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Author Topic: 50th Grammy nominees  (Read 295 times)
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[_KaNdii_]
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« on: December 09, 2007, 05:56:10 AM »

General Field

Category 1

Record Of The Year

(Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s), if other than the artist.)

    * Irreplaceable
      Beyoncé
      Beyoncé Knowles, S. Smith & Stargate, producers; Jim Caruana, Jason Goldstein &
      Geoff Rice, engineers/mixers
      Track from: B'Day
      [Sony Urban Music/Columbia/Music World Productions]

    * The Pretender
      Foo Fighters
      Gil Norton, producer; Adrian Bushby & Rich Costey, engineers/mixers
      [Roswell/RCA Records]

    * Umbrella
      Rihanna Featuring Jay-Z
      Kuk Harrell & C. "Tricky" Stewart, producers; Kuk Harrell & Manny Marroquin,
      engineers/mixers
      Track from: Good Girl Gone Bad
      [Def Jam]

    * What Goes Around…Comes Around
      Justin Timberlake
      Nate (Danja) Hills, Timbaland & Justin Timberlake, producers; Jimmy Douglass &
      Timbaland, engineers/mixers
      [Jive/Zomba]

    * Rehab
      Amy Winehouse
      Mark Ronson, producer; Tom Elmhirst, engineer/mixer
      Track from: Back To Black
      [Universal Republic Records]


Category 2

Album Of The Year

(Award to the Artist(s) and to the Album Producer(s), Recording Engineer(s)/Mixer(s) & Mastering Engineer(s), if other than the artist.)

    * Echoes, Silence, Patience & Grace
      Foo Fighters
      Gil Norton, producer; Adrian Bushby & Rich Costey, engineers/mixers; Brian
      Gardner, mastering engineer
      [Roswell/RCA Records]

    * These Days
      Vince Gill
      John Anderson, Guy Clarke, Rodney Crowell, Diana Krall & The Del McCoury Band,
      featured artists; Vince Gill, John Hobbs & Justin Niebank, producers; Neal
      Cappellino & Justin Niebank, engineers/mixers; Adam Ayan, mastering engineer
      [MCA Nashville]

    * River: The Joni Letters
      Herbie Hancock
      Leonard Cohen, Norah Jones, Joni Mitchell, Corinne Bailey Rae, Luciana Souza &
      Tina Turner, featured artists; Herbie Hancock & Larry Klein, producers; Helik
      Hadar, engineer/mixer; Bernie Grundman, mastering engineer
      [Verve]

    * Graduation
      Kanye West
      Dwele, Lil Wayne, Mos Def & T-Pain, featured artists; Warryn "Baby Dubb"
      Campbell, Eric Hudson, Brian "Allday" Miller, Nottz, Patrick "Plain Pat"
      Reynolds, Gee Roberson, Toomp & Kanye West, producers; Bruce Beuchner, Andrew
      Dawson, Mike Dean, Anthony Kilhoffer, Greg Koller, Manny Marroquin, Nottz Raw,
      Tony Rey, Seiji Sekine, Paul Sheehy & D. Sloan, engineers/mixers; Vlado Meller,
      mastering engineer
      [Roc-A-Fella Records]

    * Back To Black
      Amy Winehouse
      Mark Ronson & Salaamremi, producers; Tom Elmhirst, Gary Noble & Franklin
      Socorro, engineers/mixers; Mark Ronson, mastering engineer
      [Universal Republic Records]
 

Category 3

Song Of The Year

(A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.)

    * Before He Cheats
      Josh Kear & Chris Tompkins, songwriters (Carrie Underwood)
      Track from: Some Hearts
      [19 Recordings/Arista Nashville; Publishers: That Little House Music, Mighty Underdog Music/Sony/ATV Cross Keys]

    * Hey There Delilah
      Tom Higgenson, songwriter (Plain White T's)
      Track from: Every Second Counts
      [Hollywood Records/Fearless Records; Publisher: So Happy Publishing]

    * Like A Star
      Corinne Bailey Rae, songwriter (Corinne Bailey Rae)
      Track from: Corinne Bailey Rae
      [Capitol Records; Publisher: Global Talent Publishing]

    * Rehab
      Amy Winehouse, songwriter (Amy Winehouse)
      Track from: Back To Black
      [Universal Republic Records; Publisher: EMI Music Publishing]

    * Umbrella
      Shawn Carter, Kuk Harrell, Terius "Dream" Nash & Christopher Stewart,
      songwriters (Rihanna Featuring Jay-Z)
      Track from: Good Girl Gone Bad
      [Def Jam]


Category 4

Best New Artist
(For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist.)

    * Feist


    * Ledisi


    * Paramore


    * Taylor Swift


    * Amy Winehouse

Field 7 — Rap

Category 31


Best Rap Solo Performance
(For a solo Rap performance. Singles or Tracks only.)

    * The People
      Common
      Track from: Finding Forever
      [Geffen]

    * I Get Money
      50 Cent
      Track from: Curtis
      [Shady/Aftermath/Interscope Records]

    * Show Me What You Got
      Jay-Z
      Track from: Kingdom Come
      [Roc-A-Fella Records]

    * Big Things Poppin' (Do It)
      T.I.
      [Grand Hustle/Atlantic]

    * Stronger
      Kanye West
      Track from: Graduation
      [Roc-A-Fella Records]


Category 32

Best Rap Performance By A Duo Or Group

(For duo, group or collaborative performances of Rap only. Singles or Tracks only.)

    * Southside
      Common Featuring Kanye West
      Track from: Finding Forever
      [Geffen]

    * Make It Rain
      Fat Joe Featuring Lil Wayne
      Track from: Me, Myself & I
      [Terror Squad Entertainment]

    * Party Like A Rockstar
      Shop Boyz
      Track from: Rockstar Mentality
      [OnDeck/Universal Republic Records]

    * Int'l Players Anthem (I Choose You)
      UGK Featuring OutKast
      [Jive]

    * Better Than I've Ever Been
      Kanye West, Nas & KRS-One
      [Nike]


Category 33

Best Rap/Sung Collaboration

(For a Rap/Sung collaborative performance by artists who do not normally perform together. Singles or Tracks only.)

    * I Wanna Love You
      Akon Featuring Snoop Dogg
      Track from: Konvicted
      [SRC/Universal Motown]

    * Kiss, Kiss
      Chris Brown & T-Pain
      [Jive]

    * Let It Go
      Keyshia Cole Featuring Missy Elliott & Lil' Kim
      Track from: Just Like You
      [Geffen]

    * Umbrella
      Rihanna Featuring Jay-Z
      Track from: Good Girl Gone Bad
      [Def Jam Recordings]

    * Good Life
      Kanye West Featuring T-Pain
      Track from: Graduation
      [Roc-A-Fella]


Category 34

Best Rap Song

(A Songwriter(s) Award. For Song Eligibility Guidelines see Category #3. (Artist names appear in parentheses.) Singles or Tracks only.)

    * Ayo Technology
      Nate (Danja) Hills, Curtis Jackson, Timothy Mosley & Justin Timberlake,
      songwriters (50 Cent Featuring Justin Timberlake & Timbaland)
      Track from: Curtis
      [Shady/Aftermath/Interscope Records; Publishers: 50 Cent Music Publishing/Virginia Beach Music/Danjahandz Music/WB Music Corp./Tenman Tunes]

    * Big Things Poppin' (Do It)
      Clifford Harris & Byron Thomas, songwriters (T.I.)
      [Grand Hustle/Atlantic; Publishers: Crown Club Publishing/Warner Chappell Music, Fresh Is The Word]

    * Can't Tell Me Nothing
      A. Davis & Kanye West, songwriters (Kanye West)
      Track from: Graduation
      [Roc-A-Fella; Publishers: Very Good Beats/Hip Hop Since 1978]

    * Crank That (Soulja Boy)
      Soulja Boy Tell'Em, songwriter (Soulja Boy Tell'Em)
      [Collipark/Interscope Records]

    * Good Life
      A. Davis, F. Najm & K. West, songwriters (J. Ingram & Q. Jones, songwriters)
      (Kanye West Featuring T-Pain)
      Track from: Graduation
      [Roc-A-Fella; Publishers: Very Good Beats/Hip Hop Since 1978, Warner-Tamerlane Punlishing, Yellow Brick Road Music/Eiseman Music]


Category 35

Best Rap Album

(For albums containing 51% or more playing time of VOCAL tracks.)

    * Finding Forever
      Common
      [Geffen]

    * Kingdom Come
      Jay-Z
      [Roc-A-Fella/Def Jam Recordings]

    * Hip Hop Is Dead
      Nas
      [Def Jam/Columbia/The Jones Experience]

    * T.I. vs T.I.P.
      T.I.
      [Grand Hustle/Atlantic]

    * Graduation
      Kanye West
      [Roc-A-Fella Records]


Category 93

Producer Of The Year, Non-Classical

(A Producer's Award. (Artists names appear in parentheses.))

    * Howard Benson
      • Daughtry (Daughtry) (A)
      • Devils & Angels (Mêlée) (A)
      • Direction (The Starting Line) (A)
      • Five Score And Seven Years Ago (Relient K) (A)
      • Stay Inside (Sound The Alarm) (A)


    * Joe Chiccarelli
      • Mercy (Burden Brothers) (A)
      • The Narcotic Story (Oxbow) (A)
      • Nightmoves (Kurt Elling) (A)
      • Wincing The Night Away (The Shins) (A)


    * Mike Elizondo
      • It Won't Be Soon Before Long (Maroon 5) (A)
      • Under The Blacklight (Rilo Kiley) (A)


    * Mark Ronson
      • Back To Black (Amy Winehouse) (T)
      • Littlest Things (Lily Allen) (T)
      • Rehab (Amy Winehouse) (T)
      • Version (Mark Ronson) (A)
      • You Know I'm No Good (Amy Winehouse) (T)

    * Timbaland
      • Come Around (M.I.A. Featuring Timbaland) (T)
      • Give It To Me (Timbaland Featuring Nelly Furtado & Justin Timberlake) (T)
      • Make Me Better (Fabolous Featuring Ne-Yo) (S)
      • Timbaland Presents: Shock Value (Timbaland) (A)
      • The Way I Are (Timbaland Featuring Keri Hilson & D.O.E.) (S)


Is anyone else shocked that Soulja Boy is nominated for a Grammy? I only heard his track a few days back since I don't listen to the radio much but wow, this takes it to another label.
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« Reply #1 on: December 09, 2007, 06:39:52 AM »

wow so many times i see kanye's name.
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Dizzyfool
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And the winner isn't...


« Reply #2 on: December 09, 2007, 09:48:22 AM »

Yeah graduation really is a disappointing album, I justify alot of his previous nominations, but not this time.
I am however sickened by the amount of crunk ass bubblegum rap in there..
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Y'all had best RECOGNIZE the ORIGINATORS!!!


« Reply #3 on: December 09, 2007, 01:21:20 PM »

Category 34

Best Rap Song


* Crank That (Soulja Boy)
      Soulja Boy Tell'Em, songwriter (Soulja Boy Tell'Em)
      [Collipark/Interscope Records]



Really?
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« Reply #4 on: December 09, 2007, 03:19:23 PM »

No fuckin way. This is why I don't take the grammies seriously.
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« Reply #5 on: December 09, 2007, 03:47:47 PM »

wow who the hell choses these nominations?
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[_KaNdii_]
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« Reply #6 on: December 09, 2007, 07:08:38 PM »

Lol, this can be used as further evidence in the "Why white people can't be trusted with hip-hop thread" Cheesy It's a very sad day when an incoherent track with random Superman references is nominated as the "best" anything.

I'm ashamed to admit though that I actually like that Ayo Technology track. More for JT's parts but still Tongue

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« Reply #7 on: December 10, 2007, 06:37:47 AM »

don't u think the video is sexy?
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« Reply #8 on: January 12, 2009, 10:19:20 PM »

yea
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immoral technique
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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