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Author Topic: Violent Revolution vs. Nonviolent Revolution  (Read 311 times)
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The Wiseman
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« on: April 02, 2008, 09:37:55 PM »

Continued from the chatroom, once again its a very annoying place to debate.

I'll take some examples again, the Paris Commune and anarchism in the Spanish Revolution are great examples. The capitalist state will absolutely smash any sort of bottom-up revolution based on popular control and collective decision making. To expect the counter-revolution to dissipate without establishing a sufficient system of violent self-defense is absolute suicide. Now both had established popular militias but the Spanish Revolution in particular was under the weight of both the bourgoriese state and the fascist oligarchy. The Paris Commune didn't even have sufficient time to organize successful working class militias. They were both wiped clean through the violence of the system, clear examples of revolution destroyed in bloodbath. Not to mention that both revolutions had elements of violence, especially the Spanish anarchists who burned down the Churches and murdered counterrevolutionary priests.

Global Anarchism

To talk away from working class revolution and speak on national liberation, the examples of the Cuban Revolution and Allende in Chile will be sufficient. Although Allende was a reformer, he was also a self-described democratic Marxist. His failure to sufficiently arm the working class and peasantry as a counterbalance to the right-wing oligarchy that controlled the military basically spelled his doom. The Cuban Revolution on the other hand was achieved through violence and sustained through violence. The Cuban revolutionaries integrated with the military and, due to overwhelming popular support, were able to destroy the counter revolutionaries at the Bay of Pigs. Violence is an absolute necessity for any actual revolution that overturns the structures of its society.

Note: Not to say that violence should take up the entire form of revolutionary action, just that its a necessity. Organizing and establishing community control in the workplace, neighborhoods, and households is integral to any revolution. But to expect to attain any substantive or fundamental change without defensive violence is a pipedream.
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« Reply #1 on: April 02, 2008, 10:01:19 PM »

What I was saying in the chat room is that White supremacists wont hand this shit over with people picking up signs, violence is key in any revolution. The white supremacists MUST be oppressed by imprisonment or a death sentence; they are the biggest murderers, rapist, and robbers alive. If a revolution does happen a slap on the wrist isn’t enough for them. I’m also against killing all whites in general if a revolution does happen but once the system they where benefiting from is threatened some will stand up for it. Nayiri I don't understand why we should educate white supremacists they know enough and choose to do what they do.
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Drizzle
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« Reply #2 on: April 02, 2008, 10:09:22 PM »

They must pay willingly, or inevitably by force... and they aren't willingly.
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Bob
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« Reply #3 on: April 03, 2008, 12:30:05 AM »

Correct. White supremacist have access to maximized resources: education, political, socio-economic, and yet they still have problems understanding that they hold concentrated power. In other words, an inherently oppressive individuals representing a race that is has genocide on its hand.

That said, I do recognize that they're conditioned, but attempting to reverse that is akin to domesticating a zebra! To opt for that is inefficient: those belonging to the subordinate class will end up bleeding more, while those who have access to resources (i.e. capitalist, whites, et al) progress.

Violence, for that reason, is required for revolution. To employ non-violence will fail as effective as Gandhi and MLK. And yes, go read and realize that the gap between people of colour and whites have increased. The rate of incarceration is so high, that we're over representing prisons and under representing tertiary institutions.
Posted on: April 03, 2008, 06:12:11 am
Debunking the myth associates with Gandhi:

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[An extract from a letter written by P.V. Chuckraborty, former Chief Justice of Calcutta High Court, on March 30 1976, reads thus:

When I was acting as Governor of West Bengal in 1956, Clement Attlee, who as the British Prime Minister in post war years was responsible for India’s freedom, visited India and stayed in Raj Bhavan Calcutta for two days. I put it straight to him like this: ‘The Quit India Movement of Gandhi practically died out long before 1947 and there was nothing in the Indian situation at that time which made it necessary for the British to leave India in a hurry. Why then did they do so?’ In reply Attlee cited several reasons, the most important of which were the INA activities of Netaji Subhas Chandra Bose, which weakened the very foundation of the British Empire in India, and the RIN Mutiny which made the British realise that the Indian armed forces could no longer be trusted to prop up the British. When asked about the extent to which the British decision to quit India was influenced by Mahatma Gandhi’s 1942 movement, Attlee’s lips widened in smile of disdain and he uttered, slowly, ‘Minimal’.

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There is, however, no basis for the claim that the Civil Disobedience Movement directly led to independence. The campaigns of Gandhi… came to an ignoble end about fourteen years before India achieved independence… During the First World War the Indian revolutionaries sought to take advantage of German help in the shape of war materials to free the country by armed revolt. But the attempt did not succeed. During the Second World War Subhas Bose followed the same method and created the INA. In spite of brilliant planning and initial success, the violent campaigns of Subhas Bose failed… The Battles for India's freedom were also being fought against Britain, though indirectly, by Hitler in Europe and Japan in Asia. None of these scored direct success, but few would deny that it was the cumulative effect of all the three that brought freedom to India. In particular, the revelations made by the INA trial, and the reaction it produced in India, made it quite plain to the British, already exhausted by the war, that they could no longer depend upon the loyalty of the sepoys for maintaining their authority in India. This had probably the greatest influence upon their final decision to quit India. Source: Majumdar, R.C., Three Phases of India's Struggle for Freedom, Bombay, Bharatiya Vidya Bhavan, 1967, pp. 58–59.
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" The white liberal differs from the white conservative only in one way: the liberal is more deceitful than the conservative. The liberal is more hypocritical than the conservative."  Malcolm X (The Chickens Come Home to Roost)


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The Wiseman
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« Reply #4 on: April 03, 2008, 01:34:51 AM »

Any reforms associated with Martin Luther King and peace disobedience need to be given credit to Malcolm X and other radicals as well. If it wasn't for the overwhelming threat of disobedient, politically-directed violence from a large portion of the black population there would have been no reforms. Reforms, like always, are handed out to appease the more radical elements of any movement and to ensure the most conservative sectors dominate. If the state can take over reform and integrate itself with the conservative elements of a social movement, it can essentially weaken its substance. Reforms are basically concessions of the ruling class so as to avoid more "impossible demands" that threaten power and privilege as a whole.
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« Reply #5 on: April 03, 2008, 12:01:50 PM »

Effectively it would be aggressive defense. Why defense? It is counter-reaction to attack. Attack which is well-documented through many sources, studies etc. So it isn't just a perceived attack, it is researched; thorough. Also worth noting; an attack does not need to be intentional for the counter-action to be deemed worthy of self-defense.
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piercehawkeye45
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« Reply #6 on: April 03, 2008, 03:50:49 PM »

I believe there is a time and place for a violent and non-violent revolution. To inspire change within the system, non-violent methods are preferable and realistic  but to change or overthrow the entire system, violent methods will not only be more effective but possibly the only way a revolution can be accomplished.

If you look at the Civil Rights movement in the 60’s, we can see that change within the system is possible by non-violent means, but other revolutions that changed the entire system (American, French, and most colonial) were violent and many had to die to get what (some of) the oppressed wanted.

Revolution through economic means (Spanish Revolution???) is possible but the chances it will be able to withstand the violence thrown at it by the state and people in power are very low without resorting to violence themselves.


Anarchical or any decentralizing revolution I have doubts with unless the entire population is carrying it out. A population has to be ready not only for the challenges and changes of anarchy, but be stable enough to protect itself from outside powers.
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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