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Author Topic: FARC Women in Columbia and the death of a rebel leader  (Read 104 times)
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« on: March 23, 2008, 10:08:59 AM »

http://www.zcommunications.org/znet/viewArticle/16941

by Terry Gibbs

In the pre-dawn hours of March 1, 2008, the second-in-command of Colombia’s oldest and largest guerrilla group, the Revolutionary Armed Forces of Colombia – People’s Army (FARC-EP) and 21 other rebels were killed by an army incursion into their jungle camp located two kilometres across the border with Ecuador. It is the first time in the decades-long civil conflict that the Colombian military has been able to kill a member of the FARC’s seven-person central command and the cross-border strike brought Colombia, Ecuador and Venezuela to the brink of war. Eight months prior to his death, I had traveled to one of Reyes’ jungle camps with my partner and colleague Garry Leech. It was a rare opportunity as few North Americans had met face-to-face with Reyes during the last six years. We not only met Reyes in person, but also gained insights into guerrilla life.

 

Reyes, who was chief negotiator for the FARC during the failed peace process (1998-2002), was known as a hardliner. He refused to accept a peace agreement that did not include social justice. This necessarily implied a transformation of Colombia’s political and economic structures—a process not welcomed by either Colombia’s elites or Washington. Colombia has been enmeshed in a civil war for over 40 years and while a small minority have benefited from its vast resource wealth, a majority of the population lives in poverty. The FARC are battling against the U.S.-backed government and its right-wing paramilitary allies, calling for an end to U.S. imperialism and a redistribution of wealth. Reyes was the international voice of the guerrilla group and he spent a great deal of time working to build international solidarity.

 

At the time of our departure from Colombia’s capital, Bogotá, we had only a vague idea about the specifics of our two-and-a-half day journey to the remote guerrilla camp. Our trip began with a one-hour flight to a small city in southern Colombia. After a night in a hotel, we journeyed for two days on two buses from high in the Andes Mountains down into the Amazon rainforest. One of the bus trips lasted over nine hours, five of which took place on harrowing and meandering mountain roads dropping off into cavernous valleys. While the views were stunning in all their green majesty, I was too terrified for much of the journey to venture a peek out the window. My fellow travelers found this distinctly amusing. There were several bends in the road that required the bus to grind its way through fallen rocks or running water. To add to the terror, our driver appeared to be in a rush, heading into many of the curves with the determination of a Formula One race car driver.

 

At one point on the second day, as our bus approached a river, we recognized the spot where we were told to disembark. It is here that we were to rendezvous with our guerrilla contacts. While we waited, a local woman in the solitary house beside the river served us cups of strong black coffee. We were able to make out a shadowy figure in the distant trees talking on a hand-held radio. After about twenty minutes, two young women in civilian clothing, one of them the figure in the trees, approached and informed us that they would be taking us down the river. We traveled in a dugout canoe that was powered by an outboard motor for approximately two hours. After stopping to pick up gasoline and four large planks of wood, we continued on our journey. Our river trip terminated at a seemingly arbitrary spot along the riverbank. Equipped with rubber boots and ponchos, we disappeared into the Amazon Rainforest on a narrow muddy trail. The two women insisted on carrying our backpacks in addition to the two six-foot long, heavy planks of wood each of them carried on their shoulders. With seeming ease, they made their way along the winding, hilly trail, while Garry and I struggled to avoid falling, and to keep apace with our guides.

 

Nightfall came during our hike and we were soon surrounded by darkness except for the dim glow of our small flashlights, which were pointed downwards at all times as per the instructions from our guides. After an hour of hiking, we were greeted by a fully-uniformed guerrilla armed with an AK-47 assault rifle. There was a brief conversation between this man and the two women. He remained at that point on the trail when we resumed our trek. We passed several more guerrillas over the next few minutes and each of them greeted us with a nod of the head. And then, appearing suddenly out of nowhere, the carefully constructed wooden structures of the camp became visible through the trees. At one end of the camp we saw a bright light perched over a table where a middle-aged man sat at a laptop computer. It was FARC commander Raúl Reyes.

 

After a brief introduction, we stood there for a few moments in an uncomfortable silence. How does one kick-off a conversation with a guerrilla leader? Commander Gloria and three other female guerrillas joined us. We all dined on a supper of fish, potatoes and vegetables, which led us into a friendly, but rather surreal, conversation about our favourite types of food. We were told that this was a good week to visit because they had managed to secure some decent food supplies. Sometimes they have little more than bananas and beans to eat.

 

The mood became light and we gradually felt comfortable enough to explain why we had come. While Garry was there to interview Reyes himself, I sought to interview women guerrillas. As part of my research exploring the role of women in social transformation, I wanted to understand how and why these women had become guerrillas. After an animated discussion about world politics and revolution, Reyes told us we could begin our work the next morning. We were led to our bivouac, which contained planks of wood to serve as a mattress and a tarpaulin draped overhead to protect us from the tropical rains. I lay in our bed thinking about Zen masters and their ability to sleep on anything. Eventually, I drifted off to sleep.

 

It was 4:30am when I was awakened by the mild buzz of hushed voices. I attempted to focus my eyes in the darkness. From my bivouac I could see the faint glow of small flashlights pointed downwards as guerrillas dressed themselves. I had made two trips to the “washroom” during the night with a guide, so I felt confident that I could find my way back there alone without armed accompaniment. The morning air was grey and heavy with damp. Donning my rubber boots and poncho, I made my way along the wooden pathway trying to recognize at exactly what point I had turned right during the night. I didn’t want to end up in the male washroom again.

 

I returned to the centre of the camp as streaks of light from the rising sun began to penetrate the jungle canopy. I watched the guerrillas in nearby bivouacs efficiently folding everything from their tarpaulin to bed sheets. It was the kind of exercise that reminded me of my mother’s stories about the disciplined life in London during World War Two. After a few moments of activity, there were neat, identical piles of tightly wrapped cloth in the corner of each “bed,” and not one bug or fleck of dirt was visible. Within moments the sleeping areas were abandoned as the group fell into formation in the large meeting area to receive their orders for the day. Meanwhile, Garry and I spent a good half hour doing a less than stellar version of the guerrillas’ morning household chores. We were then called to breakfast, which we ate with Reyes and Gloria. We were joined by two young female guerrillas who were on kitchen duty and an older guerrilla named Gladys, who has been with the FARC and living in the jungle for 32 years—longer than any other woman.

 

Many think of Gladys as a mother figure, but not your typical mother. She is responsible for the camp’s communications centre and could be seen in her bush office disseminating information via radio. She has been in combat many times over the years. Gladys has known nothing but life in the FARC since she was a teenager. The FARC was her family and she spoke with great pride of her commitment to building a new Colombia where the poor would have a voice and the wealth would be shared equally. Despite being hardened by decades spent in the jungle, tears were visible in Gladys’s eyes when I asked her how she kept going after all these years. “I believe in what we are doing, in the revolution, in social justice,” she said. “The vision of a new Colombia keeps me going.”

 

While the FARC has been criticized for its violations of human rights, particularly kidnapping, targeted assassinations, and its use of notoriously inaccurate home-made mortars and landmines, some analysts have suggested that it is a mistake to simply dismiss the group as a criminal or terrorist organization—as the Colombian, U.S. and Canadian governments have done. Carolina, who joined the FARC more than 10 years ago, explained that she became involved in the guerrilla group because “I liked the sound of the objectives it was fighting for: defending the interests of the people, the struggle against imperialism, against discrimination, for a radical change in the structure of the government.”

 

On the afternoon of our first full day of absorbing camp life, we were eager to bathe and change clothes. Even in this activity, we were struck by the efficiency and order of the camp. Everything happened at a specific time and in a specific way. Even when bathing, we were integrated into the rebel order of things. We were pleasantly surprised by the “bathroom,” which thankfully was situated far from the “toilets.” It consisted of a warm pool in a free flowing river with an adjacent primitive wooden structure in which one could get undressed and wash clothes. The fact that the male and female guerrillas strip down to their underwear and bath together was at first intimidating, but it soon became apparent that nobody was fazed by it. We entered the water in our underwear and washed both our bodies and our clothes before exiting, drying off and donning clean attire. Each guerrilla had two uniforms and they kept both themselves and their uniforms immaculately clean. While bathing, everyone engaged in light conversation, telling stories and jokes. After watching Garry floundering with soap and his muddy trousers on the laundry table in the running stream, one of the young male guerrillas tried to teach him how to scrub the stains from his pants.

 

We were free to roam the camp during the three days we spent with the guerrillas. We observed the rebels receiving commands, doing their chores and spent many hours simply sitting and chatting with them when they had free time. Not only did the guerrillas treat us with great respect, but they also appeared to treat each other that way too. I took these opportunities to get to know some of the female guerrillas. I was focused on finding out why these, mainly young, women had decided to live this dangerous and harsh life in the jungle.

 

It is evident that some women in Colombia have, for various reasons, decided that armed struggle is the only way to overcome state repression and the structural problems of poverty and inequality. Women make up more than thirty percent of the FARC’s 16,000 fighters. Furthermore, they now constitute approximately forty percent of mid-level commanders in the rebel army. At the same time that these women are succeeding in shifting the gender dynamic within the structures of the traditionally male-dominated FARC, they are also fighting to dramatically change the country’s political, economic and social structures.

 

 Many of the female guerrillas talked about the culture shock of joining the FARC, not only because of the difficult conditions in which rebels live, moving constantly in jungle terrain and living in fear of attack, but because of the extreme contrast between the role of women back in their communities as compared to that in the rebel camps. Many female FARC members come from traditional peasant communities where the hierarchy of the family and the subordination of women in the household are deeply entrenched. So for most of them, the FARC has provided a liberation of sorts from traditional obligations and a recognition of their broader capacities as women.

 

FARC women and men share equally in cooking, cleaning, guard duty and combat. Many guerrillas, both male and female, pointed out that discrimination of any sort is met with sanctions. As one guerrilla stated, “Here, we women say that a woman is not just for sexual exploitation—having kids, washing, cleaning and sweeping. We have to strengthen our own goals, to be someone in this life.” Another female guerrilla pointed out, “Here we have rights and responsibilities to live up to. A woman can find herself leading 50 to 60 men, just as a man can. She can give classes in politics and military strategy, and she can lead a team into combat. It’s great to see women commanders exercising their authority.”

 

The principal issues related to gender that FARC women identified did not differ significantly from those highlighted by other Colombian women engaged in non-violent political activities, although the language of the rebels reflected a Marxist orientation. Many political women who have not taken up arms identify poverty, inequality, displacement and political corruption as important issues. FARC women, however, speak also of U.S. imperialism and capitalist exploitation. And while many other women, particularly peasants and residents of the country’s poor urban barrios, tend to frame their politics in the very immediate struggles for rights, food, water and land, the FARC women were clearly working towards a socialist society, an overthrow of the existing capitalist order.

 

While we are well aware of the fact that many see the FARC as “terrorists,” our experiences in that particular camp made evident the complicated and multifaceted nature of Colombia’s war. The guerrillas we met were ideologically committed, respectful, hard working and surprisingly gentle in their manner. And I speak here not only of the women. While we observed the guerrillas engaging in military-like activities, we also saw them participating in a cultural show—singing and reading poetry. They watched the news every night on the camp television and then discussed political events. Once a week they had a “movie night,” sometimes they viewed historical films about Colombia or documentaries made by the FARC, at other times it was more traditional Hollywood fare.

 

There were many hidden surprises in the camp. Commander Gloria liked to wear make-up. She was Reyes’ right-hand person and his partner. One got the sense that she oversaw a great deal of the day-to-day chores in that camp and it was clear that, despite her sense of humour, she could be tough and uncompromising. Many of the young women also wore make-up and liked to dress-up for cultural shows and poetry readings. Living moments of “normal” seemed key to morale in the camp.

 

I spent a great deal of time with a young guerrilla named Ana. She insisted on braiding my hair and showed me how to handle her AK-47. I found it hard to reconcile her warm personality with the assault rifle, and a strange sadness overcame me as I listened to her stories. On the morning of our final day, as we prepared to leave the camp on the long journey back to Bogotá, Ana asked me if she could keep a photo of my fifteen-month-old son. I thought it an odd but endearing request. FARC women have given up the idea of having a family of their own in order to engage in the revolution. But as Commander Gloria told me, “We do not lose our femininity because we are guerrillas. It is important to remember that you are a woman as well as a guerrilla.”

 

As I sit here writing these reflections on that visit to the jungle, I think of Gloria, who was killed alongside Reyes in the Colombian army’s recent attack on the camp. I also wonder if Ana, Gladys and the other female guerrillas I got to know for a brief moment were among the other rebels killed that fateful night.

 

 

Terry Gibbs is an assistant professor in the Department of Political Science and director of the Centre for International Studies at Cape Breton University.
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If you hate America so much, why don't you leave?

Leave America? That would potentially put me on the other end of U.S. foreign policy. No thanks.
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« Reply #1 on: March 23, 2008, 11:15:58 AM »

yeah a war almost broke out because of this
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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