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Author Topic: Con-fusion Ethic: How Whites Use Asians to Further Anti-Black Racism  (Read 154 times)
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« on: January 21, 2008, 09:09:51 AM »

http://www.zmag.org/Sustainers/Content/2002-10/03wise.cfm
Con-fusion Ethic: How Whites Use Asians to Further Anti-Black Racism

By Tim Wise

It happened again, for what seems like the millionth time. Once again, in response to something I said about ongoing racism in the United States, someone (a white male, naturally) pulled out the all-too-common conservative race card (oh yes, they have one), which they believe disproves the existence of racial injustice. It sounds a bit like this:

"If racism is such a big deal in America, then why have Asians done so well? Why is Asian income higher than white income? Doesn't this prove that the problem with blacks is simply a lack of effort?"

Offered this challenge most recently by a disgruntled county employee in Minneapolis who resented having to sit through a speech I had given, I rolled my eyes, took a deep breath and considered the irony of the query (ironic because it always comes from whites who insist on their "color-blindness") before issuing my reply.

As I pondered my response, I thought about the Asian women working twelve hours a day in garment sweatshops both abroad and in places like Los Angeles to make clothes for people like this guy's kids; and I wondered, in what sense were they "doing so well?"

I thought about the Vietnamese youth in California who are profiled as potential gang members by police, for wearing the wrong clothes or driving in the "wrong" neighborhoods; and I wondered, in what sense were they "doing so well?"

I thought about the Asian families whose members have to put in 80 hours a week just to keep their heads above water; and I wondered, in what sense were they "doing so well?"

I thought about the Indian, Pakistani or Bangladeshi taxi drivers who endure crappy working conditions, customers who get pissy about their accents or "attitudes," and cops who are responsible for nearly eighty percent of all anti-South Asian attacks-often against hack drivers in places like New York; and I wondered, in what sense were they "doing so well?"

I thought about the demonization of Wen Ho Lee, and of Chinese American political contributors during the Clinton Administration; and the beating death of Vincent Chin; and the persistent refrain that the Japanese are "buying up America;" and I wondered, in what sense were they "doing so well?"

But instead of getting into all of those things, which likely wouldn't have been seen as responsive by my detractor, I offered the following.

First, I noted that the Asian "model minority" myth has long been a staple of white conservative race commentary, though rarely have members of the various Asian communities in the U.S. pushed the notion themselves. The genesis of this argumentation goes back to the 1950's and '60's, when prominent magazines ran articles lauding the "hard-working" Chinese or Japanese, and explicitly contrasting their "success" with the "failure" of African Americans.


Of course, none of these ever editorialized in favor of lifting the immigration restrictions that had kept Asian populations small in the U.S. from the 1880's until 1965, despite their respect for their favored persons of color. Neither they nor any adherent to the model minority image spoke out against internment of "hard-working" Japanese Americans during World War Two, or the killing of hard-working Southeast Asians during the Vietnam War.

Secondly, I explained that comparisons between blacks and Asian Americans overlook a number of differences between them. Whereas the African American population represents a cross-section of background and experience, the APA community is highly self-selected. Voluntary migrants from nations that are not contiguous to their country of destination tend to be those with the skills and money needed to leave their home country in the first place. As many scholars have found, Asian immigrants are largely drawn from an occupational and educational elite in their countries of origin.

Indeed, Asian "success" in the U.S. relative to others is largely due to immigration policies that have favored immigrants with pre-existing skills and education. As the Glass Ceiling Commission discovered in 1995, between two-thirds and three-quarters of the highly-educated APA community in the U.S. already had college degrees or were in college upon their arrival.

Thanks to preferences for educated immigrants, Asian Americans are two-thirds more likely than whites and three times more likely than blacks to have a college degree. More than eight in ten Indian immigrants from 1966-1977 had advanced degrees and training in such areas as science, medicine or as engineers.

Pre-existing educational advantages are implicated in Asian success once here; but they hardly indicate genetic or cultural superiority. After all, to claim superior Asian genes or culture as the reasons for achievement in the U.S. requires one to ignore the rampant poverty and lack of success for persons from the same genetic or cultural backgrounds in their countries of origin. There is no shortage, after all, of desperately poor Asians in the slums of Manila, Calcutta and Hong Kong: testament to the absurdity of cultural superiority claims for Asians as a group.

Indeed, ethnic Koreans in Japan, as well as the Burakumin there-a minority treated similarly to the Dalits in India-consistently underperform economically and educationally, compared to dominant Japanese. They are both the targets of discrimination, and although they are culturally and genetically indistinguishable from other Koreans or Japanese, they are consistently found at the bottom of Japanese society, and do worse than others in Japan, or than Koreans in Korea.

Not only does this debunk the notion of pan-Asian superiority in genes or culture, but it also suggests that a group's caste status influences group outcomes: much as with blacks in the U.S., whose position has been similar to the Burakumin and ethnic Koreans in Japan.

The primary argument put forth by those who push the model minority myth is that APA income in the U.S. is higher than the average for other people of color and even whites. As such, it is suggested, racial discrimination cannot be a significant problem any longer.

But the data that shows Asians doing better in terms of income than whites, is family and/or household data, not per capita income data. This is important because APA households and families tend to have more family members (thus, slightly higher incomes are made to stretch over more persons), and more earners per family (thus, it takes more family members in the workforce in order to earn only slightly more than whites, with fewer income earners).

The average Asian household size, for example, is 3.3 persons, compared to only 2.5 per household for whites. Likewise, Asian American families are more likely than white families to have two income earners, and nearly twice as likely to have three earners. So while Asian household and family income is higher than that for whites, the median income per person is lower for Asians: as much as $2000 less annually.

An additional reason why the average income of Asian families is higher than that of whites is because Asians are concentrated in parts of the country that have higher average incomes and costs of living. The three states with the largest Asian populations and a disproportionate share of the overall Asian population (California, New York and Hawaii), rank 13th, 4th, and 16th in terms of average income: all within the top third of states. Whereas 76% of all Asian Americans live in the higher-income regions of the West and Northeast, only 41% of whites and 28% of blacks are in these regions.

Over half of all APA's in the U.S. live in just five major U.S. cities (Honolulu, San Francisco, Los Angeles, Chicago and New York City): all of which have higher than average household incomes, and much higher costs of living than most of the U.S.

According to the Census Bureau, in 1996, median household income was about $35,500. But in states with disproportionate shares of Asians (NY and Hawaii, for example), median household income was $39,000 and $42,000 respectively. This means that APA median income will be skewed upward, relative to the rest of the country, but given cost of living differences, actual disposable income and living standards will be no better and often worse.

More importantly, claims of Asian success obscure the fact that the Asian American child poverty rate is nearly double the white rate, and according to a New York Times report in May of 1996, Southeast Asians as a whole have the highest rates of welfare dependence of any racial or ethnic group in the United States.

Nearly half of all Southeast Asian immigrants and refugees in the U.S. live in poverty, with annual incomes in 1990 of less than $10,000 per year. Amazingly, even those Southeast Asians with college degrees face obstacles. Two-thirds of Lao and Hmong-American college grads live below the poverty level, as do nearly half of Cambodian Americans and over a third of Vietnamese Americans with degrees.

Indeed, Asian "success" rhetoric ignores the persistent barriers to advancement faced by Asians relative to whites. On average, Asian Americans with a college degree earn 11% less than comparable whites; and APA's with only a high school diploma earn, on average, 26% less than their white counterparts.

When Asian American men have qualifications that are comparable to those of white men, they still receive fewer high-ranking positions than those same white men. Asian American male engineers and scientists are twenty percent less likely than white men to move into management positions in their respective companies, despite no differences in ambition or desire for such positions.

Of course, beyond the statistics, there are obvious points to be made. First, if whites truly believe that Asians are culturally superior and add to the quality of schools and workplaces, then why aren't these folks clamoring for a massive increase in immigration from Asian nations? Why not flood the borders, since we could all benefit from a little more Asian genius? Why not have white CEO's step down from their positions and let Japanese managers take their place?

Secondly, the whites who trumpet the model minority concept would be the first to object if Asian Americans began to bump their own white children from college slots, even if they did so by way of higher test scores and "merit" indicators. Just ask yourself what would happen if next year the top 3500 applicants to U.C.-Berkeley, in terms of SAT score and grades, happened to be Asian Americans, especially since there are only 3500 slots in the freshman class.

Would the regents allow the freshman class at the state's flagship school to become 100% Asian? Or for that matter even 80% or 70%? How would white Californians react to such a development, including those who praise hard-working Asian kids for their educational excellence and scholarly achievements?

How would white alums react if their favorite "model minorities" were suddenly seen as taking slots not from black and Latino youth, but from their own white children? To ask the question is to answer it.

And finally, to argue-as supporters of the model minority myth do-that Asians "have made it, so why can't blacks," is to misunderstand the issue of moral and ethical responsibility to correct the harm of wrongful actions.

Even if we accept the notion that groups victimized by racism can "make it" without assistance, affirmative action, or reparations, that would not deny (or indeed speak to in any way) the fact that society has an obligation to compensate the victims of injustice. After all, if my leg is blown off in an industrial accident, it hardly matters that many people with only one leg go on to succeed. The issue of compensatory justice remains, irrespective of what gains one can make without compensation.

I have little reason to believe that any of this made much difference to the individual who chose that day to trumpet Asian success as a way to denigrate African Americans. Given some of his other comments-that African sexual promiscuity was to blame for AIDS on the continent, and that he resented the "fact" that his black son (presumably adopted) has more opportunity in life than his white son (despite the fact that the former is unemployed and the latter in college)-his ability to rationally decipher much of anything seems doubtful.

Nonetheless, challenging the model minority myth is a worthwhile enterprise, especially when one considers how many decent, well-meaning individuals often fall for it.

Those who trumpet "Asian values and culture" (based on stereotypical understandings of both, not unlike the white guys who covet mail-order Asian brides for their anticipated "docility"), do Asians no favors. If anything, they set them up in a way that not only harms the groups against which they are contrasted, but in a way that harms Asians as well.

To be considered a group filled with math and science geniuses and passive, sensual, and willing female companions, not only objectifies Asian Pacific Americans, but results in a special stigma for those in the various Asian groups who aren't good in school, don't know how to fix your computer nor care to do so, or who don't fit the sexist stereotypes that are so comforting to Western male tastes.

The model minority myth, in other words, is a setup: a carrot offered to certain groups so long as they don't get out of line, assert their rights, strike for better wages, or try to determine their own sexuality. And as with all carrots, there is an even bigger stick, ready to throttle those who don't go along with the game.

Ultimately, justice and equity will remain elusive so long as whites feel no compunction about using one group of color against another group of color, in an attempt to make fools of both.

Tim Wise is an antiracist essayist, lecturer and activist. He can be reached at (and footnotes for this article can be obtained from) timjwise@msn.com
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« Reply #1 on: January 21, 2008, 05:27:01 PM »

Nice read +1

Can’t believe he tried that comparison.
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« Reply #2 on: January 24, 2008, 10:36:51 AM »

Though he brings up some decent points, it is poorly written and contains no links or citations.
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Jray
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« Reply #3 on: January 24, 2008, 10:57:47 AM »

Though he brings up some decent points, it is poorly written and contains no links or citations.

Tim Wise is an antiracist essayist, lecturer and activist. He can be reached at (and footnotes for this article can be obtained from) timjwise@msn.com
 
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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