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Author Topic: Israeli Outposts Seal Death of Palestinian State  (Read 94 times)
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« on: August 25, 2008, 08:44:23 AM »

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By JONATHAN COOK

Migron, West Bank

Yehudit Genud hardly feels she is on the frontier of Israel’s settlement project, although the huddle of mobile homes on a wind-swept West Bank hilltop she calls home is controversial even by Israeli standards.

Despite the size and isolation of Migron, a settlement of about 45 religious families on a ridge next to the Palestinian city of Ramallah, Mrs Genud’s job as a social worker in West Jerusalem is a 25-minute drive away on a well-paved road.

Mrs Genud, 28, pregnant with her first child, points out that Migron has parks, children’s playgrounds, a kindergarten, a daycare centre and a synagogue, all paid for by the government -- even if the buildings are enclosed by a razor-wire fence, and her husband, Roni, has to put in overtime as the settlement’s security guard.

From her trailer, she also has panoramic views not only of Ramallah but of the many communities hugging the slopes that gently fall away to the Jordan Valley.

Long-established Palestinian villages are instantly identifiable by their homes’ flat roofs and the prominence of the tall minarets of the local mosques. Interspersed among them, however, are a growing number of much newer, fortified communities of luxury villas topped by distinctive red-tiled roofs.

These are the Jewish settlements that now form an almost complete ring around Palestinian East Jerusalem, cutting it off from the rest of the West Bank and destroying any hope that the city will one day become the capital of a Palestinian state.

“These settlements are supposed to be the nail in the coffin of any future peace agreement with the Palestinians,” said Dror Etkes, a veteran observer of the settlements who works for the Israeli human rights group Yesh Din. “Their purpose is to make a Palestinian state unviable.”

The majority of the half a million settlers in the West Bank and East Jerusalem, according to Mr Etkes, are “economic opportunists”, drawn to life in the occupied territories less by ideological or religious convictions than economic incentives. The homes, municipal services and schools there are heavily subsidised by the government.

In addition, the settlements -- though illegal under international law -- are integrated into Israel through a sophisticated system of roads that make it easy for the settlers to forget they are in occupied territory surrounded by Palestinians.

But Migron, with its supposed links to the Biblical site where King Saul based himself during his fight against the Philistines, attracts a different kind of inhabitant.

“This place is holy to the Jewish people and we have a duty to be here,” Mrs Genud said. “The whole land of Israel belongs to us and we should not be afraid to live wherever we want to. The Arabs must accept that.”

Unlike the 150 or so official settlements dotted across the West Bank, Migron is an example of what the Israeli government refers to as an “illegal outpost”, often an unauthorised outgrowth from one of the main settlements. Today there are more than 100 such outposts, housing several thousand extremist settlers.

Mrs Genud, however, argues that Israel’s refusal to turn Migron into an authorised settlement, as it has done with many other established outposts, reflects pressure from Washington.

Back in 2003, Israel committed itself to dismantling the more recent outposts under the terms of the Road Map, a US-sponsored plan for reviving the peace process and creating a Palestinian state. Two years later the cabinet approved the removal of 24 outposts, although barely any progress has been made on dismantling them. Israel confirmed its pledge again in January when George W Bush, the US president, visited.

Established six years ago by a group from the nearby settlement of Ofra, Migron is now the largest of the outposts. Two residents -- Itai Halevi, the community’s rabbi, and Itai Harel, the son of Israel Harel, a well-known settler leader -- have demonstrated their confidence in Migron’s future by each building permanent homes.

“We are connected to the water grid, we have phone lines from the national company Bezeq, we have been hooked up by the electricity company and have street lighting,” Mrs Genud said. “We also have a kindergarten paid for by the state and a group of soldiers stationed here to protect us. How can we be ‘illegal’?”

Daniella Wiess, a leader of the most extreme wing of the settlers, agreed. Like the inhabitants of Migron, she said the outpost was first suggested by Ariel Sharon when he was housing minister in the 1990s. It was also among the first outposts to be set up after he became prime minister in 2002.

An official report published in 2005 found that more than $4 million was invested in Migron in its first years, with the money channelled through at least six different ministries.

There is good reason for official complicity in such outposts as Migron. “This place is very strategic,” Mrs Genud said. It looks down on Route 60, once the main road serving Palestinians between Jerusalem and Jenin in the northern West Bank.

Today, even those Palestinians who can get a permit to travel the road find regular sections obstructed by checkpoints or closed for the protection of neighbouring settlements.

“We can also see all the Arabs from here and keep an eye on what they are doing,” she said referring to her Palestinian neighbours. “And in addition, we can see the other settlements and check on their safety.”

But despite its significance to the settlement drive, Migron is under threat. Last week, the Israeli government agreed that the outpost must be destroyed, although it was tight-lipped about when. Few are expecting such a reversal to happen soon. The government’s decision was largely foisted upon it by a series of unforeseen events.

In 2006, several West Bank Palestinians, backed by Israeli peace groups, petitioned Israel’s supreme court claiming that Migron had been built on their private land.

Over the past four decades, Israel has declared nearly two-thirds of the West Bank as “state land”, seizing it on a variety of pretexts and transferring much of it to the jurisdiction of settler councils. According to the figures of the Israeli group Peace Now, the settlers are in direct control of more than 40 per cent of the West Bank.

Land belonging to Palestinians who hold the title deeds, however, has been harder to confiscate. As a result, a dubious industry of front companies both inside Israel and in the occupied territories has been spawned to transfer private Palestinian land to the settlers.

One such company appears to be behind the sale of the land on which Migron was built. A police investigation has revealed that one of the Palestinian owners, Abdel Latif Hassan Sumarin, signed over his power of attorney to an Israeli real estate company in 2004, even though he died in the United States in 1961.

During the court hearings, Israel has been dragging its feet. According to its own figures, there are a dozen outposts built entirely or partially on private Palestinian land -- and the true number may be higher still.

The settlers believe that the decision to destroy Migron, if carried out, would set a dangerous precedent. “They are very afraid that this will become simply the first of many settlements to fall,” Mr Etkes said.

Last week, faced with another hearing before the court, the government finally conceded on Migron -- but only after striking a deal with the main settlement lobby group, the Yesha council. Israel promised that the outpost would go, but not before new homes had been built for Migron’s settlers and they had been relocated en masse to a newly created -- and authorised -- settlement. According to reports in the local media, Migron’s families may be moved only a few hundred metres from their current location to an area of the West Bank designated as “state land”.

“The settlers know that preparation of an alternative site could take years,” said Yariv Oppenheimer, the head of Peace Now, fearful that this was simply a delaying tactic.

Others believe that relocating Migron may, in fact, set back the struggle against the settlements. There is already talk of moving the settlers to the jurisdiction of a neighbouring settlement, Adam.

“The danger is that Migron will be destroyed only to be resurrected in ‘legalised’ form by the government as a new settlement close by Adam,” Mr Etkes said.

Such a suspicion is confirmed by the main settler council, Yesha, which issued a statement last week: “We believe it is possible to find a solution for the outposts that will strengthen the settlements.”

Nonetheless, the residents of Migron, backed by hardline settler groups, are talking and acting tough for the time being. In a show of defiance, they moved another mobile home into the outpost last week. For several months the residents have also been erecting a large stone building close by the outpost that will become a winery.

The settlers’ rabbinical council denounced the threatened loss of the outpost, as did settler leader Gershon Masika, who warned of a bloody confrontation to save it.

Mrs Genud is not sure what she will do if the crunch comes and she has to give up her home and life in Migron. “All of this land is Jewish,” she said. “It would be a big mistake if we give up what is rightfully ours.”

Jonathan Cook is a writer and journalist based in Nazareth, Israel. His latest books are “Israel and the Clash of Civilisations: Iraq, Iran and the Plan to Remake the Middle East” (Pluto Press) and “Disappearing Palestine: Israel's Experiments in Human Despair” (Zed Books). His website is www.jkcook.net.
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« Reply #1 on: September 20, 2008, 03:45:34 AM »

If only the United States would stop supporting Israel and end all ties.   
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Mobile-friendly version Immortal Technique Biography

Born Felipe Andres Coronel on the 19th of February 1978, hip-hop artist Immortal Technique is a controversial figure in the U.S. His songs speak of the need for social justice and equality among all races, with special emphasis on the people of color or Latin Americans, but they also cover topics such as the fight against unfair imprisonments or militarism and many others.

His biography is hence quite intriguing, to say the least, and, just like the best anti aging cream is probably going to be lingering over the shelves of all cosmetic stores for many years to come, Immortal Technique’s songs are going to remain hot, fresh and sought after for a really long time. Due to the fact they speak about topics which are to be considered taboos, his lyrics continue to be listened to with the exterior shutters down in most homes.

Immortal technique was born in Peru, in El Hospital Militar de Lima; several years later, his family moved to America in order to escape the harsh living conditions in Peru. Even though they could not afford to buy any terrain a vendre there, they managed to move to Harlem in the ‘80s. Immortal Technique went to Hunter High School, but just like a hip replacement recall is never of good omen, his grades and behavior weren’t any good during high school either. He was the school bully, he harassed other students and he was not afraid to get involved in scandals with drug dealers from around the area. And while his interactions with these drug dealers were not as numerous as used cars in Phoenix are, they still managed to leave an ugly mark on his biography.

Plus, his graffiti did not actually resemble any Dreamweaver templates, but he was famous for his controversial acts of vandalism. His violence against others almost got him expelled in 1996, but he somehow managed to finish high school and even attend college at Pennsylvania State University. This time, his college experience only lasted for two years; he was then charged and convicted and he was eventually imprisoned in Pennsylvania.

In prison, just like a SEO San Antonio company would focus on booting a web site’s ranking, Immortal Technique also focused on boosting his own social ranking. He began studying the policy of religious history, and, finding the inspiration he needed, he began putting his thoughts in lyrics. In 1999 he was paroled and, even though he was first considered some sort of Agen Bola, as no one had heard of him at first, he began to attend freestyle battles he started winning.

From there on, his career started to bloom, as he gave birth to albums such as “Revolutionary Vol 1” in 2002, “Revolutionary Vol 2” in 2004 and “Revolutionary Vol 3” in 2008. He also became a political activist and started to sing about political injustice (check out his opinion on the imprisonment of Mumia Abu-Jamal or the songs on George W. Bush). Despite of the fact that his albums might not have gotten the type of positive reviews African mango reviews are usually comprised of, this has not stopped him from getting involved in future projects, including an important film collaboration. He might not approve the work of the CNA Financial Corporation, but we all need to eat, right?




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The History and Growth of Rap Music

If you are a music enthusiast, then it is very likely that you have come across a genre of music called rap music. Rap music is area that has very clear distinguishing features most notably the rapid and rhythmic chanting of the lyrics perfectly timed to the beat and musical accompaniment that forms the base of the song. Rap music traces its roots to the development of the hiphop subculture which predominantly carries four complementary musical styles namely: rapping, dancing and in particular break dancing, scratching or more popularity known as DJing, and graffiti writing which others dub as vandalism. Another sub-element of this genre is beat-boxing which also features heavily in the repertoire of many rap artists. If you thought this was an easy musical genre to characterize, then you were poorly informed: consider, many research papers and doctoral dissertations have been written on the subject of rap music and its accompanying stylistic elements.

The history of rap music, or hip-hop music, is composed of a series of rapid development phases that have all culminated in the popular rap versions of today. Before rap music took off in the 1990s, it was predominantly referred to as disco rap in the late 1970s. The three rappers who had a hand in coining the term “rap music” were DJ Hollywood, Lovebug Starski, and Keith Cowboy, the last one being officially credited with the term hip-hop. Rap music original began with improvisations and freestyle singing to add an element of unpredictability to the songs in parties and other gatherings. Even in the 1960s to 1970s, the initial elements of rap music where already sown in urban subcultures particularly in New York City where adhoc performances in the streets led to a coalescing of influences in the wake of the Civil Rights era. Like the iPhone 5 release date, it had a slow and steady rise building into an explosion of creativity and style that has made it into what it has become today.

At this very early stage of rap development, it was particularly tied to emcee-ing more than it was associated to any specific song. It predominantly tied songs together as an adlib in between. It was born out of the creative inputs of DJs who had to work with self-imposed musical constraints such as the 4/4 time beat and sampling or sequencing sections of other songs to create a smooth flow of uninterrupted musical stimuli. These were eventually married with electronic equipment such as drums and synthesizers, and ultimate melodies to give it that bite and identity. In a sense, rap music artists were basically like a video game designer who had to figure out each artistic component at every turn until it developed into a more coherent musical genre that became the rap music we know today.

The first recorded version of rap music came alive in the early 1980s when DJs decided to make records out of their freestyle MCing. This necessitated the documentation of song lyrics so they do not change during each and every rendition. The age of the stromanbieter for rap music was gone paving the way for more organized chaos. Still, the freestyle and improvisation element remained a part of many DJ interludes as the song goes through certain sections that did not require too much rap singing.

Likewise, as a consequence of the hip-hop records, the influence of rap began to spread faster than ever before. Artists no longer had to travel far to get their music heard. Now, records from New York City and Philadelphia can be reproduced and transported to cities like Los Angeles, New Orleans, Dallas, Baltimore, Washington, D.C., and Seattle among others for people to appreciate and enjoy. This was primarily the reason for rap music’s rapid growth. Like Christmas mini lights, cities formed the nodes through which rap music would spread to other parts of the country. From small beginnings to grand achievements, the birth certificate translation to true stardom took a matter of years for rap music to be realized. Since then, its take-off and rise has been meteoric.

In this regard, it is almost impossible to talk about rap music but not discuss the golden age of rap. This was the era from the late 1980s to the mid 1990s when rap grew at an astounding rate fueled by the creative contributions of many artists from all over the continental United States and in many parts of the world. The primary trait of the Golden Age or Rap was that it was an almost unbroken wave of transformative music with every single pushing the boundaries of the genre. From this age and in the succeeding Gansta Rap age came names like Run-D.M.C., Dr. Dre, Ice T, MC Hammer, The Wu-tang Clan, Snoop Dogg, and The Notorious B.I.G. among others. The list of names can virtually fill a Sharepoint Hive without any problems.

According to social studies published in 2005, teenagers and children are more familiar with hip-hop and rap music more than any other musical genre. Up to 65% of all children from ages 8 to 18 hear hip-hop music on a daily basis, making it their routinary keratin hair treatment session, almost to the point that it has become an intrinsic part of their lives. With the diversification of the genre to include the more stylish R&B or rhythm and blues, it is not difficult to explain how rap music has continued to pervade radio station, TV and movie song line-ups. The marriage of rap and jazz which paved the way for R&B is itself a phenomenon that warrants all sorts of social analysis.

And with its very strong following, it is safe to say that rap music is here to stay. Years from now, when you open your TV on a bright Saturday morning, there’s a big chance you would be watching the next stage in the evolution of rap music, and there’s an even better chance you would be dancing or singing to that tune.

Immortal Technique Rapper Biography

Immortal technique is the stage name for which rapper Felipe Andres Coronel is popularly known. His lyrics characterized by its unique mixture of socialist commentary of social class hierarchy, religion, wealth, poverty to contemporary issues touching on governmental and institutional racism. Perhaps you may have come across information about this popular icon as you undertake research for that mba online, or for whatever course you are undertaking, be it bachelors in criminal justice, performing arts degree, governance systems, online nurse practitioner programs, history, or any other course for which you have to do online research.

The rapper was born on the 19th day of February 1978 in Lima, Peru. During the internal conflicts that took place in their country at the time, his parents migrated to Harlem, New York. Probably, in the process of migration to the country, they may have used boats at least once in the journey. Like many American teenagers, the rapper was engaged in various acts against the law that led to his arrest several times, which in one his public interviews admitted that they were selfish and at best childish acts. After completing his incarceration terms, he took up a political science course in a bid to mend his seemingly torn life, while living with his father.

After completing his studies, he was not lucky enough to secure a job in his field of study owing to the unemployment situation prevailing in the entire United States. Like many American fresh graduates who take up it jobs, nursing jobs, waiter and nursing jobs among many other common jobs that may not necessarily need a specialist, he took up a working in a restaurant to earn a buck from which he could live on.

Through his deep interest in championing for equality between the elite and the under privileged in society, and being not a Mesothelioma Lawyer, the rapper begun his music career basing his lyrics on such issues as injustice, exploitation and mistreatment of the poor. This is captured clearly in his desire to keep control over his production, since he strongly believes that in the music industry, the producers normally make a large profit while the artist for who credit belongs, normally end ups earning peanut amounts at the end of the day.

His popular sediments are captured in his albums that include the revolutionary, both volume one and two, and the 3rd world and the middle passage album. the rapper is increasingly involved in prison visits and working with migrant rights activists, though which he speaks to youths and the unprivileged in the society trazer amor de volta. His investments are largely in farmland in Latin America, which like soweto properties is an unpopular investment option for many celebrity figures. His advice to the youth is not much on taking up an aacsb online mba or an online criminal justice degree, but rather it is based on exploiting ones talents and living soberly within the law.

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