever really trusted the save darfur campaign, or even just any major charity campiagn, but this puts it in a whole new light
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« Reply #3 on: December 06, 2007, 04:37:55 PM »

Happened here too, making people think that buying a compilation cd will save Darfur.
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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