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Drizzle
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« on: December 16, 2007, 07:58:16 PM »

Someone vandalized his page and wrote this. I went to quote it, but when I went back to the page Wikipedia had all ready removed it. So I went back in my history before the page was fixed.

Someone has way too much time on their hands...

Quote
Mythology
One thousand seven-hundred and seventy-four years after the death of Christ, a little-known but powerful prophet was born in the slums of Ramallah in an occupied Gaza Strip. This new prophet was the son of an impoverished prostitute/butter churner and an absentee father who was touring the ancient land of Babylonia on camel-back, spreading the world of Islam and murdering the snitches that stood between him and the war against the infidel hordes. The father named his son Vincenzo Pazienzo, a traditional Arabic name first given to one of Mohammad’s many illegitimate children. Vincenzo’s mother struggled to support her son, who had a feverish appetite for vegan food difficult to come by in the Occupied Territories. Additionally, he was unable to attend school due to lack of funds and behavioral problems (Vincenzo often called fellow students “faggots” and threatened to “unleash an army of bees” on their person).



Despite this, Vincenzo showed a keen intelligence even at a young age, and an affinity for the holy scripture. At the tender age of five he was reciting quotes from the Koran and at the age of seven was able to read the book in pitch darkness, a skill that even the most powerful imams did not claim to possess. As such, Vincenzo was taken from his modest Ramallah home and sent to Cario, Egypt where he would be educated on Islamic thought in a small private academy located within the pyramids themselves. Although Vincenzo showed considerable success in all subjects of study, he especially excelled in poetry. Vincenzo’s writing was marked by his use of poignant metaphors and imagery recalling a young Wordsworth or a William Carlos Williams. Even at a young age, Vincenzo wrote poems on subjects as diverse as eloheims, Torahs, and his relationship to his mother (which – Vincenzo points out – was adequate).



In the fall of his tenth year, Vincenzo’s mother decided to claim refugee status and leave to the US as Israel-Egyptian tensions escalated for the first time since 1967. The two boarded the vessel “Kublain Khan” which set sail for the Dead Sea and eventually the Gulf and Indian Ocean. Leaving with nothing besides a copy of the Koran and a gat scavenged from a dead Israeli soldier, Vincenzo was deeply insecure and generally afraid for the future. Instead of studying about Ancient Egyptian Prophecies in the comfort of his own pyramid, Vincenzo was off to a strange land populated by Christians, Mennonites, and homosexuals.

In an unexpected turn of events, a leakage in the hull of the Kublain forced the crew to dock in a small Portuguese fishing town. Vincenzo’s mother, desperately hungry due to ration malnourishment, went to the nearest inn to plead for food. What followed was one of the most profound turning points in the young prophet’s life. At the door of the Inn, the son and mother were greeted by two handsome middle-aged men who introduced themselves as Felipe and Fernando. Despite the language barrier, the two kind strangers began to understand the trouble and let Vincenzo and his mother into their home, sitting them in their well-furnished and immaculately designed living room. As Fernando sat beside them on his self-made wicker chair and attempted to communicate the nuances of interior design to his bewildered guests, Felipe rushed off to the kitchen to prepare a feast for the travelers.

Unbeknownst to them, Felipe had spent the morning carefully marinating a glazed ham bought from the local butcher shop. He had also prepared a delicious Caesar salad (served with a fine Italian vinaigrette) and potato wedges. Felipe rushed the appetizers to his hungry guests and watched them quickly devour the American-inspired Portuguese delicacies as he and Fernando sat by in awe. Before long, the salad and wedges were eaten, and Felipe retrieved the ham and brought it out to his guests on an impressive silver platter. He smiled and sliced a few pieces to put on Vincenzo and his mother’s plate. Both guests, still hungry from the trip, cut into the meat and took a bite. Vincenzo was first to notice the strange taste – a delicious but off taste he had never experienced eating the mutton and snake flesh of his past. Slowly chewing, he looked at his equally-concerned mother and stopped. The meat fell out of his mouth and onto the plate. Standing up with a shattering silence, Vincenzo yelled “SWINE FLESH!” in a loud and forceful Arabic. Accompanied by a biting yell, the boy pulled out his gat and unleashed the entire clip in Fernando’s soft and supple body. Blood spattered everywhere – on the table, the wall, and on his partner’s neatly-trimmed moustache. Continuing his crime of passion, Vincenzo threw down the gat and unsheathed a battleaxe which had inexplicably appeared on his person. With a quick thrust, Vincenzo gouged Felipe’s well-defined pectorals with the rusty blade. Soon the man’s beautiful frame collapsed to the floor, and a young Vincenzo remained with his mother, gasping and admiring the work of his sudden anger.

Vincenzo’s mother, first quiet from shock, collapsed into a sob that rose above the dead silence of the now-bloody living room. Vincenzo remained blank, his eyes burning a deep brown and his face expressionless. Felipe’s remains were still freshly strewn about the cabin and his blood dripped off the blade of Vincenzo’s axe. Besides the sound of dripping blood and his mother’s crying, not another noise was heard.

“Why did you this Vinnie?” his mother asked in between sobs, her hijab soaking with sweat and crocodile tears. “Why, oh why did you do such a thing?”

Vincenzo remained expressionless. “If my father was still alive,” he started, “He wouldn’t stand for this.”

Vincenzo’s mother shook her son’s words off and grabbed his arm. “Quickly!” she said. “We have to leave before the Portuguese authority gets word of this! Allah protect us!”

And so Vincenzo was off on another adventure. Wanted for the murder of two leading Portuguese interior designers, Vincenzo and his mother knew that their capture would lead to grave consequences. The two were determined to make it to the state of Montana where they imagined no authority would dare look for them, and if they did they would undoubtedly face harsh terrain and a vicious aboriginal population. Inasmuch, the two roamed the Portuguese countryside looking for a vessel that would take them to America. Finding only dinghies and alligators, Vincenzo and his mother were about to give up hope and turn themselves into the local authorities. Thankfully for Vincenzo and the art of music in general, he did not succumb to such a blatantly homosexual fate. At the last moment, the two desperate travelers ran into another convict – a chubby Puerto Rican beatmaker that introduced himself as Kevin Baldwin. This man, for which Vincenzo owes his life, would later be known as Stoupe.

What force exactly brought Vincenzo and his life-partner Stoupe together still remains a mystery. Some Panzian scholars simply attribute it to serendipity, others suggest that Allah himself was responsible for their crossing fates. Regardless, any serious student of Vincenzo’s life knows how much he owes to his anima – to use Carl Jung’s term. Without Stoupe the Enemy of Mankind holding him down, Vincenzo would likely fade into obscurity, a footmark in the history books as another victim of the rampant heterosexual persecution of that time.

From their first encounter through their long and productive career, the two were inseparable. Though Stoupe was significantly older than Vincenzo – five years, quite an elder to an impressionable 13-year old Vinnie – the two understood each other perfectly. What Stoupe couldn’t articulate about his feelings towards Christians, gays, and Mennonites Vincenzo was able to convey with an artistic quality that knew no bounds. When Vincenzo couldn’t find an outlet for his anger (despite daily battleaxing), Stoupe was there to listen and console his young friend. Even though both feared for their lives at the hands of the vicious Portuguese militia, neither could be more happy.

Despite their budding friendship, both knew the danger they were in simply by remaining on such hostile soil. Though they were able to elude the Portuguese for some time, both knew that as soon as the army left their preparatory yoga classes the hunt would continue and our heroes would have to move again. Vinnie and Stoupe, despite their impressive arsenal of obsolete medieval weaponry, were no match for a nation of fierce homosexuals and homosexual sympathizers trained in the art of Tai Bo. They knew that only vigorous training and preparation could defeat such a formidable opponent.

On their fourth month of traversing the Portuguese wilderness, young Vincenzo became restless.

“Stoupe,” he said. “Where are you leading us? We’ve been traveling through this desert forever, and it’s fuckin’ hot!” He added, “You know I don’t deal well with heat – well, unless it is a gat to which I am referring.”

“Have patience my son. I am leading with a purpose, and that purpose is right before you.” With an all-knowing smirk, Stoupe gently pushed aside a shrub to reveal a glorious visage onto the weary travelers. Before them stood a grand boat floating in a nearby ocean. It was unlike any vessel Vinnie had seen traversing the Nile. Instead of wood, it was constructed from bone. The hull was tied together with ligaments and a decomposing mermaid skeleton served as the ornamental figure on the very tip. The cabin of the boat was made from piled skulls as high as twice Vincenzo’s height. His mother recoiled in horror.

“This,” Stoupe proclaimed, “is the Nada Cambia. It is a sturdy vessel bought to me by my father, constructed completely from the bones of dead Mennonites.”

“Fucking Mennonites,” Vincenzo growled under his breath.

“With this we will travel to England, where I may be able to arrange transport to the Americas. Is this satisfactory?” Vincenzo laughed. “Stoupe, my brother. Always holding me down. Of course this is satisfactory!”

“Excellent,” Stoupe answered. “Let’s away and soon we will be free from oppression!” The two partners ran up the bone mast to the bone deck, where Stoupe entered the bone cabin and powered the bone sails. Vincenzo’s mother, unsurprisingly, recoiled in horror.

On board Stoupe introduced Vincenzo to the virile young seamen, including a teenage Des Devious (then called “Fred”) and an even younger Canibus, who served as Stoupe’s first mate during the Spanish Inquisition. The chemistry between the four was undeniable. Des Devious also came from a Muslim background, specifically from the nation of Lebanon where he was the only black American rapper studying at Tehran University at the time. Canibus was also a strict follower of the holy texts, and enjoyed philosophical discussions with Vincenzo under the influence of special marijuana picked from Stonehenge and imported through Damascus.

The Nada Cambia set sail north for the UK, a land Vincenzo believed to be a safe haven from homosexuals, Christians, and other assorted riff-raff. It was not until Stoupe educated Vincenzo on Britain’s emerging house scene did a teenage Vinnie grow restless.

“How dare we land in Britain!” quothed the boy. “Homosexuals and Mennonites abound there. We must turn and set sail for Egypt, my motherland! And the land of Allah, King of the Israelites!”

“Vinnie,” said Stoupe reassuringly. “We will be there only temporarily, I promise upon the chubby visage of the Buddha Siddhartha Guatama. We will dock, purchase 40s at the local brewery and sail to the Americas within a fortnight.”

“And why not to Egypt?” asked Vinnie.

“You are still wanted in Portugal for murder, and word has been sent to Anwar Al Sadat in Egypt of your absence. It would only be a matter of time before Portuguese hegemony penetrates the sandy borders of Egypt and snatches you up like a wombat in a mine field!”

“I see,” Vinnie said gruffly. “Why America then? Are there no faggots in America?”

Stoupe laughed heartedly. “Vinnie, Vinnie, Vinnie – Retire to your coffin for the night. There is much to discuss in the morning.”

Reluctantly Vincenzo left Stoupe to his business. He wandered the ship aimlessly, briefly discussing the Dead Sea Scrolls with Canibus before retiring to his quarters. In his coffin Vincenzo slept restlessly. What future awaits for him in the Americas? What of his perpetually recoiling mother and his relatives of which so far there’s been no mention? What of them? What of the pyramids?

Vincenzo sighed. It was too much to think of, so he shut his eyes and began counting lions in his mind. After reaching five Vincenzo was fast asleep, dreaming of Eloheims and desert eagles. The dreamer was soon awoken, however, by the sound of grinding bones from the ship’s hull.

Angered, Vincenzo climbed the clavicle ladder to the bone deck to observe the happenings. Instead of bones he found the sea, however. Portugal was now just a glimmer in his eye while the sea composed the greater landscape. As he watched the waves collide with femurs Vinnie felt a presence to his right. A somber Stoupe stood beside him, nodding at the visage. Vincenzo turned back to the water, “The ocean sure is vast," he breathed. Stoupe's eyes lit up like multiple shots from a warm gat. "It is," he said. "It sure is."

vandalized
http://en.wikipedia.org/wiki/Vinnie_Paz_%28rapper%29

^ looks like the fixed it so the link takes you to the corrected one now

corrected
http://en.wikipedia.org/wiki/Vinnie_Paz

Posted on: December 16, 2007, 07:39:07 pm
Did someone just write this shit or get it from some JMT propaganda site? Cause if they got it from an official JMT site, I've just lost all respect for Vinnie.
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« Reply #1 on: December 17, 2007, 12:55:36 AM »

Well, if the birth date is right, Vinny hasn't been born yet or was born this year!  Christ died when he was 33 years old. 

Quote
and his relationship to his mother (which – Vincenzo points out – was adequate).

LMBAO
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« Reply #2 on: December 17, 2007, 12:57:11 AM »

i wonder who's going to die of a heart attack first, vinnie paz or ill bill? 
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« Reply #3 on: December 17, 2007, 07:05:03 PM »

that shit was feckin hilarious
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« Reply #4 on: December 17, 2007, 07:15:41 PM »

It was, I just hope its not any official JMT propaganda and some fan with too much time on their hands just wrote it.
Posted on: December 17, 2007, 07:13:18 pm
I guess I was lucky to catch it before Wikipedia corrected the article.

LOL

The encyclopedia anyone can edit...
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« Reply #5 on: December 17, 2007, 10:06:54 PM »

Well, if the birth date is right, Vinny hasn't been born yet or was born this year!  Christ died when he was 33 years old. 

LMBAO

no, it says one thousand, seven hundred, and seventy four...so, jesus died at 33, thats...1807...

Vinnie paz was born in 1807?
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« Reply #6 on: December 18, 2007, 01:07:12 AM »

Shit, i didn't even notice that.  Paz is an old motherfucker. He's a highlander.
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« Reply #7 on: December 18, 2007, 02:00:27 AM »

From what I've heard Planetary from Outerspace=douchebag
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« Reply #8 on: December 18, 2007, 10:38:31 AM »

Quote
In the fall of his tenth year, Vincenzo’s mother decided to claim refugee status and leave to the US as Israel-Egyptian tensions escalated for the first time since 1967. The two boarded the vessel “Kublain Khan” which set sail for the Dead Sea and eventually the Gulf and Indian Ocean. Leaving with nothing besides a copy of the Koran and a gat scavenged from a dead Israeli soldier, Vincenzo was deeply insecure and generally afraid for the future

roflmao
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« Reply #9 on: December 18, 2007, 03:01:33 PM »

Shit, i didn't even notice that.  Paz is an old motherfucker. He's a highlander.

lol, me either until i went back to read it

From what I've heard Planetary from Outerspace=douchebag

dude, planetary is sick, his voice is nice too, although i prefer crypt, cuz hhis lyrics and flow are tighter
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« Reply #10 on: December 18, 2007, 07:18:05 PM »

^Yeah but I heard from a reliable source he's a complete douchebag in real life
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« Reply #11 on: December 19, 2007, 12:06:06 AM »

^Yeah but I heard from a reliable source he's a complete douchebag in real life

oooo, and would this source be Reef?
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« Reply #12 on: December 19, 2007, 01:00:53 AM »

oooo, and would this source be Reef?

Nope...I love knowing random Philly UG hip hop gossip
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« Reply #13 on: December 19, 2007, 01:24:57 PM »

This is the reason wikipedia was invented.  hands down, best article ever.
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« Reply #14 on: December 21, 2007, 08:15:04 PM »

Seriously. . . Why are a lot of people hating on Vinnie Paz?

Hes hella dope, hella hatin on a nig aint solving not a minks.
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« Reply #15 on: December 21, 2007, 10:46:45 PM »

Seriously. . . Why are a lot of people hating on Vinnie Paz?

Hes hella dope, hella hatin on a nig aint solving not a minks.

I take it your from the bay?
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« Reply #16 on: December 23, 2007, 10:43:14 AM »

I take it your from the bay?

Then can you explain to me what the hell he was saying?
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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