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« on: January 27, 2008, 02:49:12 AM »

Title IX at 35: Beyond the headlines

Read full report here: http://www.ncwge.org/PDF/TitleIXat35.pdf

Executive summary
Thirty-five years after the passage of Title IX of the Education Amendments of 1972, the stunning progress brought by this landmark civil rights legislation is evident in women’s unprecedented achievements in many areas, including business, the professions, academics, sports and public leadership. But, much remains to be done, for the evidence shows that girls and women continue to suffer discrimination in many educational activities, although it is usually in a more subtle form than it was before Title IX was enacted.

A glance at the news headlines from the last five years shows that in spite of the continuing discrimination against girls, Title IX is under attack from critics who claim that there is a “boys’ crisis” and that the law now favors girls and women at the expense of boys and men.

However, studies show that the educational performance of both sexes has continued to improve under Title IX and that girls’ gains have not come at boys’ expense. Moreover, both boys and girls face problems such as low high school graduation rates, sexual harassment and sex stereotyping. Policymakers must seek solutions that benefit all students.

This report sets forth the facts behind the headlines in six areas covered by Title IX that have been focused on in recent years: athletics in schools; education in the “STEM” subjects— science, technology, engineering and mathematics; career and technical education; employment in educational institutions; sexual harassment of students; and single-sex education. Through this examination, NCWGE seeks to inform the continued search for policies that will promote true equality of educational opportunity in all of these areas.

Some critics contend that Title IX has weakened boys’ and men’s opportunities in athletics. However, while Title IX has opened up the playing fields, women and girls still lag behind men and boys in participation, resources and coaching. And, contrary to the critics’ claims, boys’ and men’s opportunities to play sports have continuously increased since 1972, albeit at a slower rate than that of girls and women—who
had so few opportunities before Title IX.

Nevertheless, opponents continue to claim—ignoring relevant court decisions to the contrary—that Title IX policies set forth quotas that are taking participation opportunities and resources away from boys and men. After convening a Commission on Opportunity in Athletics in 2002 to consider changes to Title IX policies, including the so-called “quotas,” the Department of Education declined to make any
changes. Then, in March 2005, without any notice or opportunity for public comment, it suddenly released an “Additional Clarification” of its athletics policies, which authorizes schools to use e-mail surveys as the sole measure of girls’ and
women’s interest in playing sports. The Clarification creates a major loophole through which schools can evade their obligation to provide girls and women with opportunities in athletics.

Before Title IX, many educators accepted the stereotype that girls could not achieve in STEM subjects. Since then, that stereotype has been weakened, and significant progress has been made in this area. The gender gap at all grade levels has decreased significantly since 1970 in nationwide assessments
of science and math performance; women’s share of bachelor’s degrees in natural sciences and engineering has more than doubled, and their share of doctoral degrees in these fields has more than quadrupled. However, women still only earn 20% to 25% of degrees in physics, computer sciences and engineering, and the culture of STEM fields still isolates and excludes girls and women.

A GAO study in 2004 found that enforcement of Title IX in STEM has been severely lacking, and that students and faculty generally do not know that Title IX applies to this area. In addition to remedying this situation, educational institutions should cultivate girls’ and women’s talents in STEM to meet the demand for workers in
the emerging high-tech world and grow America’s capacity for innovation.

In the last 35 years, women and girls have made very little progress in “blue-collar” technology and trades occupations. Male students continue to predominate in courses that lead to high-skill, high-wage jobs, while female students fill
the low-wage, low-skill tracks. Before the 1970s, the career and technical
education system in the United States intentionally segregated students
by sex. Title IX made this unlawful and required that schools take steps to
address the disproportionate enrollment of students of one sex in a
course.

Between 1984 and 1998, Congress spent about $100 million annually for sex-equity
coordinators and programs in each state to eliminate sex bias and stereotyping and to meet the needs of single parents, displaced homemakers and other individuals
facing significant barriers. Congress eliminated this funding in 1998, and OCR has done little to investigate sex segregation in career and technical education, despite the patterns of persistent discrimination. Girls still make up almost 90% of the students enrolled in classes leading to traditionally female occupations and only 15% of those in classes in traditionally male fields. Biased career counseling, gender stereotypes, unequal treatment by teachers, sexual harassment and other discriminatory practices result in a career and technical education system that limits the educational opportunities of women and girls. This has significant negative consequences for women’s economic security, and fails to develop women’s skills in fields with a high demand for skilled labor at good wages.

Women continue to face sex discrimination in education employment. Despite progress, relatively few women hold administrative positions at any level of education and they remain under-represented in higher levels of academia, especially at the most prestigious universities. The numbers are especially low for women in the “hard sciences.”

Women’s salaries remain below those of men in every job category, and they also face inequities in grant funding, lab space, leave policies and other support necessary for their advancement.While some institutions are addressing under-representation of women, more must be done to address discrimination in employment in education.

Sexual harassment is sex discrimination that is prohibited by Title IX, whether the student is harassed by employees such as teachers or coaches, or by other students. Students who have suffered sexual harassment may sue for damages
in court under Title IX, but schools have an obligation to end harassment that goes well beyond their monetary liability.

OCR issued a Sexual Harassment Guidance in 1997, which was revised in 2001, that requires all schools subject to Title IX to maintain an environment that is free of sexual harassment and to remedy the effects of harassment on the victim. However, sexual harassment remains a problem for students in our schools. One study found that four of five students in 8th through 11th grade—both boys and girls—reported that they had experienced some type of sexual harassment in school. A recent survey of sexual harassment on college and university campuses found that 62% of female college students reported being sexually harassed, some severely enough
to make them drop a course or stay away from particular buildings or places on campus. Institutions at all levels of education must address this problem, including by ensuring that they have effective policies and procedures in place to address
sexual harassment complaints.

The last area discussed, single-sex education, focuses on problems with the changes to the Title IX regulations issued by the Department of Education in 2006, which allow schools to provide single-sex programs without adequate protection against stereotyping and other forms of sex discrimination.

The 1975 Title IX regulations allowed some single sex classes and programs for specific purposes such as contact sports, instruction in human sexuality, and for remedial or affirmative activities to decrease sex discrimination. The 2006 changes allow K-12 non-vocational single sex education for many more purposes and do not have adequate safeguards to ensure that sex segregated schools, classes or activities will not increase sex discrimination. They fail to recognize that women and girls have historically been treated inequitably and received fewer resources when programs are separated on the basis of sex. In addition, the 2006 changes do not require that sex segregation be used only if there is adequate justification to show that it will be better than coeducation in accomplishing the desired objectives, such as increasing gender equity in education.

Educators must understand the dangers of single sex programs, and should carefully examine them to ensure that they are not discriminating on the basis of sex and reversing the significant progress made under Title IX since 1972.

Probing beyond the headlines in these six key areas covered by Title IX, NCWGE has found significant progress along with serious enforcement gaps and disappointing
setbacks. Looking forward, it has identified key opportunities to continue improving
women’s and girls’ access to educational opportunities. Policymakers, administrative
agencies and educational institutions all have an important role to play in achieving gender equity, along with students, parents and teachers. Policymakers must increase oversight of Title IX enforcement and continue to provide resources and incentives for research and development of effective gender equity programs.

OCR should rescind the athletics policy clarification on interest surveys and the new single-sex regulations, as well as increase compliance reviews and reporting. Educational institutions should appoint Title IX coordinators, conduct self-assessments and continue efforts to end all forms of sex discrimination,
including harassment, in order to improve women’s and girls’ opportunities in all
areas of education. Implementing these and other items in the action agenda will expand progress toward gender equity in education and change the headlines.
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

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At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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