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« on: April 12, 2008, 07:18:53 AM »

Behavioral Study on Students Stirs Debate
Fairfax Report Finds Possible Racial Bias
By Michael Alison Chandler
Washington Post Staff Writer
Thursday, April 10, 2008; Page A01

For public schools in the No Child Left Behind era, it has become routine to analyze test scores and other academic indicators by race and ethnicity. But the Fairfax County School Board, to promote character education, has discovered the pitfalls of applying the same analytical techniques to measures of student behavior, especially when the findings imply disparities in behavior among racial, ethnic and other groups.

The county School Board, which oversees one of the country's largest and most diverse suburban school systems, is scheduled to vote tonight on whether to accept a staff report that concludes, in part, that black and Hispanic students and special education students received lower marks than white and Asian American students for demonstration of "sound moral character and ethical judgment."

Such findings have prompted a debate on the potential bias in how teachers evaluate student behavior and how the school system analyzes and presents information about race. Board member Martina A. "Tina" Hone (At Large), who is African American, called the school system's decision to break down data by race "potentially damaging and hurtful."

The report on student achievement under "Essential Life Skills," first presented to the board March 27, quantifies the moral-ethical gap this way: "Grade 3 students who received 'Good' or better ranged from a low near 80 percent . . . for Black and Special Education students, to about 95 percent . . . for Asian and White students." The report also indicated that Hispanic third-graders scored 86 percent on the measure.

The findings on third-grade morality reflected the number of elementary students who received "good" or "outstanding" marks on report cards in such areas as "accepts responsibility," "listens to and follows directions," "respects personal and school property," "complies with established rules" and "follows through on assignments." Such categories, which draw mainly on teacher observations, are common.

For older students, the report's findings on moral character were based on the number of state-reported disciplinary infractions, a measure where minority students tend to be overrepresented. Disparities among groups were found, however, to be slimmer for eighth-graders and negligible for 12th-graders.

The analysis also reported gaps among groups of students in skills such as being able to "contribute effectively within a group dynamic," resolve conflicts and make healthy life choices.

School officials said they were seeking to broaden the definition of student achievement and devise new ways to measure progress toward key goals to prepare a 21st-century workforce.

Officials acknowledge that their initial findings are not conclusive. Hone intends to propose that a vote on the report be delayed until the School Board and staff members have had time to discuss the merits of data analysis according to race.

"We have to be very, very careful about [how] the story is being told and have all kinds of asterisks and footnotes, and say, 'We recognize that some of this might not be the child's fault,' " Hone said at the March 27 meeting.

In an interview later she said, "There is a fundamental difference between looking at race vis-a-vis the achievement gap in academics, where you have hard data," and gaps in areas subject to possible teacher bias.

The Fairfax school system is the region's largest, with more than 165,700 students. About 48 percent are white, 11 percent black, 17 percent Hispanic and 18 percent Asian American, and 6 percent are listed as other or unspecified. Two of the board's 12 members belong to racial or ethnic minorities.

The Fairfax initiative, prompted by the board, comes as schools nationwide are pushing to enhance character education, emphasizing the teaching of social and emotional skills. The thinking is that students need more than reading and math skills mandated by the federal No Child Left Behind law.

"More districts are finding that just focusing on [test scores] is not getting them there," said Merle Schwartz, director of education and research at the Character Education Partnership, an advocacy group in Washington. "There is something missing. But how to do this systematically and how to measure it? We don't have all the answers yet."

In 2006, after 33 public meetings, the board approved the goals for life skills and sought to define behavior that reflects sound moral character, such as "Model honesty and integrity" and "Respect people, property and authority." School officials, at the board's direction, then hunted for relevant indicators to measure progress and analyzed them.

In some cases, sufficient data were not available to make a meaningful analysis of some goals. Officials said they intend to revise report cards and create surveys for teachers, students and high school graduates to assess life-skills goals.

School Board Chairman Daniel G. Storck (Mount Vernon) emphasized that the analysis is preliminary and acknowledged that the board needs to evaluate whether a race-based analysis is appropriate and helps the board further its goal of helping every child in the school system acquire these skills.

"What we are doing [now] and we are doing three years from now will probably be pretty different," he said.

Schools Superintendent Jack D. Dale said some administrators were "surprised" by the findings that emerged from the analysis. He said looking more deeply into the data could lead to new understanding about social and cultural differences in students, something he views as critical in a system with students from about 200 countries.

Board member Ilryong Moon (At Large), a Korean American, said he was "perplexed" that disparities in measures of character education seemed to echo academic achievement gaps.

Educators typically examine racial and ethnic patterns in academic data to spot problems and direct resources to students who need them most. Members of the NAACP's Fairfax chapter criticized the school system's use of such methods for the character education analysis.

"I don't think you can classify a whole group and say they have lower character or morality," said Janice Winters, a member of the chapter's education committee. "It sends a poor message to the students: 'Oh, I'm black, and they don't expect me to behave.' "

Winters said the school system should take steps to ensure that teachers are unbiased in their assessment of students. "That has been an issue over time," she said.

Some school officials agreed with the importance of teacher training. They said, for example, that there should be a more uniform definition of disruptive behavior.

Moon and some other board members said it is valuable to learn about differences in the way students are being assessed.

"Do we just brush this aside as if it never existed or do we do something constructive?" Moon said.

Moon said he wants school officials to study whether teachers "have a full understanding of whom they teach, and their different learning styles and family backgrounds."


Since when were ethics and morals part of your report card? We had a few criteria like follows instructions, etc but a whole section seems insane  Huh
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« Reply #1 on: April 12, 2008, 08:24:42 AM »

I swear, liberal educators are insane. I don't understand these solutions at all, but note that it's designed to maintain the foolish integration policy, which is just failing horrendously. The use "behavioural" indicators is extremely poor, especially the when source - racism-  behind this disparity is widely known, but ignored. 

The "No child left behind" joke was destined to fail under an integration setup. It is not possible to educate kids in such a manner unless Blacks and Hispanics were taken from their parents. The reason why Asian students manage is because these migrants are generally a lot more educated than average. Those scores are subsidized and probably won't be sustainable in the long-run.

Now let's not get it twisted: Black, Hispanic and Native poor scores in education is due the racist curriculum designed to channel these students into poverty. Education policy is still largely specialized toward European students, and for that reason has been successful amongst these students. Add to that, funding, which even increased goes nowhere thanks to the exclusively white administration who have no idea what these students are facing, and hence taking them nowhere.

That said, the solution to this problem is specialization, meaning admin and teaching staff that correspond to student population. By doing this the Black, Hispanic, and Native students (1) needs will be met, and (2) role models requirement can be met as well. You can't expect white instructors to this, because most are disconnected from the students. They are racist and ignore the fact: white power created the poor conditions within these students' environment . To minimize this, we need educators who understand this, and honestly, the best suited for this job are clearly those who grew up in the same environment, i.e. Blacks, Hispanics, and Native educators.
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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