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« on: December 21, 2007, 09:36:23 PM »

NOW's Naughty List: Stereotyping Toys
Below the Belt: A Biweekly Column by NOW President Kim Gandy


December 21, 2007

For what I hope is the last time in 2007, I find myself asking: What year is this again?

I'm not talking about abstinence-only education, or Bush's appointment of birth control opponents to high ranking reproductive health positions, or even "purity balls" (although I may have to get to those someday soon). No, I'm talking about toys.

'Tis the season for abundant toy advertising and shopping, so naturally the NOW office has been abuzz about the ubiquitous "Rose Petal Cottage" TV commercials. If you haven't seen these ads, count yourself lucky. Honestly, if I didn't know better, I would think they were beamed in from 1955, via some lost satellite in space. Or maybe it's a deeply subversive parody that a clever (and rich) band of feminists snuck onto the airwaves in heavy rotation.

According to the makers at Playskool, the Rose Petal Cottage is "a place where her dreams have room to grow." And what might those dreams be? Well, baking muffins, arranging furniture and doing the dishes. The voiceover even declares that the toy house will "entertain her imagination" just before the little girl opens the miniature washing machine and says – I kid you not – "Let's do laundry!"

Now, I'm not knocking the important work of housekeeping, but this commercial is aimed solely at females (there are two versions -- one designed to entice little girls and one targeting their moms). Products like the Rose Petal Cottage and the marketing campaigns that accompany them perpetuate the notion that cooking and cleaning are women's work, and girls might as well start getting used to that fact at an early age. C'mon Susie, this scrubbing and ironing look like fun!

Of course the message of the Rose Petal Cottage would not be complete without its flip side . . . the Tonka 3-in-1 Scoot n' Scoop truck. This commercial states its theory right up front: "Boys. What can you say? They're just built different!"

The not so subtle concept is that boys are adventurous and unpredictable. Playing "their way" involves mischievous acts like pulling flowers out of the garden and tracking dirt across the kitchen floor. But thanks to Tonka, a boy can channel "what he does naturally" into sorting shapes and learning to walk. Yup, those sure sound like boys-only activities to me.

The idea that a girl might want to ride on a truck, or a boy play house, well, that's just too radical for most toy manufacturers. They prefer the status quo, thank you very much.

But what about toys that promote learning -- surely their marketing is more forward-thinking, right? Imagine my surprise when NOW received an email from a woman alerting us to the fact that even the Discovery Channel's online store organizes toys by gender beginning at age five. As the email writer explains: "Since the store is a major one for science and technology toys, I worry that it is just another way women are being discouraged from pursuing interest in science and technology at an early age."

Another disappointment is the makeover Dora the Explorer received recently. Yes, you can still buy dolls and products that look like the same Dora you see on TV, but now you can also buy an elongated and glamorous Dora, too. These new Doras are approaching Bratz territory, and that's disheartening. Dora is one of the few positive female role models in cartoons -- a smart, brave, curious girl who doesn't look like a supermodel in the making. Why must she be robbed of her uniqueness?

Take a trip through Toys "R" Us and pay close attention to the kinds of toys that are marketed specifically to girls or boys. The girls' section features dolls, fashion, jewelry, and a few crafts and other items that are best described as decorative. The boys' section contains cars, planes, sports equipment. These toys seem to value action, dexterity and skill. Many boys' toys literally and figuratively encourage them to reach for the stars, while girls' toys urge them to play at being stars, like the troubled pop princesses who rule our celebrity-obsessed culture.

To some folks, I might sound like Scrooge…disparaging decades of toy tradition. Or, this might sound like a pretty silly concern with everything else going on in the world. But the messages we send to kids as they are growing up have the power to influence the rest of their lives. And these toys do send a message about the roles of women and men in our society.

Through the world of toys, girls and boys are given separate dreams to follow. Girls are prepared for a future of looking pretty, keeping house and taking care of babies. Boys are given a pass on that domain, and instead pointed toward the outside world of challenge, physical development and achievement.

A lot of this has to do with making money, I'm sure. After all, if girls and boys don't share toys, families with kids of both genders have to buy twice as many products. But it's also about promoting difference between the sexes. Our society, heck, the whole world, still isn't ready to give up the standards that define gender and all the rules and customs that go with it.

Women will never be fully equal until we, and all of our society, stop restricting our children's aspirations based on their sex, and constantly directing them toward predetermined roles. It starts with pink and blue baby clothes, then dolls and trucks. Next thing you know, boys and girls are being segregated into separate classrooms and schools because they "learn differently." Then, they enter the workplace with an outlook that can only perpetuate division and derision.

Girls and boys both will benefit if we offer them limitless options. They will grow up to be more fully developed people if we give them the freedom to discover who they are, without the stress of tightly patrolled gender borders.

As I write this, 2008 is on the horizon, and it seems like a fine year to expand our vision of what girls, women, boys and men can do beyond our outdated, unimaginative conventions. And we can start with something as innocent-seeming as the toys we buy our kids this holiday season.

http://www.now.org/news/note/122107.html

Thoughts??
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« Reply #1 on: December 21, 2007, 10:41:25 PM »

Gender socialization disgusts me so deeply.  This "Rose Pedal Cottage" shit would be akin to making "Mami" dolls that enjoy welfare and cooks chicken, except of course for being horribly sexist.  Of course its ok because sexism is the norm in this culture and accordingly Kandii if you lived in America you would be considered a man-hating, super-bitch for saying "well hey this is kind of sexist"
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« Reply #2 on: December 22, 2007, 04:01:03 AM »

That's the same case in Canada, or Australia. To even consider influencing another's child is downright outside the norm is downright unacceptable. In fact, a child would have a very difficult time if s/he were to be outside the norm at this age. I feel sexism may need to be eliminated amongst adults.
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« Reply #3 on: December 23, 2007, 04:22:28 PM »

Bratz dolls are such good influence
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« Reply #4 on: December 23, 2007, 04:29:22 PM »

That's the same case in Canada, or Australia. To even consider influencing another's child is downright outside the norm is downright unacceptable. In fact, a child would have a very difficult time if s/he were to be outside the norm at this age. I feel sexism may need to be eliminated amongst adults.

Oh I figured, but I don't like to speak about cultures I don't know a lot about
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« Reply #5 on: December 23, 2007, 04:29:57 PM »

Do the math...


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« Reply #6 on: December 23, 2007, 04:32:51 PM »

yeah this reminds me of that one doll experiment where little Black children would rather play with the White dolls because they associated the Black dolls with badness, absolutely sickening
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« Reply #7 on: December 23, 2007, 05:54:00 PM »

yeah this reminds me of that one doll experiment where little Black children would rather play with the White dolls because they associated the Black dolls with badness, absolutely sickening
I think toxic posted that video here a little less than a year ago. To take this slightly off-topic, couldn't you basically prove sociological forces favoring white supremacy by juxtaposing this experiment with a similar one with white children?

But back on topic, I actually wrote a paper similar to this one last year for sociology class, too bad I deleted it, though I did find many of the same trends that this article points out. Toy stores are usually separated with "boys" toys on one side and "girls" toys on the other, with color and design differences to reinforce which side is which. The gender roles are very prevalent as well.
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« Reply #8 on: December 23, 2007, 06:33:58 PM »

We should all go into the business of selling interracial barbie doll couples just to piss off mainstream society.  Something like a skinny black ken doll and an extremely overweight barbie together in the same package.
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« Reply #9 on: December 23, 2007, 08:24:44 PM »

Oh I figured, but I don't like to speak about cultures I don't know a lot about
Well, I'm just saying that change needs to take place at the institutional level. To expect individuals to change, but if individuals worked together to promote institutional change, we can see stereotyping toys eliminated.

In addition, I see the socio-economic disparity amongst females and males a far more pressing issue. Not that isn't a worthy issue, but history has told us that those who converged socio-economically (vs. the dominant) have been able to change their identity all together.

For instance, the Germanic people who were viewed as barbarians by the Southern Europeans are a great example. However I certainly would not want to see such backlash emulated.
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« Reply #10 on: December 23, 2007, 08:44:44 PM »

I think toxic posted that video here a little less than a year ago.

yeah I did. Here it is again for newer members who havent seen it:

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« Reply #11 on: December 24, 2007, 02:47:54 PM »

I think toxic posted that video here a little less than a year ago. To take this slightly off-topic, couldn't you basically prove sociological forces favoring white supremacy by juxtaposing this experiment with a similar one with white children?

But back on topic, I actually wrote a paper similar to this one last year for sociology class, too bad I deleted it, though I did find many of the same trends that this article points out. Toy stores are usually separated with "boys" toys on one side and "girls" toys on the other, with color and design differences to reinforce which side is which. The gender roles are very prevalent as well.
*steals idea for experiment for research methods class i'll eventually take*
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« Reply #12 on: December 24, 2007, 02:54:35 PM »

wahida was a hottie
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

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Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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