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Author Topic: Why Something Rather Than Nothing?  (Read 279 times)
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awatkins
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« on: July 11, 2008, 04:13:20 PM »

Interesting thing I found for an atheistic possibility of why there is something rather nothing, by Victor Stenger:
http://www.colorado.edu/philosophy/vstenger/Godless/Origin.pdf

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« Reply #1 on: July 12, 2008, 03:49:47 AM »

*Yawns*

1st

Quote
Consider the Lagrangian

L
G
da
dt
a a
a
a
= −
æ
è ç
ö
ø ÷
+
æ
è ç
ö
ø ÷
é
ë êê
ù
û úú
3
4
1
2 2
0
2
p


ah well didnt quite work, anyway my point being that if

Quote
a is some coordinate in one dimension

then (da/dt)^2 is ONLY two dimensions, if it where three we would have THREE seperate derivatives such as the more COMMON expression of vectors

FX= fx(dx/dx) + fy(dy/dx) + Fz(dz/dx)
FY= fx(dx/dy) + fy(dy/dy) + Fz(dz/dy)
FZ=fx(dx/dz) + fy(dy/dz) +fz(dz/dz)

so this forumula assume TWO spacial dimenions plus time as a third da/dt

which it later even states WHY they do so

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While not precisely the exponential usually associated with inflationary
cosmology, which occurs when k=0, it amounts to the same thing. The fact
that k=1 may seem to contradict the familiar prediction of inflationary cosmology
that k=0, that is, that the universe is flat. Actually, a highly flat universe
is still possible with k=1. Such a universe is simply very large, like a
giant inflated balloon, with the part within our horizon simply a tiny patch
on the surface. It eventually collapses in a “big crunch”

flat universe and big crunch i think NOT

and again
Quote
In general, the wave function of the universe described by the
Wheeler-DeWitt equation is a function of functions (that is, it is a functional)
that specifies the geometry of the universe at every point in threedimensional
space, with time puzzlingly absent as a parameter. Here we
consider the situation where the geometry can be described by a single
parameter, the radial scale factor a
.

scalar= two dimensions
vector= three

now then MY turn

http://van.physics.uiuc.edu/qa/listing.php?id=1228

Observer effect

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When we fire an electron at a plate with two closely spaced slits in it, and detect the electron on a screen behind these slits, the behavior of the electron is the same as that of a wave in that it can actually go though both holes at once. This may seem odd, but its true. If we repeat this experiment lots of times with lots of electrons, we see that some positions on the screen will have been hit by many electrons and some will have been hit by none. The observed "interference pattern" for these electrons is evidence of their dual wave-particle nature, and is well described by thinking of each electron as a superposition of two "states", one that goes through one slit, one that goes through the other.

http://www.amherst.edu/~jrfriedman/NYTimes/071100sci-quantum-mechanics.html

Quote
n the realm of atoms and smaller particles, objects exist not so much as objects as mists of possibilities of being here or there and everywhere at the same time -- and then someone looks and the possibilities suddenly collapse to definite locations.

so in a nutshell, ANYTHING that is not observed, can be in ALL POSSIBLE STATES and VALUES at any given SINGLE time, untill the point where its DOES become observed, it which it will become both REAL and of VALUE

now then the more accepted theory of the orginis of the universe

http://hyperphysics.phy-astr.gsu.edu/Hbase/Astro/planck.html#c2

Before a time classified as a Planck time, 10-43 seconds, all of the four fundamental forces are presumed to have been unified into one force. All matter, energy, space and time are presumed to have exploded outward from the original singularity. Nothing is known of this period.

indeed nothing is known about this period, however as this is the most generally accepted theory, and unless you have another

http://www.physlink.com/Education/askExperts/ae251.cfm

When a physicist refers to a singularity he or she is generally referring to a quantity which is infinite. Specifically, a quantity which approaches infinity as another parameter goes to zero, such as



therefore a singularity has no real values, it can be ANYTHING

now then, explain how a singulairty become both real and of value WITHOUT an observer?



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awatkins
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« Reply #2 on: July 12, 2008, 10:12:03 AM »

sativaindica I really didn't understand this post at all   Embarrassed
therefore a singularity has no real values, it can be ANYTHING

now then, explain how a singulairty become both real and of value WITHOUT an observer?
I think you are trying to argue that the singularity must have an observer (god).

Quote
n the realm of atoms and smaller particles, objects exist not so much as objects as mists of possibilities of being here or there and everywhere at the same time -- and then someone looks and the possibilities suddenly collapse to definite locations.

so in a nutshell, ANYTHING that is not observed, can be in ALL POSSIBLE STATES and VALUES at any given SINGLE time, untill the point where its DOES become observed, it which it will become both REAL and of VALUE
why does something have to have a definite location to be 'real'? Please explain.
Also, "time" and "space" only exist WITHIN the universe. The "Observer effect" exists WITHIN the universe.

Correct me if I am wrong,  but all you are saying is that the singularity must have had a definite location, therefor must have had an observer. The question "where is the universe?" is impossible, like asking "when is time?"
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« Reply #3 on: July 12, 2008, 03:07:35 PM »

the singularity NO, not oin the slightest, the  big bang YES

Quote
explain how a singulairty become(s) both real and of value WITHOUT an observer?

basically 3 things can be said about ANYTHING in our universe
1. they exist
2. the occupy space
3. they progress through time

however, a singularity DOES NOT abide by these laws, infact, NOTHING can be prooven about them....nothing at all.


REAL and of VALUE, thsoe a keywords here, location doesnt mean anything.

read the links they explain superposition, or the most famous explaination

http://theobservereffect.wordpress.com/schrodingers-cat/

all possible states at a single moment in Time, however also their is wave particle duality

http://hyperphysics.phy-astr.gsu.edu/hbase/mod1.html

without creator, the big bang, evolution the whole universe is not possible, much like beyond the event horizon, however, none of this can actually be prooven substantially enough to become a law.
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awatkins
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« Reply #4 on: July 12, 2008, 04:21:06 PM »

 
I still don't think I understand this argument.
Quote
basically 3 things can be said about ANYTHING in our universe
1. they exist
2. the occupy space
3. they progress through time

however, a singularity DOES NOT abide by these laws, infact, NOTHING can be prooven about them....nothing at all.
err, wouldn't it have to abide by #1?

Quote
http://theobservereffect.wordpress.com/schrodingers-cat/
the cat is both alive and dead for as long as the chamber is sealed, in a superposition of states. It is only when we open the chamber and observe the condition of the cat (thereby collapsing the wave function), that the superposition is lost and the cat becomes either alive or dead.
I don't understand how they possibly came to that conclusion, but w/e.

This is what I don't understand:

So why can't the universe be just like inside the steel chamber? Why can't it lose it's superposition once it is observed?

Quote
none of this can actually be prooven substantially enough to become a law.
  Cool
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awatkins
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« Reply #5 on: July 12, 2008, 06:50:25 PM »

Also, Sativaindica: How Do you know whether or not the observer effect holds true on these larger scales?
there are things (gravity, Law of Conservation of energy) which are NOT the same on different  scales.
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« Reply #6 on: July 13, 2008, 12:03:22 AM »

the law of gravity breaks down BELOW planck Length, however you REALLY need to READ awatkins. YES the universe is a grand size now, but the ORGINS of the universe BEGINS with quantum mechanics, at moments just after planck time there were not even ATOMS existent, let alone planets and stars.

http://hyperphysics.phy-astr.gsu.edu/Hbase/Astro/planck.html#c2

quite simply, you are goind the wrong way man, they dont use regular physics when trying to decopher the origins of the universe at cern, they use QUANTUM MECHANICS becuase thats ALL there was is the begining. therefore observer effect holds true at the start of the big bang.

the cat in the box is a THOUGHT experiment, hence why i posted wave-particle duality, as it suggest the electron, which is considered to be a particle, actually can have the charateristics of a wave, ALL POSSIBLE STATES

the universe is NOT in a state of superposition, anymore IMO. see many here think that to observe it needs an eye or something, NOT TRUE. a particle can observe another particle which causes the observed particle to then become REAL and of VALUE, for it to then observe another itself. therefore the reaction of this process from one to another to another, would increase EXPONENTIALLY, ala big bang.

you need to atleats TRY abd understand before you make a n arguement.

Quote
none of this can actually be prooven substantially enough to become a law

i only deal with the truth yo, i would feel wrong to make my point and NOT state waht is obviously known in the scientific community. the point is that unless we can OBSERVE a model/theory work the way we think it should, i.e experiment, then we CAN NOT proove our model theory as fact.

and since we can not OBSERVE the singularity, we can not proove one exist, merely hypothesize.
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« Reply #7 on: July 19, 2008, 12:27:34 PM »

Quote
see many here think that to observe it needs an eye or something, NOT TRUE. a particle can observe another particle
So it is not really a conscious observer needed, it is only another PARTICLE thats important here. But God is nonphysical, so he wouldn't make a difference anyway.

Quote
NOTHING can be prooven about them....nothing at all.
Lets get this straight here: Singularity =/= quantum particle, you even admit it, we don't know anything about it, so why would you jump to the assumption that quantum mechanics applies here? Just because it is the same size doesn't mean it is the same.

Despite whether not something is in a superposition, it still exists. Let's say the singularity did behave like a quantum particle. Then what is wrong with this?:
1. Singularity in superposition
2. Singularity blows up (big bang) but remains in superposition
3. Energy forms new matter, which observes the other matter, ending the superposition

Quote
and since we can not OBSERVE the singularity god, we can not proove one exist, merely hypothesize.
fixed
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« Reply #8 on: July 20, 2008, 08:21:15 PM »

lets go through this one last time awatkins

The Big Bang is not a creation theory, merely an evolution theory.

who says god is nonphysical, we cane not comprehend ANYTHING that exits outside our time-space, for God to have created this Time-space, god MUST have prexisted this one.

point is SOMETHING made this happen, i do not hold any pre-conditions for what god is, beyond that god is essential for life to exist.

you REALLY need to read about the big bang, quantum mechanics is our ONLY understanding of the Big bang, i make NO ASSUMPTIONS, unless afcourse every scientist since the late 40's is wrong.

Quote
Despite whether not something is in a superposition, it still exists.

and where did i say that it DOESNT exists, are you even reading what im writing. it DOES exist, however it exists in ALL POSSIBLE STATES and ALL POSSIBLE VALUES at ONE SINGLE MOMENT IN TIME.

1. correct, still a theory as i said can not be prooven, but correct.
2. WRONG. charge of an electron, Newtons gravitational constant, plancks constant etc. ALL where ESSENTIAL in the formation of the universe at moments just after the big bang. all FIXED in their values, therefore, can NOT be superposition.
3.superposition being in ALL possible values and states at one time, how is that even stable enough for energy to form matter.

correct. much like  a singularity we can not comprehend what happens inside one, we can not proove what happens beyond the event horizon, HOWEVER, we can point to it, we can use the surouding evironment to show its existence and we can point to it.
 
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

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At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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