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« on: April 08, 2008, 07:25:45 AM »


What's wrong with this picture? There is a noticeable lack of diversity on this runway, from the Calvin Klein Spring 2008 show during New York Fashion Week, and others, say observers. (AFP/Getty Images Photo / September 11, 2007)

Diversity may be Fashion Week's latest victim

BY ANNE BRATSKEIR | Special to Newsday
January 30, 2008

'There should be more than one spot for a black model," says Yordanos Teshager, 21, a reed-thin, nearly 6-foot-tall model from Ethiopia who is represented by the prestigious Elite agency. But despite going on 85 cast calls seeking work during Fashion Week last season, she says she often left feeling that "they were going to hire a white girl."

They did. Teshager walked in only 11 of some 200 shows last September, a season in which, overall, women of color were glaringly absent. Of the 101 shows and presentations posted on Style.com, more than a third employed no black models, according to an article in Women's Wear Daily.

Models were a homogeneous bunch - overwhelmingly white, bony and often blond. Along with the obvious - and serious - issue of racism, some wondered whether it wasn't all becoming just a little boring. Which is why, when Fashion Week opens tomorrow at Bryant Park, observers won't just be looking at the clothes - they'll also be looking for a serious change in who's wearing them.

"I would hope some of the designers would mix it up this season. Unless you were Eastern European, white, extremely skinny ... you didn't fit into the shows last season," says Nigel Barker, the photographer and judge on TV's "America's Next Top Model."

"Some shows had just one black model," Barker says, adding that he found the shows monotonous, visually unexciting and depressing. "Fashion is about fantasy, and everybody's fantasy is not to be 6 feet and white."

"I think designers will be more mindful," says Jasmine H. Chang, executive fashion editor of O, the Oprah Magazine. Chang says the absence of black models last season made her feel "uncomfortable. Here I am seated in an audience with every ethnicity in the world, and I did feel it was wrong."

Efforts from the inside

If there is a change, it will be in no small part because of the efforts of former model and agent Bethann Hardison, who has organized three panel discussions since September on the lack of diversity on runways. And it's a problem that's been building, she says. "It's not just a bad year, it's been a bad decade."

Who does she blame for the runway whiteout? "I blame us all - the designers, the agents, myself. ... But for me it all starts with the fashion designer," Hardison says. "They've gotten very 'Stepford Wives,' lost in commerce, very conservative. ... Where is the glamour? The avant-garde? I'm trying to get designers to stop following the yellow brick road."

Though she particularly advocates for African-Americans, Hardison says the problem affects all races and she vehemently objects to the apparent new taboo of looking different. "Forget even a white girl with style and personality. ... Fashion is going backwards." Bottom line, Hardison says, "The fashion designer no longer relates to the model, and I believe this is where I can raise consciousness and generate a sense of responsibility. It's race-based, and race conscious and that makes it unconsciously racist."

John Mincarelli, a longtime professor of fashion merchandising at the Fashion Institue of Technology in Manhattan, who takes a sociological view of fashion, agrees. "There's a complete lack of personality and that has to come from the designer. It's a dictate. Black models always bring personality to the runway."

Designer Carmen Marc Valvo, who dresses plenty of women of color including Vanessa Williams, Jennifer Hudson and Queen Latifah, says he's well aware of the issue and makes it his business to include a variety of ethnicities in his show. "It's almost as if the industry dictates this blond, blue-eyed ideal. We are very cognizant of this and always include women of color. I think it's almost criminal that one-third of the shows were all white."

Blaming the agencies


But casting agent Jennifer Starr, who is also a judge on Bravo's "Make Me a Supermodel" and is casting for Ralph Lauren, J Mendel, Alice Temperley and Carlos Miele, believes the problem stems from the modeling agencies.

"It's not the designers' fault ... at least the designers I work for," she says. "Ralph Lauren, especially, is constantly asking me why there aren't more African-American models he can put in his show." Starr says the agencies don't seek out African-American women of the same level as the white women they take on. She says she would hope that designers would want diversity, but, she adds, "I don't feel anyone should compromise their aesthetic just to be more representational. They should use the girls they love, whether that girl is white, black, Hispanic or Asian."

Likewise, Kate Armenta, the bookings editor at Vogue magazine, says, "The black presence has somewhat faded and there seems to be a lack of up-and-coming black women. We see some, but not enough." She adds that other racial groups are underrepresented as well.

Daul Kim, 18, a Korean model also at Elite, has felt the cold shoulder. In Paris last season, she was actually told at a casting that they were only hiring white women. "I think it was so rude," Kim says. Not to worry, though. This season, Kim was named one of the "Top 10 Models to Watch" by New York Magazine and is, according to her agent, "surging a bit in popularity."

Not surprisingly, modeling agencies don't want to take the blame for the dearth of diversity. Roman Young, the director of new faces at Elite, says, "We are doing our part. This is a blended office ethnically and culturally. I'm really passionate about the beauty spectrum." Young says that when a client asks for "the girl next door," he responds that "the girl next door to me was Filipino. ... Can I send a black girl?" Although he says he's fully aware that the client wants a white model, he notes that in the end, "It's my job to sell beauty not ethnicity."

Getting behind change

Calling for an end to all the finger pointing, Ivan Bart, senior vice president of powerhouse agency IMG models who represents black supermodels like Alek Wek, Liya Kebede and Naomi Campbell, says this should be "about the industry coming together and recognizing what the consumer wants. There's a diverse group of consumers out in America and we should be listening to them."

He is optimistic that this season's runways will feature more diversity. In fact, he says IMG has a slew of new ethnic talent to help fill the bill.

Ford Models president John Caplan adds, "Our role, and the role of the agent, is to scout for interesting faces of all ethnicities. ... The responsibility for who is successful comes down to what the marketplace wants." Well in advance of Fashion Week, Ford's superstar Chanel Iman Robinson, who was often the single black face in shows last season, was already reserved for most of the major shows.

For its part, the Council of Fashion Designers of America is taking a hands-off approach to the issue, though it did send members a letter that touched upon it by saying that "fashion can impact how individuals define themselves so it is the responsibility of the industry to take action to celebrate diversity."

Will it? Elite's Young has noticed "more girls of color on the request list this season." And that holds true at Ford, as well. Hardison is hopeful. "If I was dealing with homeland security, I know nothing would change. But I think it's going to make a difference. You got to keep on, keep on, keep on."

http://www.newsday.com/features/lifestyle/fashionweek/ny-etlede5556549jan31,0,4847597.story
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« Reply #1 on: April 08, 2008, 11:27:36 AM »

hmm discriminating against ppl for not wanting to put woman of color in there shows ...hmm...ironic isnt it
i look at everyone equally reguardless of skin color because its about whats inside not out...but u shouldnt be mad at some designers who prefer to have caucasian models rather than african american ones its jus preference i would not be offended at all if someone told me that they were looking for someone who wasnt white i would say ty and walk out and try to find someone that DID want white ppl to model
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« Reply #2 on: April 08, 2008, 12:07:42 PM »

This is a problem that goes much farther past fashion selection. This shows that our society still favors "white" traits over others so these companies will having a most white cast with a few people of color to make people feel good about themselves (besides their obvious attraction).

Not to back the fashion companies, but this is what will happen when you mix capitalism and a society that favors certain traits over others. If a fashion company does hire more people of color, there is a good chance they will lose money. This a sociological problem above all others.

Discrimination most likely is a factor but ratings and money will come before owner's preference in this situation.
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« Reply #3 on: April 08, 2008, 06:32:35 PM »

Pierce is right, the whole fucken fashion industry has always been about fetishizing whiteness, and those fuckers think the tokenism that started in the 90s means they aren't racist.
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« Reply #4 on: April 08, 2008, 06:56:58 PM »

i like the people that say "yeh but black women are ugly"
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« Reply #5 on: April 08, 2008, 07:13:51 PM »

i like the people that say "yeh but black women are ugly"

naww beyonce and tyra banks are BEAUTIFUL women
and well yes the fashion industry DOES favor white women but think about who this big brand name ppl are targeting(i would name some but i am soooo not into high fashion so i really dont know any)...they are trying to target women wit alot of money i mean come on...whoever gonna pay $500 for a pair of shoes has GOT to have some kind of money lol and they figure that african americans dont have the type of money that white ppl do...hell i would like to see more white girls modeling rocawear and southpole ^_^ lol but thats doubtful...its all about which group they are trying to target i dont think its racism exactly...jus their own selfish asses tryna get rich
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« Reply #6 on: April 08, 2008, 08:31:27 PM »

naww beyonce and tyra banks are BEAUTIFUL women
They are popular because they have white traits.
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« Reply #7 on: April 09, 2008, 07:28:15 AM »

Surely you'd think that featuring different looks would keep a fashion show a bit more interesting though. Even with their preference for white women, it seems to be a certain "type" of white that's favoured. I think women who are light-skinned but look distinctively "ethnic" would be somewhat out of favour as well.

Lady Cyclone, I'm not sure what you're trying to get at with your comments. The main idea behind fashion parades, magazine spreads, advertisements and the like is to sell the audience an ideal of "fantasy". I'm sure the majority of white people in the US can't afford to buy clothes from the high fashion designer labels but having white models promote these clothes gives them the notion that this ideal of "beauty" is much more accessible to them than it is to people of other ethnicities. The prevalence of this media in our everyday life would no doubt just reinforce the view of white as "normal" and "beautiful" and everything else as "other".

I've heard that Victoria's Secret keeps a database of all the models from their fashion shows for a particular year and which outfits they each modelled and then compares this to the sales figures for each piece to choose which models they'll keep for a long period. I'm not really familiar with who they're using at the moment but would be interesting to see these figures to see how it compares.
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« Reply #8 on: April 09, 2008, 08:42:14 AM »

there diff kinda girls for everybody so everyon ends up happy
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« Reply #9 on: April 11, 2008, 02:27:16 AM »

From another blog:

Model Minority: How Women’s Magazines Whitewash Different Ethnicities

by Guest Contributor Alex Alvarez, originally published at Guanabee

Associate Editor Alex Alvarez, befuddled to find that her boobs and hips, or lack thereof, seem to fall in and out fashion like leggings and stirrup pants and poppers, takes a look at the American women’s magazine industry in an attempt to decipher just how, exactly, they can get away with telling women their bodies are ok - if only they’d look more like white girls. (Take The Quiz On Page 62!)

My name is Alex Alvarez. And I hate women’s magazines.

Don’t get me wrong: I like fashion and I’ve worked at several magazines over the past couple of years. I can talk about Courrèges and Two Girls, One Cup in the same breath. But so many women’s magazines, both “fashion” mags like Glamour and Vogue and “sexy” mags like Cosmo and Horse & Hound do women so much more harm than good.

Women’s magazines have long been accused of creating a standard of beauty that will forever be just out of the grasp of most women - prompting them, of course, to wait until next month’s issue for more advice on how to be perfect. (Hint! Transplant your face with this other face.) Selling women this promise not only keeps magazines on newsstands and subscriptions in the mail, it also helps appease the real driving force behind all magazines — advertisers and Satan. And what women end up purchasing is cosmetic “whiteness.” You know you’ve made it, baby, when you wake up looking like you faceplanted on Plymouth Rock.

In this feature, I’ll take a look at women from four, over-simplified ethnic or racial backgrounds and see just how, exactly, magazines are fucking them all up. Then, after a few dozen sex quizzes and several minutes of trying to figure out how you can both “Love Your Body!” and orient yourself on the latest “Plastic Surgery Tips Every Woman Should Know!” without wanting to gag yourself on an exclamation point, I’ll give the magazine industry a few tips on how to talk to women.

Latina

Brief Overview: Latinas are portrayed as being sultry and seductive. They can get away with playing the “bad girl,” possibly because they are allowed - and even encouraged - to have more overtly sexual bodies, with an emphasis on curves, dark eyes and bright, plump, shiny, slick, wet lips shown in loving close-ups, usually while the face to which they’re attached is growling or purring or doing something else that’s totally fierce. They also give better head. Oh. There goes my attempt at subtlety.

The ideal: Jennifer Lopez

Hair: Often enough, Latinas have “big hair” with lots of volume, possibly as a middle ground among the various hair textures found among Latinas of different races.

Skin: Latinas are often depicted as having an olive complexion, with lighter or darker generally ignored or unmentioned by mainstream media.

Ass: Big, round. Makes a “ka-ching ka-ching” sound when bouncing in time to a song about cars and beach houses.

Breasts: While Latinas are generally depicted with large backsides, breast size is allowed to vary. As long as they’re big.

How magazines fucked up: “Latina” is not a race. It’s a diverse group made of many racial, ethnic and religious groups. Some who don’t even look like J-Lo. Additionally, women can’t have it both ways. While Latinas have been “en vogue” for a period of time, certain celebrated icons of “Latina beauty,” such as Jennifer Lopez and Salma Hayek, have whittled down their once-celebrated curvy figures as the years have gone by. Wait until Jennifer loses all that baby weight. She’ll look so much better without Marc.

Black

Brief Overview: While black women can come in a variety of shapes and complexions, those who are most often represented in mainstream American magazines are often, for lack of a better, equally descriptive phrase, “white-washed” in appearance. Features that are seen of characterized of black people, like curlier hair textures, wider noses and fuller lips, are often downplayed in American magazines, conforming to a white standard of beauty.

The ideal: Halle Berry

Hair: There was quite a controversy surrounding a Glamour magazine article that portrayed “ethnic” hairstyles, such as afros and cornrows, as being inappropriate for the workplace. This works to politicize the black body, hair included, and also upholds the standard that in order to be neutral, apolitical and inoffensive in the public sphere, one must become as white as possible. As such, many black women in magazines have relaxed hair, extensions and weaves.

Skin: Lighter-skinned black women are more often represented in magazines than those who are darker complected.

Ass: While black women are “allowed” to be more overtly sexual than those who are white, many “high fashion” black models are quite thin and thus their backsides are smaller and the object of less focus than black women represented in other areas of mainstream entertainment. Like in any rap video that airs after midnight in between commercials for “Girls Gone Wild: Preschool Edition.”

Breasts: The more high fashion the magazine, the less busty the models. After all, even your eyeballs’ll look fat in a Hervé Léger bandaid dress.

How magazines fucked up: While Halle Berry is a stunningly attractive woman, she happens to have a white mother. And while Latinas are allowed to “fiery” and “seductive,” the magazine and fashion industry seem confused about how, exactly, to portray black women, choosing instead to whitewash them and choose only light-skinned women with whittled-down figures, or very dark “exotic beauties” that are treated more like sculptural objects than flesh and blood women.

Asian

Brief Overview: Asian women hold a curious place in the beauty stratum. Often, what is perceived as their “natural” physical traits are encouraged and often emulated by White women trying to achieve a certain standard of beauty. The idea of a natural physical ideal is a harmful one, because those who do not possess such traits are ignored or considered somehow inferior, physically. The Asian ideal, as perceived by American fashion magazines and elsewhere, revolves around the idea that one must be petite, slim, fair and delicate. Doll-like would be the best way to describe this ideal, both in terms of physical appearance and attitude.

The ideal: Ziyi Zhang

Hair: Straight. What was interesting to me, actually, was that a former Korean roommate of mine had all these magazines that featured girls with curly hair all dyed a sort of reddish color. Seriously, every. Single. Girl. In her magazines had the exact same hairstyle. She also had one magazine dedicated to Japanese girls who wanted to emulate the style of American Black women -this included wearing afros. Also interesting? Girls in Japanese and Korean magazines are generally much, much thinner than in American ones.

Skin: Clear, light. Although there are many, many ethnic groups prevalent throughout Asia, only porcelain-skinned girls find representation in American fashion mags.

Ass: N/A

Breasts: N/A

How magazines fucked up: Some Asian girls are chubby. Really! Some are muscular, some are tall, some are dark, some are doughy, and some are boney and awkward.

White

Brief Overview: The gold standard of white beauty is a woman who is thought of as being the least “ethnic” and most “neutral” as possible. Fair skin, fair hair and thin, often lacking in curves that would be considered vulgar or distasteful (or exotic?) the stereotype of corn-fed Midwestern girls or sun-kissed, muscular athletic girls are eschewed for fair, tall, boney girls - often with what is described as a “boyish” figure, one without the tell-tale markers of womanhood - hips, ass. Personality.

The ideal: Gwyneth Paltrow

Hair: Hairstyle changes with the season but barring avant-garde styling, styles are usually pretty tame, alternating from loose ringlets to super-straight, shiny, sleek hairstyles. Comes in a variety of haircolors, again, depending on the season.

Skin: Pale or tan, depending on the season and the style of the photoshoot. Like to mix colonialism and cultural oppression with your couture? Bring a healthy glow!

Ass: N/A

Breasts: Depends. In magazines focused on middle to upper-middle class women, breasts are often normal to large. In high-fashion magazines, however, fuller bustlines are used to indicate “plus-size” or “seductive” women like Eva Mendes, not necessarily elegant or stylish ones.

How magazines fucked up: There’s been a long tradition of a “fight for white,” meaning that various ethnic groups over the years have had to struggle for the chance to be seen as normal and neutral. Irish-Americans, for example, who are today almost synonymous with the concept of what it means to be white (fevered dancing without the use of hips or shoulders, the consumption of potatoes), were very much “the other” for a very, very long time in America. Jewish and Italian Americans were also not always considered white folks here in the old U.S. of A. This isn’t mentioned to encourage anyone to wait whiteness out, it’s meant to highlight the fact that whiteness is a culturally manufactured concept and is only given meaning by a certain segment of society in a certain slice of history.

Sigh. What can you do? Well, for one, you can stop reading fashion magazines.

No, ok, calm your ass down. (Ooh! See what I did there?) And remove your stiletto from my cornea. You can still celebrate fashion and enjoy girlyness without conforming to patriarchal and Anglo-centric standards of beauty. There are some magazines out there that will let you know you’re fine, and even beautiful, exactly as you are without telling you to lose five pounds in three days to fit into a bathing suit you can’t afford. Dig around. Put effort into being a consumer, and be discerning in your taste. Women make up the majority of the U.S. population; it’s not far-fetched to say we drive a lot of the economy. So why do we give up all our power to the beauty and fashion industries, only to be rewarded with the idea that we’re still not good enough? These standards and fads only have meaning if you elect to give it to them.



Latoya’s Note: In the comments to the original post, Alex addresses something that appears to be an omission in her piece:

I purposefully used these four, generalized groups because these are found most often in mainstream media / American fashion magazines. Your statement on not being able to find Middle Eastern or South Asian women in such magazines is exactly why I chose not to include these groups in my feature. It’s the same reason I didn’t include, say, Native American women or ethnic groups in China who didn’t fit the “pale, small” stereotype.

Additionally, I did not mean to include South Asian women under the “Asian” header at all, on purpose, because there is almost always a distinction in popular culture and language between “Asian” and “South Asian.”
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« Reply #10 on: April 11, 2008, 08:32:09 AM »

kandiis last post actually made good sense to me and i never realized it before but yea...
however...idk bout u guys but every latina ive met have attitudes ^_^ which is great i love it...i love girls who say what they wanna say...jennifer lopez...she doesnt seem like the "lay down and take it" type...and neither does halley...so if they really didnt like being made "white" i bet they would say something about it so its not like they are having it done against their will

bleh....they need to have more plus sized models...i cant fit into a size 00 pants and a xxs shirt...i be one of them there cornfed white girls =)
btw...ever notice how different stores market certain sizes depending upon the ethnicity they are trying to target?? probably guys woudnt realize it but anita and kandii and all u other gals...have u guys noticed that too or is it jus me??
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« Reply #11 on: April 11, 2008, 02:27:04 PM »

They also give better head.

WTF?
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« Reply #12 on: April 11, 2008, 03:17:01 PM »

WTF?

food for thought...lol
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« Reply #13 on: April 11, 2008, 03:54:11 PM »

WTF?
General stereotype. In fact European colonizers often described native women as "sex crazed", and we know what that led to...
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« Reply #14 on: April 11, 2008, 04:25:31 PM »

General stereotype. In fact European colonizers often described native women as "sex crazed", and we know what that led to...

Yes funny how they where "sex crazed" yet they still where raped meaning against there will, fucking Euros and Spaniards.
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« Reply #15 on: April 11, 2008, 11:11:47 PM »

btw...ever notice how different stores market certain sizes depending upon the ethnicity they are trying to target?? probably guys woudnt realize it but anita and kandii and all u other gals...have u guys noticed that too or is it jus me??

Not sure if it's for certain ethnicities. I think what you're referring to is known as "vanity sizing". This is if you're a size 10 usually (don't know US sizes) but you go into another store and you fit into a size 8. This will make you feel a bit better about yourself and you'll probably shop there again. This is also linked with the rise in overweight and obese people. It's more common among expensive brands.

From Wikipedia:
Quote
Vanity sizing, also known as size inflation is used to refer to the phenomenon of ready-to-wear clothing of the same nominal size becoming larger over time. Vanity sizing tends to occur in places where clothing sizes are not standardized, such as the United States,[1]

It is generally acknowledged that clothing of the same nominal size has become larger over the years.[2][3][4][5] In 2003, a study that measured over 1,011 pairs of women's pants found that more expensive brands tended to be larger than cheaper ones of the same nominal size.[6]

The increasing dimensions of garments of the same nominal size has caused some designers to introduce size 0, 00, or subzero sizes.[5]


From another site:
Quote
Vanity sizing alive, well
Linda Helser
The Arizona Republic
Jan. 14, 2004 12:00 AM

Hoping to lose a few dress sizes in 2004?

Well, take heart, because it's easier than it used to be to fit into that coveted Size 6.

It's all because of the garment industry's dirty little secret, a trick of the trade practiced for decades by women's wear manufacturers who have progressively cut their wares larger while labeling them with smaller size tags.

Known as vanity sizing, it supposedly fools an expanding American woman into thinking she hasn't gained an ounce or an inch over the years.

Proof seems to come in the form of shapely silver screen siren Marilyn Monroe, who everyone remembers wore a Size 12 during her 1950s heydays.

"That would be equivalent to a Size 6 today," attests Meryle Epstein, 42, acting academic director for fashion marketing at the Art Institute of Phoenix.

Further proof comes from vintage clothing sellers like Mariamne Moore of east Phoenix, who must measure each of her aged garments to ensure a more accurate clue as to a contemporary size.

"For years we were getting our sizes changed each decade," said Moore, 61, whose inventory dates back to the 1920s. "Let's say you were a Size 12 in the 1950s, and if you stayed the same measurement-wise, you'd be a 6 today, or in the 1960s, that 12 would have been a 10."

Ann Siner, founder and owner of the resale clothing stores My Sister's Closet, said when she opened her first shop in Town and Country Shopping Center in central Phoenix 13 years ago, she and her staff went bonkers trying to arrange garments on racks according to their labeled size.

Not only did the same sizes vary widely among different designers and vendors, (typically, the more expensive the garment, the more generous the cut) but they even varied within the same brand name.

"There just isn't any standardization in sizes, and even though we do have a few things grouped in sizes like 2, 4, 6, 8 and 10, we learned to do most things in small, medium and large," Siner, 44, said. "And then we encourage people to try everything on.

"Ellen Tracy was notorious for it," Siner said of the longtime designer. "It was a real marketing tool for her because women don't really want to know the truth."

Yes, men get this easier too Tongue
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« Reply #16 on: April 11, 2008, 11:51:10 PM »

WTF?
go find out for yourself ppl
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« Reply #17 on: April 11, 2008, 11:56:50 PM »

These threads aren't invitations for spamming. Thanks Smiley
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« Reply #18 on: April 12, 2008, 07:59:48 AM »

no kandii...like lets say American Eagle and Abercrombie and Fitch...obviously they target white ppl...(never in my life have i seen anyone else wearing these brands except white ppl lol)...if i go in there...i cant find a pair of pants to fit me to save my life!!!! and obviously they are all made for super skinny girls wit no ass or hips...bleh but i did find a brand of pants that fit perfect and they dont "downsize" or what not they are jus a lil overpriced =(
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« Reply #19 on: April 13, 2008, 10:37:16 PM »

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POOOOOOBERTY!
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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