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Author Topic: George Bush & Recession - January 18, 2008  (Read 218 times)
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nemotek
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« on: February 05, 2008, 07:29:32 PM »

Regarding the “Recession”, what is being done about all the businesses that have moved out of the country and have increased our unemployment rolls?   What about all the federal management work that Bush has farmed out to foreign countries?   Or his open borders and immigration policy!

Bush isn’t telling that he caused the Recession because of all the grants he has given overseas of our money (‘grants’ are never to be paid back); nor the horrifying cost of the wars!  Wars destroy the economy of the victor as well as the vanquished: their monetary, and economic woes increase.   He never mentioned cutting federal spending.   Instead his solution is to increase federal spending.   More fiat money will be spent to finance food stamps and unemployment benefits without any reduction in massive global-government building budgets and spending.   More phony printing press money reduces the value of our American dollar, adds to the inflation, and increases the Recession!

This Recession may increase his push for the Real ID card (also called the national ID card).   We are falling into error to allow the Homeland Security Agency (H. S. A. ) to demand the states establish the Real ID card.    Instead, we should be calling for the Homeland Security Agency itself to be abolished, as it is the military government formation necessary under total global government management.   The H. S. A.  has put every police officer in the nation ‘on line’ to do its legwork.   This is more than just unconstitutional!  Law enforcement belongs to the states! It is a part of the check and balance system.   The H. S. A.  has broken the Posse Commitatus law, which forbids the merger of the military with civilian law enforcement.   Nevertheless, this has been done, and it has been left to stand!   (‘Agencies’ are not responsible to the people. )   This merger creating the Homeland Security Agency constitutes the basic underpinnings of a dictatorship!

Meanwhile, the push goes on for the Real ID card.   Through the use of this card,  our now federalized police can communicate with a satellite that is a data bank, listing information on the people.   The anti-gun federal government administration wants all privately-owned guns prohibited and surrendered in order to eliminate resistance to the ‘new world order’.   It has a pretty good idea as to who has guns:  forms used by gun dealers in gun sales; information on who has applied for ‘concealed carry’ permits; and names of people subscribing to books for hunting or shooter information.  The government has also seen a membership list of N. R. A.  members.   Chertoff says no new satellite is going to be built to accommodate the Real ID card, but did he tell you that S. E. A. R. C. H.  (Systems for Electronic Analysis and Retrieval of Criminal Histories), a data bank, was built from the 1970’s on?  It required fingerprints and a photograph of the person.    Did your state driver’s license switch over to the electronically transmissible photo of you, as is required in California?  Guns can be easily called in with the help of bills such as Rush Holt of New Jersey has carried, but not yet passed.    Soon all gun owners and critics of globalism will be classed as criminals.

If guns are acclaimed to be subject to “reasonable regulation” and “federal limits”, as U. S.  Solicitor General Paul D.  Clement is now arguing in a brief for the U. S.  Supreme Court in the ongoing arguments over the legality of a District of Columbia ban on handguns in homes, the natural right confirmed in the Second Amendment is grievously jeopardized.   Such a federal anti-gun victory will aid the system necessary for anti-gunners to seize our guns.   This will destroy our defense against the North American Union, and collapse the Constitutional system.   Such “catastrophes” as these were planned in the government document “The Politics of Change in Local Government Reform. ”

We know that the Bill of Rights is not subject to repeal.   We know that the Second Amendment was written to stop federal infringement of the people’s gun rights.   Why do we not have a greater outcry against federal interference in powers that were forbidden to them?  We need to do some REAL evaluating without allowing the wolf to tell us where we stand or how to correct it!

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« Reply #1 on: February 05, 2008, 11:20:38 PM »

Quote
We need to do some REAL evaluating without allowing the wolf to tell us where we stand or how to correct it!

BINGO!   This sentiment can be applied to nearly all of the problems common, displaced, and negative-end disparity folks (from so-called white up to and especially people of color) face. 

PS-  To the poster:  Is this your own written work? If so, well done.  Can you please provide your source(s), thanxs. 

Oh and the REAL ID is real or is just me and in the imaginary conspiratorial world that I live in:   Florida DMV  ...Nagga please!
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nemotek
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« Reply #2 on: February 06, 2008, 01:53:25 AM »

Here is my blog page:

History & The Future:Freedom News Press
www. freedomnewspress. blogspot. com


Do you want to be on my mailing list?
Nemotek2012@gmail. com
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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