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Author Topic: One God, One Aim, One Destiny  (Read 229 times)
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« on: January 08, 2008, 12:27:42 AM »

http://www.raceandhistory.com/Historians/marcus_garvey.htm



"I do not speak carelessly or recklessly but with a definite object of helping the people, especially those of my race, to know, to understand, and to realize themselves."

   --Marcus Garvey,
   Halifax, Nova Scotia, 1937


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In several ways, and certainly from political and cultural standpoints, we are still weighing the monumental impact of Marcus Garvey around the world. His clarion call of "One Aim, One God, One Destiny," and "Africans for Africans at home and abroad," still resonate, having an especially significant value in the spiritual and psychological outlook of Black people wherever they reside.

Born in St. Ann's Bay, Jamaica, August 17, 1887, Garvey would be celebrating his 110th birthday this coming summer. Garvey was virtually self-taught, reading voraciously from his father's extensive library. By 1910, and then residing in Kingston, he quickly established himself as a orator, a skill that was the hallmark of his illustrious political career.

For the next four years or so Garvey traveled throughout the West Indies, Central America and Europe, primarily working as a printer and an editor. In England he worked briefly at the prestigious Africa Times and Orient Review, where he came under the estimable influence of Duse Muhammad. Upon his return to Jamaica, he was convinced of a need for an organization to uplift the downtrodden people of his island. Thus was born the Universal Negro Improvement Association (UNIA).

Two years later, after being completely captivated by Booker T. Washington's autobiography "Up From Slavery," Garvey wrote to the great man and was soon thinking of building his own institution modeled after Washington's Tuskegee Institute. Through the correspondence with Washington, Garvey made plans to visit the United States. Unfortunately, when he finally arrived in America, Washington had died the previous year in 1915, but a visionary like Garvey was not deterred by this setback.

As part of his introduction to the states, Garvey toured the country, lecturing and establishing contacts. It took the energetic Garvey only a couple of years to place the UNIA on the political map, and this notoriety was ushered along by his extremely potent weekly the Negro World.

At its peak, some historians have written, the UNIA boasted a membership of more than four million, with almost as many sympathizers. How it rose to this prominence and its ultimate eclipse which has been insightfully discussed in the works of Robert Hill and Tony Martin. What is apparent in their exhaustive studies is the powerful impression Garvey left on our spiritual and mental health. His fervent nationalism, his belief in self-reliance is an indelible stamp that marks our progress as a people. We salute the magnificent Garvey on this 110th year of his birth, knowing that his prodigious soul-force will carry us through the 21st century and beyond.

Ethiopianism includes the appreciation of Ethiopia's ancient civilization as well as its role in the Bible. To blacks, Africa (interchangeable with Ethiopia) became a glorious, Biblical homeland equated with Zion. The recognition of African roots and the desire for repatriation has been a central theme in New World black religion before and since emancipation. Ethiopianism became a "black religious reaction to pro-slavery propaganda."
Marcus Garvey's "Back to Africa" movement developed the spirit of Ethiopianism to its fullest extent.

White people have seen their God through white spectacles, we have only now started out (late though it be) to see our God through our own spectacles. The God of Isaac and the God of Jacob let him exist for the race that believe in the God of Isaac and the God of Jacob. We Negroes believe in the God of Ethiopia, the everlasting God -- God the Son, God the Holy Ghost, the one God of all ages. That is the God in whom we believe, but we shall worship him through the spectacles of Ethiopia.

A. J. Garvey, The Philosophy and Opinions of Marcus Garvey

Garvey's words planted the seeds for most "Black Cod" movements in the US and Caribbean. Stressing the superiority of the ancient Africans and the dignity of the black race, he inspired many successful nationalist movements and numerous African leaders from Kenyatta to Nyerere.

Marcus Mosiah Garvey was born in St. Ann, Jamaica, in 1887, descended from the fiercely proud Maroons. He founded the newspaper The Negro World, which took as its motto his nationalist cry, "One God, One Aim, One Destiny." In 1917, he founded UNIA (Universal Negro Improvement Association) in Harlem. Its aims were described in a speech delivered by Garvey in 1924 at Madison Square Garden, New York:

"The Universal Improvement Association represents the hopes and aspirations of the awakened Negro. Our desire is for a place in the world, not to disturb the tranquility of other men, but to lay down our burden and rest our weary backs and feet by the banks of the Niger and sing our songs and chant our hymns to the God of Ethiopia."

Garvey's goal of repatriation was expressed in his famous slogan "Africa for the Africans." His well-known Black Star Line steamship company was established to trade and eventually carry New World blacks to Africa. This prophet of African redemption was not always successfull in his countless business ventures, but by the 1920s Garvey was the most powerful leader among the black masses in the United States. In 1916, before he left for his US campaign, Garvey's farewell address to Jamaicans included the words "Look to Africa for the crowning of a Black king; he shall be the Redeemer."
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« Reply #1 on: January 08, 2008, 12:42:27 AM »

Garvey was a catholic...
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« Reply #2 on: January 08, 2008, 12:48:58 AM »

Please keep in mind the times and the context, Afrikans in the New World just started to become reconnected with their roots, which was concealed and forbidden for many, many years.

http://rastafarism.free.fr/marcusgarvey.html
Quote
Although himself a Roman Catholic, Garvey encouraged his followers to imagine Jesus as Black and to organize their own church. To emphasize that the new church was neither Catholic nor Protestant, the name "Orthodox" was adopted and the "filioque" (a phrase added to the Latin version of the Nicene creed in the early Middle Ages but rejected by the Orthodox) was dropped.


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I was raised Catholic as well, it's stems from the systematic oppression that encompasses the world we presently find ourselves in. 
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« Reply #3 on: January 08, 2008, 01:01:32 AM »

Is that a rastafari site?

http://en.wikipedia.org/wiki/Marcus_garvey
Quote
Garvey himself never identified with the Rastafari movement

http://www.rism.org/isg/dlp/ganja/analyses/Garvey&Rasta.html

Garvey BECAME catholic, he was raised methodist.  A slight incongruity that flies in the face of his political beliefs.  You can say something about your own personal life, but you are not Garvey and therefore it's just another anecdote. 

I was raised a baptist.  I am now an atheist.  My personal anecdote has no bearing on Garvey.



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« Reply #4 on: January 08, 2008, 01:03:18 AM »

Just like Jesus never identified himself with Christianity.
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« Reply #5 on: January 08, 2008, 01:07:24 AM »

Because that would make no sense.  There was no Christianity while Jesus was alive.  Rastafarianism co-existed with Garvey.  He had several important disagreements with it, most surrounding Selassie and his supposed divinity. 
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« Reply #6 on: January 08, 2008, 01:19:09 AM »

It's called progess and the more we progress the more we are going to realize (rather I and others) that going back back is where the real answers are found.  It's becoming more commonly known now.   But I am talking spirituality with someone who doesn't even acknowledge spirit. 

Quote
There was no Christianity while Jesus was alive

This leads to another, much more important question:  What was Jesus teaching then?   


Anyways, the point of the thread is discuss Marcus Garvey.  Not focus on any specific religious method but rather that he had faith and it was a part of his persona.   If you got a problem with what he was or not, then that's on you. 

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"Look to Africa for the crowning of a Black king; he shall be the Redeemer."
 
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« Reply #7 on: January 08, 2008, 01:32:16 AM »

Progress is not moving backwards. What's becoming more commonly known now is that there is little or no evidence for divine intervention in our day to day lives and all religious prophecy has failed to come fruition, especially the prophecy with some sort of specificity.  Garvey was no primitivist. He was not an advocate of moving backwards, he was an advocate for moving Africa forwards through pan-African solidarity.
 
http://www.rism.org/isg/dlp/ganja/analyses/Garvey&Rasta.html

I often talk politics with someone who has no political philosophy, or at least a basic level of understanding of politics; you if you don't get what I am saying. 

Just because I don't acknowledge spirituality doesn't mean that I can't understand it and all of its irrationality and reactionary structure.   To say that I must be spiritual to understand spirituality is like saying that you have to be a capitalist to speak about capitalism.  "You'll only understand it if you believe it..."  That's a paradox which shows that it can never be objectively analyzed.

Lastly, if you think religion was central to Garvey's message, show some quotes other than one and the masthead to his newspaper.  His message was overwhelmingly secular...but the best part of your posting is this:

Quote
Two years later, after being completely captivated by Booker T. Washington's autobiography "Up From Slavery," Garvey wrote to the great man and was soon thinking of building his own institution modeled after Washington's Tuskegee Institute.

Booker T...
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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